Tag Archives: Conference

Cultural Conferencing: “The New Criticism?” at Flow 2010

“The New Criticism?” at Flow 2010

September 30th, 2010

I am currently awaiting the arrival of a late night bus which shall take me to Chicago and to a plane which will deliver me to Austin, Texas (my first time in the city/state) for the 2010 Flow Conference at the University of Texas – Austin.

This is exciting for a few reasons. First of all, Flow is unique in that it is about conversation more than presentation: instead of having attendees present formal papers, each panel member submits a short response to the panel’s prompt which then form the basis of a discussion which includes participation from the collected scholars in attendance. Conferences are usually all about conversation anyways, with the time before and after panels often more beneficial and interesting than the panels themselves, and Flow formalizes that process within its topics, and I am very much looking forward to witnessing some fantastic discussion over the weekend.

However, I will also be presenting myself as part of a panel convened by Jason Mittell (who I often link to) on “The New Criticism? Academia, Journalism, and Digital Critics.” It’s spun-off from a blog post Jason wrote back in March, which focused on the blurring of critical categories, and admittedly discusses my own position within the erosion of traditional boundaries. As a result, I was very interesting in continuing this conversation, and am excited to continue the conversation with others who come at the question from different perspectives – along with Jason and myself, the conversation will include The A.V. Club’s Noel Murray, The New School’s Laura Crestohl, and UCLA’s Sudeep Sharma, and I am extremely excited to expand on Jason’s post (and my own writings on the topic) this weekend and perhaps into the future as well.

It’s going to be an extremely exciting weekend, and I look forward to plenty of discussion, debate, and analysis in the days ahead. In the meantime, though, readers can join in the conversation: the panel is at 9:45 on Saturday (October 2nd), and if you’re on Twitter you can follow the #Flow10 hashtag where members of the audience of this and other panels will be tweeting. You can also head to the Flow Conference site, where you can read the position papers from each of the panelists which will be used to spark conversation. In the short term, however, you can check out my own position paper below the fold.

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Fiske-ian Learnings: Reflections on Fiske Matters

While I don’t often delve too far into my academic experiences here at Cultural Learnings, this past weekend offered an interesting convergence of my various different hats, and since I’m going to be more academically involved in television studies in the years ahead I figure now seems like a good time to introduce some of that material here at the blog.

I was in Madison, Wisconsin over the weekend for Fiske Matters, a conference celebrating the legacy of John Fiske, professor emeritus at University of Wisconsin-Madison and considered to be one of the most influential figures in cultural and media studies. In particular, the conference was organized to commemorate the ten-year anniversary of his retirement from academia, and to begin the process of rescuing his work from a few decades of reductive criticism which has unfairly marginalized his contribution to the field.

The majority of people at the conference were themselves products of Fiske’s influential work: most of the attendees were former students, many of whom are now prominent academics within the field and who continue to rely on his teachings when inspiring a new era of scholars. And while I never had the pleasure of studying with Fiske, nor have I ever learned about Fiske in any of my direct academic experience, the conference was a fantastic introduction into the collaborative, creative and engaged academic environment which owes a great deal to Fiske’s work in the field.

I’m not going to be posting my entire presentation (for reasons I’ll get to beneath the fold), but I do want to discuss my paper and then raise some of my observations from the weekend which will hopefully be relevant to both academics and readers who may not be academics but might be interested in seeing how television and media are filtered through an academic lens.

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When Worlds Converge: Futures of Entertainment at Cultural Learnings

One of the reasons I write about television is in order to engage with a larger community of both television viewers and television critics. While there is no doubt a personal desire to consider the medium more carefully nearly every day, it’s also about contributing to a broader critical discourse on television that extends from traditional critics to television bloggers to message board commenters.

However, one of the things that has been missing within my academic experience (which is only rarely a topic of discussion on the blog, as regular readers will know) is that same sense of community when it comes to analyzing television. Working within an English department as an island of television studies has made me more defensive than I’d like to admit, and while being forced to justify my projects has helped shape my perspectives on television it has also led to a lack of considerable outside input.

So, this weekend was one of those moments where my current academic work was put on hold as I took advantage of the wonders of Twitter to participate from afar in discussions occurring during Futures of Entertainment 4, a conference hosted by MIT’s Convergence Culture Consortium and designed to engage scholars and industry figures in discussions about, well, the future of entertainment. And, as lame as it sounds, it really did feel like a convergence of my academic interest in television and my work here at Cultural Learnings. While the discussions used theoretical ideas that are uncommon in television criticism, the conversation always went beyond theory to application, with panel members including representatives from the BBC and from companies that actually produce the types of content being discussed.

The resulting conversationswere  different from what I’m used to but not entirely foreign: there was a lengthy discussion about Joss Whedon’s future in television considering Dollhouse’s cancellation, and while the discussion jettisoned subjective analysis of the series it nonetheless considered the potential of online business models and the changing metrics networks use to determine a series’ fate, the same types of things that critics and bloggers alike have been discussing since the show was axed. It was one of many conversations that made me both appreciative of the chance to contribute to the amazing discussion between these top academic/industry minds in Cambridge and extremely proud to be part of a similar sort of community through my regular reviews and analysis here at Cultural Learnings each day.

As a result, I wanted to be able to reflect the convergence of sorts between the two worlds, so I put together a series of “FOE4 Musings” that focus on shows/situations I cover here on the blog from some new perspectives inspired by the crosstalk on Twitter during the conference.

Chuck vs. Fan Management vs. Fan Facilitation analyzed the failure of NBC, in the wake of the “Save Chuck” campaign, to leverage this fan support in a substantial fashion, inspired by a distinction made between management and facilitation by Henry Jenkins.

Glee and the Limitations of Reality Competition Narrative analyzed the degree to which Glee’s storytelling, along with its business strategy, refers to the successful formula of American Idol, inspired by a tweet from Ivan Askwith.

AMC’s The Prisoner and Transmedia Participation analyzed the potential for transmedia storytelling within AMC’s remake, and the ways the show’s schedule/writing worked against audience expectations, inspired by the panel on Transmedia play.

These articles are also all collected on the new “Articles” page, where readers old and new can visit (or revisit) some of the broad pieces of analysis that I’ve written over the past three years here at Cultural Learnings.

I don’t pretend that any of these pieces from this weekend are comprehensive, but they allowed me to consider some subjects common to the blog in a new light, and I can only hope that they stimulate 1/1000th of the discussion that some of the tweets from this weekend did. Any comments, from both old and new readers alike, are more than welcome.

I want to thank everyone who took part in the conversation at FOE4 for helping create a really fantastic experience that offered me far more inspiration than could be put into three posts; I can only hope that I’ll be able to attend FOE5 in person, and be able to offer more considerable insight into these fascinating discussions.

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