Tag Archives: Alec Baldwin

Cultural Learnings’ 2009 Primetime Emmy Awards LiveBlog

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2009 Primetime Emmy Awards LiveBlog

September 20th, 2009

For Cultural Learnings’ complete review of the show, CLICK HERE. For the full live blog, read on below.

I was kind of on the fence about liveblogging the Emmys this year, I really was. Twitter has provided an outlet for quippy remarks and observations that I might have while watching the event, and I ultimately end up writing a huge 2000-word rundown when the show ends so it’s not as if a LiveBlog is going to stand as my only coverage of the big event here at Cultural Learnings.

However, ultimately I want something to be able to refer to when piecing together my final rundown of the night’s festivities, and a LiveBlog seems like the kind of setup that will capture my reaction to the various winners/moments in the ceremony for those who want to know how everything is going down as it’s going down.

So, if you want to follow along with the show or check back later to see my subjective take on a particular moment in the show, here’s where you’re going to want to be. Meanwhile, if you want things elaborate and substantial, check back later tonight for my full analysis of the evening’s winners, losers, and everything in between.

7:20pm: As we wait for the show to begin, feel free to check out my predictions for the big night (the acting categories all link to long analysis pieces of each category): Cultural Learnings’ Full Emmy Predictions.

7:54pm: Enjoying Christine Baranski’s guest spot in a pre-Emmys airing of The Big Bang Theory – an omen for Jim Parsons? Baranski was always going to lose to Tina Fey, but she was damn good in this episode.

8:00pm: And we’re off and running. Television: useful science of the electronic age, indeed. Making fun of Wipeout as “Unsophisticated” is a bit low of CBS, but I guess they don’t have anything quite as lowly…except for Big Brother. Anyways, time for NPH.

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Predicting the 2009 Emmys: Lead Actor in a Comedy Series

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Lead Actor in a Comedy Series

Predicting the 2009 Emmys

And the nominees are…

  • Jemaine Clement (Flight of the Conchords)
  • Alec Baldwin (30 Rock)
  • Steve Carell (The Office)
  • Charlie Sheen (Two and a Half Men)
  • Tony Shalhoub (Monk)
  • Jim Parsons (The Big Bang Theory)

This is a battle that I have spent a lot of time thinking about, and even spent an entire post handicapping the category very carefully. There are three major contenders in this race (Baldwin, Carell and Parsons), and all have really compelling cases for their victory. While Shalhoub has won before (too many times), and Sheen is on a very popular show, and Clement is hilarious in his submitted episode (Carol Brown FTW), they are all out of this race that boils down to the safe, the overdue, and the next big thing.

As you’ll see in my handicap post, I think all actors have something going for them. Baldwin has a gimmicky performance that is integrated into all of the stories in his episode (which would be screened in its entirety for voters), Carell displays a pivotal moment for his character while nicely straddling that line between idiot and genius, and Parsons provides the single-most satisfying scene in the show’s two seasons. When you balance those things out against each other, it’s tough to pick a winner based on their tapes alone, especially as they all have their downsides (like Baldwin lacking subtlety, Carell lacking in broadness, and the rest of Parsons’ submission proving less effective).

So, then, it becomes about stories. Baldwin is a safe choice since he won last year and there are no signs of the 30 Rock train slowing down any time soon. And Parsons is (rightly) considered the next huge comic talent that could really breakthrough with a win here. At the same time, Baldwin is too safe a choice in some respects and his submission isn’t as good as last year’s, while Parsons is still young and one feels he is going to have plenty more opportunities to win this award.

As a result, my mind goes to two years ago. It was Alec Baldwin’s first year competing for 30 Rock, before the show really picked up, and the award seemed like a battle between his celebrity and the celebrity of Steve Carell, who was competing for the second time for his work on The Office. However, to the surprise of just about everyone, Ricky Gervais took home the award for his time on Extras, a decision which genuinely shocked people (even Gervais, who didn’t attend the ceremony).

And, as such, I think Steve Carell is going to pull a Ricky Gervais, just as I thought after watching their three submitted episodes. It’s a likeable performance for a character who some may view as unlikeable, and it’s an emotional performance from a show that some people might think cruel and cold. It’s the kind of performance that proves how vital Michael Scott is to the show and how crucial Carell’s characterization is to ensuring its success. And, while Baldwin might be the safe bet and while Parsons might be the epitome of a dark horse, I’ve got my money on the main in the Woman’s suit.

Predicted Winner: Steve Carell (The Office)

The Michael Scott Paper Company arc was the best thing about a strong season for The Office, and its conclusion was one of those moments where the show’s subtle qualities (especially in Carell’s performance) were on full display.

Dark Horse: Jim Parsons (The Big Bang Theory)

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Handicapping the 2009 Emmys: Lead Actor in a Comedy Series

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Handicapping the 2009 Emmys

Lead Actor in a Comedy Series

Earlier today, as part of my catchup with The Big Bang Theory’s second season (which I’ll talk about in greater detail once I’m done), I came to the episode that Jim Parsons, nominated for Lead Actor in a Comedy Series at this year’s Emmys, has submitted for consideration. Then, sorting through some shows kicking around, I stumbled upon Alec Baldwin’s submission from 30 Rock in the same category, “Generalissimo.” Considering this crazy random happenstance, I figured it was only fitting that I sit down and rewatch “Broke,” Steve Carell’s submission for his work on The Office, in order to complete the trifecta.

Yes, there are six nominees in this category, but realistically the only three that have a chance are the ones listed above. The only two acting races where I would say there are three or less potential candidates are both comedy lead categories, as a combination of tape quality and prevailing opinion will shut out the other three nominees (Charlie Sheen, Tony Shahloub, Jemaine Clement). Once you get to these three, however, things become quite complicated: each has a fairly compelling narrative for victory, and perhaps more importantly they have three very different submission tapes that cover some diverse territory.

At the end of the day, all three actors deliver funny performances, but I think it’s going to come down to which tape best combines the award show narrative and a performance worthy of the Academy’s attention.

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2009 Emmy Nominations: And the Nominees Are…

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And the Nominees Are…

2009 Emmy Nominations

For analysis of the surprises, the snubs, and everything in between, check out:

Power to the People?: 2009 Emmy Nominations Analysis [Link]

However, in list form, the nominees for the 61st Annual Primetime Emmy Awards are…

Outstanding Drama Series

  • Big Love
  • Breaking Bad
  • Damages
  • Dexter
  • House
  • Lost
  • Mad Men

Lead Actress in a Drama Series

  • Glenn Close (Damages)
  • Mariska Hargitay (Law and Order: SVU)
  • Sally Field (Brothers & Sisters)
  • Elisabeth Moss (Mad Men)
  • Holly Hunter (Saving Grace)
  • Kyra Sedgwick (The Closer)

Lead Actor in a Drama Series

  • Gabriel Byrne (In Treatment)
  • Bryan Cranston (Breaking Bad)
  • Michael C. Hall (Dexter)
  • Jon Hamm (Mad Men)
  • Hugh Laurie (House)
  • Simon Baker (The Mentalist)

Outstanding Comedy Series

  • Entourage
  • Family Guy
  • Flight of the Conchords
  • How I Met Your Mother
  • The Office
  • 30 Rock
  • Weeds

Lead Actor in a Comedy Series

  • Jemaine Clement (Flight of the Conchords)
  • Alec Baldwin (30 Rock)
  • Steve Carell (The Office)
  • Charlie Sheen (Two and a Half Men)
  • Tony Shalhoub (Monk)
  • Jim Parsons (The Big Bang Theory)

Lead Actress in a Comedy Series

  • Christina Applegate (Samantha Who?)
  • Toni Colette (United States of Tara)
  • Tina Fey (30 Rock)
  • Julia Louis-Dreyfus (New Adventures…Christine)
  • Mary-Louise Parker (Weeds)
  • Sarah Silverman (The Sarah Silverman Program)

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2009 Emmy Award Predictions: Lead Actor in a Comedy Series

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Lead Actor in a Comedy Series

Predictions

There is no category at the Emmys that will be less contentious in terms of deciding the nominees than this one, where a number of current favourites, a few old favourites, and one newcomer are going to duke it out: there’s six slots available, and I’d tend to argue that there’s really only seven contenders, making for a disappointing wakeup call for one individual.

Returning to the category will be four of five of last year’s nominees: Lee Pace rode a lot of popular support for Pushing Daisies last year, but shows that were canceled in December aren’t going to make it to the Emmys nine months later. This leaves Charlie Sheen, Steve Carell, Tony Shalhoub and winner Alec Baldwin, a competitive group (although my money’s still on Baldwin).

The two remaining spots are really divided between three people. First, you have previous favourites Zach Braff and David Duchovony. In the latter case, Duchovony was expected to get a nomination last year but failed to make the category; if the voters were supportive of him but the panels didn’t like his morally corrupt character on Californication, he could make it in this time around. Braff, meanwhile, got a tearful sendoff on Scrubs this season, and his fame coupled with the show’s return in quality could make him a contender (if not the show itself, which was off the radar for too long).

They’re likely duking it out for one spot, however, since Jim Parsons is the talk of the category. I’m not sure if he’ll be able to beat out Carell and Baldwin, but Parsons has been delivering an absolutely amazing performance on The Big Bang Theory, equally broad and nuanced in a way that indicates a real talent. The show around him is rarely as good as his ability, but the way he manages to bring humanity to this cold and unfeeling character is noticeable even for non-fans of the show, a quality that makes him a definite dark horse and a likely nominee (he’s announcing the nominees, after all).

This all doesn’t leave much room for even any other competitors: while I could cheer for Zachary Levi, Chuck was definitely a critics’ darling more than it was an industry darling, and outside of a left-field guest star nod for Chevy Chase the show won’t connect with voters.

Predictions for Lead Actor in a Comedy

  • Alec Baldwin (“30 Rock”)
  • Steve Carell (“The Office”)
  • David Duchovony (“Californication”)
  • Jim Parsons (“The Big Bang Theory”)
  • Tony Shalhoub (“Monk”)
  • Charlie Sheen (“Two and a Half Men”)

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30 Rock – “The Natural Order”

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“The Natural Order”

April 30th, 2009

Having already written my posts on Parks and Recreation and The Office tonight, I’ll admit to be at a bit of a loss at what to say about tonight’s episode of 30 Rock. It isn’t that the episode was bad, but 30 Rock just seems to be in a total holding pattern right now, while Parks and Recreation has the novelty of newness and The Office is transitioning out of a really engaging disription. So when “The Natural Order” finished, I was left with some rambling notes about how the episode featured a few jokes that hit, a few jokes that didn’t, and plots that threatened to come together but never quite did.

One of the problems that can kind of tie the episode together, and give me something to talk about, is how in many ways the show has to deal with what I’ll call leftovers. When there’s a small gibbon introduced into the story, it’s a funny throwaway gag that the writers decide not to throw away, and it results in an unfunny and uninteresting C-story. Similarly, while I love Elaine Stritch and storylines that showcase Jack’s more empathetic side are always welcome, at a certain point Colleen Donaghy feels like a character that was so great in that Season One finale that the writers keep reheating with diminishing returns.

It’s not enough to send the show into the territory of downright unfunny comedies, but it usually results in episodes that feel like the cast-offs in need of rewrites, quite likely because they were cast-offs that needed lots of rewrites.

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30 Rock – “The Bubble”

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“The Bubble”

March 19th, 2009

There is something very reminiscent of How I Met Your Mother in “The Bubble,” where we say goodbye to Jon Hamm in a way that makes you wish that he had been around a little bit longer. He and Salma Hayek were really the polar opposites: while she was made too central to the key storylines and fell flat after an episode or two, Hamm was in so few episodes and so far apart that while the individual episodes were quite strong we never really got to know Drew as a character, and we feel like we’ve been robbed of that.

But the strongest part of this week’s episode was, in a very HIMYM way, this term of the “bubble” that attractive people find themselves in, full of perks and salmon cooked with gatorade. But while HIMYM has lately been either expanding the scale of these ideas to the entire cast (“The Naked Man”) or treating them as one-liners as opposed to the foundation of an entire storyline, 30 Rock didn’t know what to do with this one: surrounding it were storylines which never connected, and an episode that fell flat at almost every turn.

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30 Rock – “The Funcooker”

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“The Funcooker”

March 12th, 2009

It’s kind of funny that, after an episode of The Office where Michael struggled with the idea of responsibility and blame, that 30 Rock would be so occupied with exactly the same ideas. The episode is all about authority figures who are trying to maintain something approaching order, and their subordinates who are at the same time doing everything they can to subvert all principles of authority.

It’s almost a bit too clean in the end, as all of the storylines come together to a clearly choreographed conclusion, but at the same time each storyline plays to the characters’ strengths. Just as Tracy taking over the financial crisis was funny, so too was Tracy taking over the entire airwaves. Just as Jenna’s last trip to Dr. Spaceman was a comic goldmine, this one at least got us something other than coal if not quite gold. And while Liz and Jack were both a little bit out of their elements (Liz stuck on jury duty and Jack stuck, well, working with subordinates directly), thus not quite giving the episode its potential comic punch, I still think the episode set out a simple and 30 Rock-esque storyline and succeeded in showing its potential.

And while I still want the show to shoot for something better, this is a good piece of complacency in my book.

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30 Rock – “Goodbye, My Friend”

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“Goodbye, My Friend”

March 5th, 2009

Holy flashback, Harry Henderson.

There’s a whole lot of familiarity in “Goodbye, My Friend,” an episode that cribs quite liberally from last season’s “Succession” and this season’s premiere, and it’s not all bad. I liked both of those episodes, and after spending a lot of time on relationships we get a far more individual-driven hour that pairs off some characters that we’ve never seen together while even reintroducing some characters back into the fold however briefly (Hi, Josh! Bye, Josh!).

The episode didn’t really break any ground in Liz Lemon’s fight for a child, but I can’t resist sad and pathetic Liz; similarly, I don’t think that Frank’s brief foray into respectable life is going to change his character, but I just can’t resist Jack Donaghy on a mission to rescue someone from their sad middle class existence. Combine with a Jenna/Tracy subplot that might as well have been ripped out of the show’s second season, and you have either a sure sign that the show is fundamentally bankrupt, or a sick sense that Tina Fey knows the show can rip off itself and still entertain us, just like Harry and the Hendersons ripped off Shane.

Well, Tina, you got me – I had a lot of fun with this one, self-plaigarism be damned.

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30 Rock – “Flu Shot”

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“Flu Shot”

January 15th, 2009

I know that it’s January, which means that we’re smack dab in the middle of two sweeps periods and thus in what would be a creative holding period for most returning shows, but it’s unfortunate for 30 Rock that as it delivers a mostly listless affair there’s all sorts of exciting shows premiering or about to premiere. There’s a lot of excitement swirling around the world of television right now, and this episode just doesn’t capture any part of that.

This isn’t to say that it’s bad, or to say that 30 Rock’s fate is dependent on this one outing: in fact, NBC announced today that the show is getting an unsurprising but still very welcome fourth season renewal. This show was on life support as early as this past October, so to see it thriving in the ratings and the award season enough for NBC to give it that vote of confidence is great to see.

Unfortunately, the show itself isn’t really living up to that reputation in “Flu Shot.”

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