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Cultural Check-In: Thoughts on the Fall Survivors

Thoughts on the Fall Survivors

October 22nd, 2011

First off, despite the image above, Survivor was actually an early casualty of this fall season.

This fall has been tremendously busy in terms of my “real” job, and the scholarly side of things has been equally complicated by some looming deadlines and a general increase in workload. In order to feel as though I’ve been giving that my full attention, Cultural Learnings has definitely suffered, and as much as that pains me I also think it is very much necessary given the current state of things.

However, this is not to suggest that the behaviors which drove me to blog in the first place have been entirely squashed. I’ve still been keeping up with most of my shows (although I’ve fallen behind on a few, like The Good Wife, Sons of Anarchy and How I Met Your Mother), and I’ve still been tweeting about most of them and writing about The Office (and, last night, Strike Back) for The A.V. Club. That being said, I know that there are some things which have been left somewhat more vague, and so I wanted to drop in with a few thoughts and a link to something else I’ve been working on.

First and foremost, I exchanged some emails with my colleague Ryan McGee on the subject of how critics review television comedy, a fitting subject given that I recently took part in an academic conference on the subject of TV comedy (which my colleague Jennifer Smith summarized for Antenna). This is something that he had suggested earlier this Fall, and struck me as a good way to enter into a dialogue without having to carve out the time for a podcast. The conversation spanned over the course of a week or so, and I hope it touched on some issues that can spur on some more conversation.

Ryan has posted Part One of the conversation over at Boob Tube Dude, and I’ll be posting Part Two here at Cultural Learnings on Monday. Please leave any comments you might have, as this is really something that requires a broader discussion than just the two of us to really come to life.

Funny Business: Critical Analysis of Television Comedies [Part One] – Boob Tube Dude

Next, though, I want to spend at least a bit of time discussing the new shows that have remained programmed into my DVR after premiere week, which proved to be a fairly small (and generically limited) collection. I’ve also thrown in a few thoughts on new series that have yet to premiere, and one that has already premiered but is still relatively new all things considered.

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