Tag Archives: Contract

The Office – “Happy Hour”

“Happy Hour”

March 25th, 2010

One of the advantages of the workplace comedy is that there are enough logical reasons for co-workers to get together after hours that episodes like “Happy Hour” don’t feel inherently forced. Sure, it’s still a bit television-like that an entire office would go out for Happy Hour together, but the show doesn’t really need to justify itself too much if it wants to tell some “Things that happen in bars” stories about the cast of characters.

I think where “Happy Hour” goes off the rails is where things become schticky; while the show sort of steps back from the worst of the exaggerations by episode’s end, these sorts of episodes are better when it doesn’t feel like the characters are invading the outside world. While it is inherently in character for Michael Scott to become someone different in a social scenario, the introduction of “Date Mike” was a fun sight gag that ended up pretty lame in execution.

Luckily, the storyline brought together something that could be more interesting moving forward, but it made what could have been a nice sort of “hang” with the cast into an uneven experience.

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Mad Men – “Seven Twenty Three”

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“Seven Twenty Three”

September 27th, 2009

It’s always interesting to see how viewing Mad Men changes when you have certain pieces of information.

One of the key themes of “Seven Twenty Three” is knowing certain information, or having certain contraptions which allow you to better view your situation. The eclipse is obviously the central image of this, but across the board we see characters who know things which make the actions or words of others particularly dangerous. It’s like everything is a trap waiting to happen, where saying the wrong thing can push someone to do something you couldn’t expect. Of course, this being Don Draper’s show at the end of the day, it is Don who says the wrong thing, and who is slowly losing what he thought was control of his life as he waits until the eclipse gets more interesting before donning his sunglasses.

For me going into this episode, I had heard about the walks of shame, and had pieced together what I would consider to be one of the most traumatizing (if not in the same way as Joan’s Season 2 predicament) images Mad Men has offered to date. However, much like an eclipse, there is something powerful about seeing even what you know was going to happen, especially when the important thing is not so much what happens but rather how it changes the person at the centre of it all.

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Dollhouse – “Needs”

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“Needs”

April 3rd, 2009

There was a moment early on during “Needs” that really struck me, because it really captured why I appreciated the episode more than I, well, needed it.

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