Tag Archives: Potential

Conan the Morning After: Critics Respond to the Premiere

Conan the Morning After: “Baa Baa Blackmail”

November 9th, 2010

Despite what their titles or tags may say, no one really “reviewed” Conan last night.

While an evaluative measure may have been undertaken by numerous critics, it is always with an asterisk: yes, we all had our opinions following Conan O’Brien’s return to late night television, but making a judgment based on a single episode of a show which plans to air four episodes a week is effectively impossible.

This should not, and did not, stop critics from being critical of his performance or from offering their perspective, but it does limit critics to what I’d consider to be “personal responses.” It becomes about what expectations we had going into the broadcast, and whether or not the “Baa Baa Blackmail” (the premiere’s rather fun “title”) lived up to those expectations depends on what precisely we wanted or expected to see.

By collecting some of these responses, i hope to be able to demonstrate that Conan and late night in general are many things to many critics, and that the show is in many ways “for” the precise opposite audience.

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The Glass Ceiling: How Dollhouse can Overcome the Friday Odds

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The Glass Ceiling:

How Dollhouse can Overcome the Friday Odds

When FOX first announced that Dollhouse was going to be placed onto Fridays, I wrote the following:

My immediate response: seriously, FOX? Are we going to go through this again? After Whedon’s last FOX show, Firefly, was destroyed by mismanagement by FOX, fans of the creator have already had reason to be slightly concerned about the show’s trajectory. Now, with the creative side seemingly together, comes the next blow – that even when it does air, its opportunity for success has shrunk dramatically.

Now, since that point, both creator Joss Whedon and FOX have stuck to the line that this plan actually works out for them: by creating a night of male-skewing Sci-Fi on a night where FOX has historically gone with either repeats or reality programming, the show will have low expectations and a certain security thanks to not having the same type of time period competition as it would elsewhere on the schedule. By keeping expectations low, essentially, the show’s inevitable failure to attract the kind of audience that FOX might be looking for went from a crushing disappointment to an understanding between creator and network that time might be necessary.

Unfortunately for FOX and for Whedon, the results are in and they don’t look good: the show debuted to just 4.7 Million viewers and a 2.0 rating in the key demographics. The second number isn’t half bad, good enough for second in its timeslot, but the first number is a pretty big concern for the series. It’s about the same ratings that sent Firefly to the television graveyard before its time, actually, and the plan to try to create low expectations and then spin these ratings into something positive is somewhat tough to swallow when you get trounced by Supernanny on ABC.

But there’s a fair few factors that we need to take into account here, at least before we start writing off Dollhouse as a failure. Much as I believe the jury is still out after writing my own review of the premiere, I believe there is still time for Dollhouse to turn it around. Unfortunately, the universe might well be working against Joss Whedon and his fanbase once again.

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