Monthly Archives: August 2009

August 31, 2009 · 1:15 pm

Mad Men – “My Old Kentucky Home”

madmen2

“My Old Kentucky Home”

August 30th, 2009

“It’s a mistake to be conspicuously happy.”

Roger Sterling is a man trying to find happiness, but discovering that no one particularly wants to share in it. His daughter and his wife, as we saw last week, want nothing to do with the new woman, and here the employees of Sterling Cooper view their swanky country club soiree as a work obligation more than a chance to celebrate. There’s a fantastic moment during the party where Pete Campbell and his wife Trudy take to the dance floor and show off some admittedly very impressive moves. However, watch Pete’s face: while Trudie is getting into the music, enjoying herself, Pete spends the entire time smiling and glancing at Roger to see if he’s impressing him, to see if he’s got his attention. All social events have a sense of obligation, but this particular one feels more than all others like an event where people do as Pete desires and start handing out business cards.

“My Old Kentucky Home” is very much about the ways in which happiness is a negotiation, a struggle between individual desires (and therefore personal happiness) and the desires and hopes of everyone else around you. For Roger Sterling, his new marriage pits him against the world, having broken the cardinal rule of not romanticizing or idealizing one’s affairs. For Joan Holloway, her knowledge of the world and the customs of society place her at odds with the role her husband believes she should play. For Peggy Olsen, her own self-awareness of her position and her ability to navigate the complex world of a male-dominated business are questioned by those who have seen it all before and who know that it’s not that easy.

And for Don and Betty Draper, happiness is an act, a coverup for hidden desires and hidden secrets which can never be revealed so long as they continue to play charades. In this quasi-musical of an episode, we discover the consequences of being conspicuously happy, but also the consequences of avoiding happiness and finding one’s self just as lost as you would be if you were at odds with society’s expectation.

Continue reading →

2 Comments

Filed under Mad Men

Tagged as , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

August 31, 2009 · 1:01 am

Hung – “This is America or Fifty Bucks”

HungTitle

“This is America or Fifty Bucks”

August 30th, 2009

More than any episode before it, “This is America or Fifty Bucks” lives and dies by the show’s timeliness in the midst of an economic crisis. With Jessica struggling to adapt to Ron’s newfound money problems, and Ray struggling to make money in order to rebuild his house, the show has always been dealing with the reality of the current economic situation.

But there has always been a problem central to Ray’s struggle: in dealing with such a high end prostitution ring, he’s trapped at a point where their clientele is shrinking. Lenore’s clients are rich women with no real sense of the value of money, but once you move beyond them we’re beginning to see the business of Happiness Consulting falling apart in the midst of these circumstances. In this week’s episode, we find both Ray and Jessica at a crossroads, and they find the exact same temptress waiting for them at the roadsign, beckoning towards a sense of luxury and self-worth while Tonya struggles to maintain a sense of normalcy in the midst of an almost absurd (when you step back) business relationship as best she can.

But America is changing, and normalcy is changing, and the status quo of the series is starting to fall out from underneath our characters as they start to fall in on one another – the result is a really intriguing leadup to the end of the show’s first season.

Continue reading →

2 Comments

Filed under Hung

Tagged as , , , , , , , , , , , , , , , , ,

August 30, 2009 · 11:54 am

Winter is finally Coming: Anticipating HBO’s Game of Thrones

gamethrones

Winter is finally Coming:

Anticipating HBO’s Game of Thrones

When I was roughly 14, I read The Lord of the Rings. I enjoyed it, so my parents went to a bookstore ahead of Christmas and asked for something similar. The employee suggested A Game of Thrones, the first book in George R.R. Martin’s epic fantasy series A Song of Ice and Fire – when I unwrapped it on Christmas morning, I can remember being somewhat underwhelmed, having not (at that point) really delved into any literary series (I was a latecomer to Harry Potter, for instance) and not entirely keen on starting a new one. But, my reluctance aside, I started reading A Game of Thrones, and then A Clash of Kings, and then A Storm of Swords. Very quickly, I had read through the first three volumes.

And yet, today, I barely remember any of it. I don’t particularly know why, apart from a few key events (mainly deaths, which Martin seems to revel in), I found myself struggling to remember many specific details when I first heard of plans to bring to show to life as a new series for HBO. However, in spite of my lack of memory, there was one thing I was sure of: there was something compulsively readable about this particular brand of fantasy, and also something complex that seemed to confound my 14 year old memory but which may just be perfectly fine-tuned for my post-secondary critical mind.

Ever since the pilot was first announced as a potential HBO project, I’ve been pondering digging back into the series, but in the past few months I realized I had no excuse: HBO has been busy amassing the largest ensemble cast in their history, production is due to start in Ireland in just a few months, and a particularly resourceful blog has managed to turn casting speculation and analysis into a refined and comprehensive process worthy of this comprehensive story. Where some literary adaptations feel like a process being done independent of the material at hand, Game of Thrones has the series’ author onboard as a writer, devoted fans and active producers who have turned even casting into an internet event, and (as I discovered over the past week) some really amazing source material that feels like a perfect fit for both television as a medium and HBO as a network.

So, in short, I’m a little bit excited, and I think you should be too.

Continue reading →

9 Comments

Filed under Game of Thrones

Tagged as , , , , , , , , , , , , , ,

August 30, 2009 · 12:35 am

Season Finale: Royal Pains – “Wonderland”

RoyalPainsTitle2

“Wonderland”

August 27th, 2009

If you were quite a hawk-eyed reader of the blog, you might have seen a few weeks ago that I was convinced Royal Pains was ending its first season when Burn Notice ended the first half of its third, with a relationship-driven cliffhanger regarding the pairing of Hank and Jill. I was mistaken, of course – the show kept going, and this past Thursday it came to its finale and delivered something a little bit different. And “Wonderland” was a finale, of sorts, but one that is really strangely placed in terms of why I kept watching Royal Pains all summer.

It’s the show that really “broke out” in USA’s biggest summer ever, but the reasons it remained engaging for me as a viewer really has nothing to do with the show’s characters, at least for the most part. While some of these shows work due to the quality of their ensemble, the characters have felt ancillary to the premise and the aesthetic elements of the series. The show’s Hamptons setting is intriguing in the potential for us to meet recurring clients, and to embrace a world where the very rich and the very poor tend to interact on a regular basis – it opens up the potential for unique cases not seen on other medical shows, while in a breezy enough location to keep things from getting too serious.

However, this was a finale that went back to very basic procedural diagnosis drama, and that returned to the core relationship between the show’s regular characters which…well, I don’t want to be mean, but I don’t particularly care. I don’t dislike Hank, and I find Divya’s life quite interesting, but both Evan and Jill have been criminally underwritten, and the episode’s efforts to put roadblocks between their relationships is actually fundamentally false in terms of building suspense for a second season. The show has a stable of recurring players who I’ve grown quite accustomed to, and to put them into danger or to build suspense around them would actually feel final.

Instead, we’re putting roadblocks between characters who aren’t going anywhere, and whose divisions will be temporary before the show enters into its same comfortable rhythm next season.

Continue reading →

5 Comments

Filed under Royal Pains

Tagged as , , , , , , , , , , , , , , , , ,

August 24, 2009 · 11:59 pm

Season Finale: Nurse Jackie – “Health Care and Cinema”

NurseJackieTitle

“Health Care and Cinema”

August 24th, 2009

In its first season, Nurse Jackie has struggled to come to terms with what show, precisely, it wants to be. This is not to say that the result of this identity crisis has been an unentertaining piece of television, as in many ways the show’s tonal inconsistency is intricately linked with the central character’s struggle to live two different lives. But the show has certainly been strongest when both its comedy and its drama have felt more intricately linked with something emotional and human about these characters. The reason most viewers (that I know) have gravitated towards Zoey is not only that she’s hilarious, but also because that humour derives from clearly drawn character traits that are realistic in their neuroses, and that don’t feel forced in the context of the series structure.

Which is why I have nothing but reservations about the show’s trajectory having seen the first season finale, where it seems as if the show veers into an entirely different and fundamentally wrong direction that creates a cliffhanger which feels sensationalist to a point that robs the show of its dramatic impact. Showtime’s Weeds has been doing these types of finales for years, but in that show Nancy Botwin was over her head in early seasons running into situations that spiral out of control as a result of both her own decisions and circumstances far outside of her control. However, in that instance, the dire consequences feel like they are part of the show’s drug trade universe, both logical in terms of the show’s structure and indicative of someone who is new to this world.

However, Jackie is not new to the world of adultery, or drug addiction. Her flaws are not new or sudden, but rather longstanding questions that she has simply been ignoring or eliding for the past number of years. Her life is a web of lies, certainly, and we saw two weeks ago that she is willing to cause herself more pain in order to maintain her facade. However, the way the finale portrays the unraveling of that world makes it seem as if Jackie hasn’t thought about this moment, and that the reality of it would drive her not only to turn her back on the people around her but also to fall apart personally and professionally.

Where the finale goes wrong is that all of this takes place with either cheap dramatic shorthand or through oddly placed character emphasis, resulting in a contrived and forced cliffhanger akin to Weeds’ surreality as opposed to this show’s more grounded humanity.

Continue reading →

2 Comments

Filed under Nurse Jackie

Tagged as , , , , , , , , , , , , , , , , ,

August 24, 2009 · 2:42 pm

Mad Men – “Love Among the Ruins”

madmen2

“Love Among the Ruins”

August 24th, 2009

New York is in decay.

Don Draper’s trip to California was highly transformative on an individual level, but as an ad man it appears to have affirmed what he knew before. In California, he tells the people from Madison Square Garden, everything is shiny and new: it is a land of progress, one where people are seeing things as brightly as ever before. And yet for New York, as Don quite rightly pointed out, it is quite the opposite. It is buildings being torn down, and the “priceless” artifacts being torn down in favour of trying to capture that sense of the new while a vocal minority fights for the ruins of the past. When Kinsey spoke earlier of the Roman ruins having been torn down, he was arguing for why Penn Station needed to remain; when Don evokes the same sense of decay, he sees it as a catalyst upon which change can be sold. When the artwork for Madison Square Garden arrives, it evokes Metropolis, and the entire concept is sold as a city on a hill.

“Love Among the Ruins” is, like so many Mad Men episodes, about the act of selling a lifestyle, but in this episode we see very clearly people attempting (and somewhat failing) to live inside of it. For Don, it becomes an attempt to life within decay, to embrace his father-in-law’s growing dementia in an effort to appease his wife and allow for a continued sense of control within a volatile situation. For Peggy, meanwhile, her life as a copywriter becomes separated from her life at home, where her cynical distaste for an ad campaign brings to the surface personal insecurities stemming from her rather eventful relationship history. The rest of the episode kind of falls into place around them, spending less time establishing the season’s various plotlines and more demonstrating how these two central characters (and to a lesser extent, Betty) are handling the decay of their surroundings.

Continue reading →

3 Comments

Filed under Mad Men

Tagged as , , , , , , , , , , , , , , , , , , , , , , ,

August 24, 2009 · 1:07 am

Hung – “Thith ith a Prothetic or You Cum Just Right”

HungTitle

“Thith ith a Prothetic or You Cum Just Right”

August 24th, 2009

“I left a boy to marry a man.”

I’ve been enjoying Hung’s first season, and have especially enjoyed the recent series of episodes. Jemma’s entrance has given us a really intriguing point of view into how Ray’s new employment is changing his own life, and seeing a glimpse into Tonya’s home life last week was another example of the show trying to branch out beyond the show’s premise in order to tap into these characters at a deeper level. I don’t think anyone who has kept watching can truly claim that the show is even remotely about sex, or Ray’s penis, or any of those things.

But the one element of the show that I’ve had trouble reconciling with a lot of it was the question of Ray’s ex-wife: Anne Heche is a fine actress, but Jessica as a character is shrill and annoying, and any of the show’s attempts to garner sympathy for her has felt like a distraction. Her husband’s financial issues are not really Ray’s concern, and when the show veers into her life it just seems like she had nothing to add to this story.

I don’t think this week’s episode justifies the amount of time we’ve on occasion spent with her, but I do think that it more clearly puts her position into context. The past has always been a sort of unspoken part of this show: Ray has never really figured out why his wife left him, and it’s almost as if his present has been soul-crushing that he’s been stuck in it rather than looking either forwards or backwards. And now, in his new job, the past is irrelevant: there is still no past or future in the midst of his various encounters, and that’s something that he has absolutely no problem with. It’s when you start to play with emotions, the “mindfrakking” if you will, that things begin to reflect what Jessica saw as Ray’s lack of maturity.

And what I see as the show’s greatest accomplishment thus far.

Continue reading →

Leave a comment

Filed under Hung

Tagged as , , , , , , , , , , , , ,

August 22, 2009 · 4:51 am

Royal Pains – “Nobody’s Perfect”

RoyalPainsTitle2

“Nobody’s Perfect”

August 20th, 2009

There’s really two trajectories for USA Network series as they approach the end of their first seasons.

The first is that they find a second gear, discovering another level of their structure where they are able to tell bigger and better stories. Burn Notice, of course, is the quintessential example of this, finding in its season one cliffhanger and then into its second season an entirely new identity that made the best possible use of its characters and setting to deliver some great television.

However, nearly every other USA Network series finds cruise control, that place where they are able to drift along at roughly the same, amiable pace as they began. This doesn’t mean that the shows are boring: I’d place Psych into this category, and I’d argue the show is still pretty fresh despite my refusal to keep watching it (time commitments, is all!). Rather, it means that their sense of identity becomes grounded and simplified in the face of potential expansion, finding a comfortable rhythm with which to become familiar and consistent with viewers.

With its final set of episodes heading into the finale, especially the primary focus of “Nobody’s Perfect,” I think Royal Pains is officially settling into the second category, and I think it’s really the only option. This isn’t a show like Burn Notice that feels like its universe could really expand: the laid back style of the Hampton’s has created a cast of characters who by necessity are not going to present broader threats, and the serialized elements like Hank’s previous firing are handled here almost entirely off-screen and brushed aside (mostly) by the end of the episode.

This is just a simple summer show, and one that has found its stride enough for me to say that it moving into cruise control about now will be enough to keep me watching, if not analyzing week after week.

Continue reading →

Leave a comment

Filed under Royal Pains

Tagged as , , , , , , , , , , , , ,

August 21, 2009 · 11:15 pm

Season Premiere: Project Runway Season 6 – “Episode One”

projectrunwaylogo

“Welcome to Los Angeles!”

August 20th, 2009

After being caught in legal hell for about six months, Project Runway is finally back. Amidst swirling speculation about how the show would change, and whether it would be able to retain its success jumping to a new (and older-skewing) network, the show debuted to the series’ highest premiere ratings ever, and has proved quite a lucrative pickup for Lifetime in their efforts to expand their unscripted programming.

But, realistically, I don’t care about any of that: yes, there is some fascinating analysis of demographics and legal wrangling to be done, but at the end of the day I’m a fan of this show more than an outside observer, and as a result I was curious to see how the show would change from a production standpoint. We knew that the show was jumping to Los Angeles, but with a new production team behind the scenes there was every change that the show could feel fundamentally different.

However, within seconds, it became clear that reality television is almost scarily interchangeable, as this is almost entirely the same show despite coming from a different production company. Sure, five seasons would give them plenty of research, but to be able to so easily recreate the same kind of atmosphere even with the same types of sets is almost uncanny. Reality shows rely so much on familiarity, so I understand the need to reproduce everything, and I think the show succeeds at weathering all elements of the transition and remaining the same show it’s always been.

Which means this review can be more about the designers and the game itself rather than the behind the scenes drama, something I’ve been looking forward to for about, you know, ten months.

Continue reading →

1 Comment

Filed under Project Runway

Tagged as , , , , , , , , , , , , , , , , , , , , , , ,

August 21, 2009 · 3:12 am

Season 6 Premiere: Top Chef Las Vegas – “Sin City Vice”

TopChefTitle

“Sin City Vice”

Season 6, Episode 1

You might remember earlier this summer when I suggested that I would be spending my free time this summer writing about my first run-through of HBO’s super-serious Western Deadwood, but the lack of posts on the subject would indicate that this plan changed. You see, things got busy at various points in the summer, and during those moments I struggled to find time to sit down and deconstruct/unpack incredibly subtle and evocative hours of television in a style that David Milch truly owns. It was just too much for me to handle, and while I do intend on getting back to the project once my academic projects are finished it just wasn’t the right recipe for when I needed to take a breather from the drudgery of completing a major research thesis.

However, speaking of recipes (oh aren’t I clever), the show that ended up filling that gap (along with some catchup with The Big Bang Theory as well as indulging in the down under stylings of Project Runway Australia more recently) was Top Chef, Bravo’s cooking competition series. Considering my position as a critic, this makes a lot of sense: the show has been quite well-regarded by critics, recently garnered its second straight Emmy nomination, and even got a name-drop on 30 Rock at some point in the last couple of seasons. That’s a solid combination of factors to convince me to track down the first five seasons of the show in preparation for this week’s sixth season premiere.

Of course, there’s one problem…I don’t actually, you know, like food.

I’m aware of how crazy that sounds, but it’s true: I’m an enormously picky eater, my diet consisting of perhaps three entrees and a handful of snack/breakfast/dessert/pastry options, so this show doesn’t appeal to the Foodie or, well, any part of me on that level. While I also lack fashion knowledge, there is a visual element to Project Runway that creates a pretty objective perspective on which to judge the competitors. However, on Top Chef it’s about flavour and about subtle decisions that I really have no context for. I’m (not seriously) considering putting myself out there to the show as a judge under the moniker of the “Paletteless Wonder,” as I really have no context for whether these dishes sound good or terrible until the judges provide their opinions.

But the fact that I not only stuck through five seasons, but also was left frustrated that I couldn’t immediately move onto the sixth which premiered on Wednesday, is a testament to the show’s ability to convey the love of food in conjunction with the personalities of the chefs in order to pull people like me into these competitions. I don’t know if I would have enjoyed Top Chef Masters, where established chefs like Hubert Keller and Rick Bayless competed in the various competitions, as much if I hadn’t already seen other contestants go through it: I may not love food, but there’s something about seeing people achieve greatness in their chosen field that is truly spectacular, especially in the somewhat “out there” nature of Top Chef challenges. Seeing them go where I had seen all of the other chefs go before was a real touchstone for how much I’ve become attached to the show, and how happy I’d be to see it come back for a sixth season.

And as the show takes to Las Vegas, it becomes very clear that this is the same show it was before: sure, there’s plenty of Las Vegas puns (did you hear that the stakes are high?), but at the end of the day this seems like an enormously talented collection of chefs with perhaps the most “notably” established individuals we’ve seen yet. And while I liked the way Top Chef Masters stripped out the tension in order to focus on the cooking, some part of me is glad to see a new collection of oddballs prepared to do whatever it takes to win the title of Top Chef in a very strong premiere.

Continue reading →

1 Comment

Filed under Top Chef

Tagged as , , , , , , , , , , , , , , , , , , , , , , ,