Tag Archives: Frances Conroy

How I Met Your Mother – “Cleaning House”

“Cleaning House”

September 27th, 2010

Barney Stinson is a very broad character, but Neil Patrick Harris has always specialized at emphasizing his vulnerability. Mind you, this vulnerability always disappears, but the series’ emphasis on serialization has allowed for Barney’s arc to avoid feeling too reductive. Yes, he resets every once in a while, but “Cleaning House” quite clearly identifies that there remains a sense of progress in the character.

While the episode wasn’t particularly fantastic, it felt more emotionally honest than the incredulous nature of the story would indicate on the surface. As someone who appreciates this level of emotional complexity, I like what the episode does for the overall narrative and for Barney as a character, even if it doesn’t fundamentally change the character in future episodes.

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How I Met Your Mother – “The Stinsons”

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“The Stinsons”

March 2nd, 2009

Listen to any fan of How I Met Your Mother talk about why they think other people should watch the show and, chances are, they are likely going to eventually say something along the lines of “this is not a traditional sitcom.” This is something that causes some people some doubts: the show has a multi-camera format and utilizes a laugh track, looking and sounding like any traditional sitcom they’ve ever seen.

Astute fans, though, will point out the show often evolves beyond its sitcom qualities through the use of things like the manipulation of time, copious amounts of flashbacks, and even the general conceit of this all being one big memory told by Future Ted. The show has a lot of tricks up its sleeve that, often, leave it looking nothing like a sitcom at all. There are other times, though, where these elements aren’t as present, and where anyone spotchecking the series for the first time might leave thinking that this is a funny, but not particularly original, sitcom.

“The Stinsons” is an episode that, if I had to put it into one of these categories based on its basic concept, would be in the latter classification. This is the very definition of a situational comedy: after Barney leaves the bar suspiciously, the rest of the gang follow him to the suburbs where they discover a secret about his life that could forever change the course of their lives…or, more accurately, the course of the following twenty minutes.

But what this extremely odd, but extremely entertaining, half hour does is prove that HIMYM isn’t just capable of fundamentally altering the sitcom DNA to make itself standout: in the development of Barney Stinson as a character, and through Bays/Thomas’ great grasp of the sitcom conventions, they are subversive just in delivering this scenario in the most dysfunctional but hilarious fashion. That the episode actually ends up boiling things down, even in its lunacy, to an important point of character realization is testament to the show’s strength: being awesome.

And that’s the Stinson family motto, after all.

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