Who is Miles Mendenhall? Confronting Work of Art‘s Enigmatic Antihero
August 4th, 2010
To take a page out of Mad Men’s book, “Who is Miles Mendenhall?”
In basic terms, Miles Mendenhall is one of the artists on Bravo’s Work of Art, simultaneously the summer’s most problematic and most fascinating reality series. The series is a total contradiction, emphasizing the value of art by subjecting artists to challenges which seem designed to dilute their work and maximize reality television drama, and yet the resulting pressure placed on artists gives us a front row seat to their creative process which would otherwise be impenetrable (I wrote more about this earlier this summer).
Miles sits at the heart of this contradiction, in that he seems to be the most talented artist amongst those remaining but is also the one contestant who is unquestionably “playing the game.” Never before has there been a reality television contestant whose behaviour revealed so clearly the slippery notion of “reality” within these series, and without him I strongly believe that Work of Art wouldn’t be half the series it is. Regardless of your opinion of the way he is playing the game, the fact remains that he has managed to be one of the first reality contestants in history who panders to the cameras while simultaneously subverting the artifice of the reality show he’s taking part of.
Love him or hate him, you’ve got to admit that’s a work of art.
Inanity, Intrigue and Inigo Montoya
November 20th, 2009
In the promos for the season finale of Season Six of Project Runway, Lifetime uses dramatic music and a deep-voiced announcer to try to build suspense for the big reveal. However, in their language, they have something wrong: they create anticipation for the reveal of who is “the next big name in fashion,” and my immediate response is “who cares?”
See, what works about Project Runway is that it transfers the aesthetics of the fashion industry into terms that are unrelated to the fashion industry. I know nothing about fashion, but I know a lot about what Nina Garcia likes to see in fashion, or what the series values in terms of creativity. It’s created an audience that, even if they have no knowledge of the fashion industry, have gained knowledge of what Project Runway considers fashion. As such, rather than caring about what these young designers do in the context of the fashion industry, we care about how they situate themselves within the show’s cast of characters from seasons past. For a viewer like me, Bryant Park is the setting of the finale of Project Runway, not a global fashion event, which is why Lifetime language is demonstrative of the season’s failures: I don’t care if they’re a big name in fashion, I want them to be a big name for Project Runway.
And I can confirm that Irina, Althea and Carol Hannah will not be names to remember, a fact which has more to do with the way the show treated them than it does with their individual personalities and talent. And while we’ll never know if this season would have been more interesting if it were in New York, and if the production company hadn’t changed, what we do know is that Season Six failed to provide both the next big name in fashion and a single memorable name for this franchise.
[A few more thoughts on Project Runway, and then some thoughts on both Top Chef and Survivor, with spoilers after the jump...]
Curse or Blessing? Predictability in Reality TV
November 6th, 2009
It’s been a while since I’ve stopped in with a Reality Roundup, which is symptomatic of the fact that my opinions about these three shows haven’t really changed. Survivor has been dominated by a single team to the point of proving downright uninteresting, Top Chef is still being dominated by the same four chefs, and Project Runway is something I didn’t even bother watching for a few weeks, choosing to read recaps instead. This hasn’t been a great season for any of the three shows on the level of really surprising me: in fact, they’ve all to different degrees become predictable (whether in which team will win, which chefs will dominate, and whether the show will be boring, respectively).
All three shows, however, feel ready to confront that sense of predictability in this week’s episodes, as Survivor rushes into a merge and Top Chef present a “volatile” Reunion special in an effort to shake things up a bit. And while Top Chef’s reunion show is predictably dramatic, Survivor’s merge episode is perhaps one of its best ever, unpredictable to the point of having no idea who is going home in the end.
And yet this leaves Project Runway, which has been predictably boring but almost entirely unpredictable in terms of the lack of consistent judging. As such, while the uncertainty of Survivor’s finale is downright exciting, the uncertainty surrounding who will be going to Bryant Park is actually problematic, and the end result dissatisfying if not necessarily wrong.