Tag Archives: Duck Phillips

Mad Men – “The Suitcase”

“The Suitcase”

September 5th, 2010

“Open or Closed?”

Not writing up last week’s Mad Men was inevitable: I watched the episode in the wake of writing about the Emmys, and then it was my first week of my PhD program, and there were just too many reasons to let it go. I also didn’t feel like “Waldorf Stories” was particularly rife for critical analysis: it was a very good episode, but it was fairly devoid of subtexts. Don Draper continued his self-destructive behaviour, but the episode fairly elegantly laid it out for him, analyzing his behaviour itself and making my job more “pointing out the obvious” than “examining the episode.”

However, “Waldorf Stories” was another strong bit of escalation in a season which is unafraid to be “slow”: a lot of time has passed so far this season, but Don Draper seems to be stuck in a single moment, best exemplified by the scene where Don wakes up to discover someone entirely different in the bed beside him, an entire weekend gone like sand through the hourglass (and yes, these are the days of our lives).

“The Suitcase” is memorable because it is the point at which the show slows down to meet Don’s shattered life: as he lets Peggy into his world, the show stops to capture a single evening in the life of a broken man, an evening where he regains his connection to reality on the same evening where he loses the one connection to his past. It is the moment the season has been leading up to, that moment where Don less regains his previous form and more admits that he is entering a new stage in his life.

And, simultaneously, Mad Men’s fourth season heads into its next stage with a truly stellar episode of television.

Continue reading

7 Comments

Filed under Mad Men

Mad Men – “Seven Twenty Three”

madmen2

“Seven Twenty Three”

September 27th, 2009

It’s always interesting to see how viewing Mad Men changes when you have certain pieces of information.

One of the key themes of “Seven Twenty Three” is knowing certain information, or having certain contraptions which allow you to better view your situation. The eclipse is obviously the central image of this, but across the board we see characters who know things which make the actions or words of others particularly dangerous. It’s like everything is a trap waiting to happen, where saying the wrong thing can push someone to do something you couldn’t expect. Of course, this being Don Draper’s show at the end of the day, it is Don who says the wrong thing, and who is slowly losing what he thought was control of his life as he waits until the eclipse gets more interesting before donning his sunglasses.

For me going into this episode, I had heard about the walks of shame, and had pieced together what I would consider to be one of the most traumatizing (if not in the same way as Joan’s Season 2 predicament)┬áimages Mad Men has offered to date. However, much like an eclipse, there is something powerful about seeing even what you know was going to happen, especially when the important thing is not so much what happens but rather how it changes the person at the centre of it all.

Continue reading

4 Comments

Filed under Mad Men

Mad Men – “The Fog”

madmen2

“The Fog”

September 13th, 2009

“He’s never where you expect him to be.”

When it comes to Mad Men, titles are often a sign of a major theme in an episode, often the only real quality an episode has (with most remaining light on plot in favour of atmosphere or thematic importance). But I don’t think there’s been a title in a while that has seemed so expansive, so all-encompassing. “The Fog” could mean any multitude of things both in terms of what we already know about character relationships and in terms of new develops in the span of the episode, which leaves us critics fumbling to decide just what direction we’re going to take it in.

For me, I think the moment where the title really connected with me was when Don was chatting with his prison guard friend in the Solarium and tells him an anecdote that a nurse told him when Sally was being born. “Your wife’s on the boat, and you’re on the shore.” And while it was never explicitly stated, there’s a fog between those two locations, and Mad Men is essentially a show without a lighthouse. Betty, stranded out on that boat and struggling through a difficult birthing process, comments in her crazed state that Don isn’t where you expect him to be, that once the fog lifts he’s disappeared or gone off somewhere else. While she views this in some ways as an abandonment, for Don it’s about being restless.

Much of “The Fog” is about Don Draper’s own self-awareness or lack thereof, finally admitting to himself that for all of his problems in the past he is the one on solid ground while Betty, and Peggy, and Sally are out on boats struggling to maintain course in the midst of a growing storm. He’s the one who has everything and who can help guide them safely into the years ahead, but the problem is that he is distracted: by women, by his job, and by his own insecurities buried deep beneath the surface. If he is the one in charge of climbing up the lighthouse steps to break through the fog and win the day, the boats are going to crash on the rocks.

Continue reading

5 Comments

Filed under Mad Men