Tag Archives: Zachary Levi

Chuck – “Chuck vs. the Angel of Death”

“Chuck vs. the Angel of Death”

January 11th, 2010

The unique two-night, three episode premiere has been a ratings success: the two hours last night scored the show’s best non-3D ratings since Season One, and while tonight will see a drop against intense competition from House, The Bachelor and How I Met Your Mother the show is still off to a good start.

However, creatively, the schedule is both blessing and curse: it allows the show to present a diverse set of circumstances rather than trying to start the show on a single episode which fails to capture the show’s wide-ranging quality, but it also means that certain thematic elements feel as if they’re being beaten into our skulls. “Chuck vs. the Angel of Death” is a spotlight episode for Ryan McPartlin and Sarah Lancaster, but it also reminds us that Sarah and Chuck’s “Will they, won’t they” relationship isn’t going away.

In the short term, the latter point may seem problematic, but the constant onstant reminders of Chuck and Sarah’s relationship would be more annoying spread out over several weeks, and right now the show isn’t being overrun by them: instead, the show is using it as a subtle complication of their working relationship, which takes a fun and adventurous story finally living up to Captain Awesome’s partial knowledge of Chuck’s vocation and having some fun with Casey (and Adam Baldwin’s history of revolution-inspired nicknames) in the process.

And so long as “fun” outweighs Chuck and Sarah’s relationship at the end of the day, the show is in great shape going forward.

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2009 Emmy Award Predictions: Lead Actor in a Comedy Series

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Lead Actor in a Comedy Series

Predictions

There is no category at the Emmys that will be less contentious in terms of deciding the nominees than this one, where a number of current favourites, a few old favourites, and one newcomer are going to duke it out: there’s six slots available, and I’d tend to argue that there’s really only seven contenders, making for a disappointing wakeup call for one individual.

Returning to the category will be four of five of last year’s nominees: Lee Pace rode a lot of popular support for Pushing Daisies last year, but shows that were canceled in December aren’t going to make it to the Emmys nine months later. This leaves Charlie Sheen, Steve Carell, Tony Shalhoub and winner Alec Baldwin, a competitive group (although my money’s still on Baldwin).

The two remaining spots are really divided between three people. First, you have previous favourites Zach Braff and David Duchovony. In the latter case, Duchovony was expected to get a nomination last year but failed to make the category; if the voters were supportive of him but the panels didn’t like his morally corrupt character on Californication, he could make it in this time around. Braff, meanwhile, got a tearful sendoff on Scrubs this season, and his fame coupled with the show’s return in quality could make him a contender (if not the show itself, which was off the radar for too long).

They’re likely duking it out for one spot, however, since Jim Parsons is the talk of the category. I’m not sure if he’ll be able to beat out Carell and Baldwin, but Parsons has been delivering an absolutely amazing performance on The Big Bang Theory, equally broad and nuanced in a way that indicates a real talent. The show around him is rarely as good as his ability, but the way he manages to bring humanity to this cold and unfeeling character is noticeable even for non-fans of the show, a quality that makes him a definite dark horse and a likely nominee (he’s announcing the nominees, after all).

This all doesn’t leave much room for even any other competitors: while I could cheer for Zachary Levi, Chuck was definitely a critics’ darling more than it was an industry darling, and outside of a left-field guest star nod for Chevy Chase the show won’t connect with voters.

Predictions for Lead Actor in a Comedy

  • Alec Baldwin (“30 Rock”)
  • Steve Carell (“The Office”)
  • David Duchovony (“Californication”)
  • Jim Parsons (“The Big Bang Theory”)
  • Tony Shalhoub (“Monk”)
  • Charlie Sheen (“Two and a Half Men”)

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Chuck Me Mondays: Season One, Episode One – “Chuck vs. The Intersect”

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Chuck Me Mondays:

“Chuck vs. The Intersect”

[As any fan of Chuck knows, the good folks at Chucktv.net have organized a scenario whereby everyone, all at the same time (Mondays at 9pm, it seems), watches the entirety of Chuck’s first two seasons between now and the show’s return later this year. It’s a great way to keep the hype alive (Twitter hash tag #ChuckMeMondays shows it all!), introduce new people to the show, and just revisit a really fun series. For me, I’ve blogged about many of the episodes already: in those instances, I’m going to link to my original review and then offer some retrospective thoughts based on having seen the first two seasons. In instances where I haven’t reviewed the episode (like next week’s “Chuck vs. the Helicopter”) I’ll try to offer a bit more of a substantial review. Anyways, onto our first edition!]

Chuck’s pilot was something that really excited me upon first viewing: having been able to see the episode ahead of its premiere, I was quick to offer my thoughts to my (much smaller than the present) readership in terms of how much I was looking forward to the series.

Pilot Preview: NBC’s Chuck [August 2007]

The O.C. remained a credible formula for Josh Schwartz because he balanced the oversexed teenage promiscuousness with witty and sarcastic banter, and those two parts stayed relatively intact following its demise. And so, like the sensible and smart man he is, Schwartz took the oversexed teenage promiscuousness and channeled it into “Gossip Girl” for The CW, and took the witty and sarcastic banner and found a home for it on NBC.

The resulting show is Chuck (Premiering on Monday, September 24th at 8pm on NBC), an action-thriller comedy series that places Schwartz’s sharp dialogue into a setting more acceptable for the Seth-like viewers the show is trying to reel in. The result is a series that is sharp, funny, and certainly one of the most potential-filled pilots of the 2007 Fall Season.

I think I leaned a bit too heavily on The O.C. comparisons, as the show certainly evolved beyond its geek appeal, but the point stands that the pilot emphasizes the way the show uses its witty banter for good and not evil, and never falls so far down one of its many outlets (comedy, drama, romance, etc.) to create an unbalanced pilot.

But having reread that piece, and rewatched the episode in question, I do have some additional thoughts on the pilot that I wouldn’t have been able to have with no idea of what was in store. Now, there will be some light spoilers here, but I’ll try to keep most of them in a “Plot” section at the very end of the main portion of the post.

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Chuck – “Chuck vs. the Dream Job”

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“Chuck vs. the Dream Job”

April 6th, 2009

Chuck Bartowski really only wants one thing in life: to get the intersect out of his head. However, at the same time, there are things that he needs in his life that always take precedence, his relationship with his sister being one of them. The show has always played it fast and loose as it relates to the way in which Chuck’s life as a CIA asset interacts with his domestic sphere, but in this episode there is little to no Buy More, and we find instead the convergence between Chuck’s most pressing desire and his most constant duty.

The way “Chuck vs. the Dream Job” handles this is, for the most part, predictably solid: this is not a revolutionary hour for the series, both in how the episode was plotted and the level to which anyone with half a brain called its “big reveal” as soon as Orion came on the scene. However, the show deserves a lot of credit for turning the predictable into the effective, and for doing a bangup job with casting as expected: both Scott Bakula, late of NBC’s Quantum Leap, and Chevy Chase provide that ideal combination of levity and potential menace to their respective characters.

It’s also another sign that Zachary Levi perhaps deserves more credit than he gets for his role on the show – that he is able to switch from comic pratfalls to realistic romantic drama to this week’s quite nuanced self-discovery demonstrates that the show’s star is far from a one-trick pony. And while I love the show’s comedy, and appreciate its romance, I often like it best when it finds itself in the family dynamics, the drama built less on drawn out tension and more on the idea that this character was someone before he was the intersect, before his life was a TV show; and it’s that sense that convinces me above all else that a TV show should be his future as well.

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Chuck – “Chuck vs. The Predator”

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“Chuck vs. The Predator”

March 23rd, 2009

When we last left Chuck, Josh Schwartz had revealed that our protagonist had been, without our knowledge, compiling information about the mysterious Fulcrum in an effort to get the intersect out of his head. It was a smart reveal because it does a lot to enhance Chuck’s character in terms of his determination, not just a weak innocent but someone who is trying to take an active role in his future. And it also felt like the kind of thing that could create realistic tension in Chuck and Sarah’s professional relationship, which is a smart choice in diversifying their interactions after they’ve been coming up a bit stale.

And yet, the show surprised me by immediately blowing Chuck’s cover, bringing his investigation and Orion himself out into the open and ultimately “resolving” it in the span of a single hour. I felt the show was lazy with Chuck and Sarah, dragging it out with storylines too similar to one another, but “Chuck vs. the Predator” shows that they’re not making that mistake. While the episode eventually circles back around to where we started, it’s in a whole new way, which is far more complicated in its themes of mistrust and subterfuge than a simple “Chuck grows a pair” narrative.

It’s another sign that this show is operating at a different narrative level than you would have expected when it first premiered, and another element that NBC brass are hopefully paying attention to as they map out next year’s schedule.

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Chuck – “Chuck vs. The Lethal Weapon”

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“Chuck vs. The Lethal Weapon”

March 9th, 2009

Well, the second time’s the charm.

See, immediately upon watching last night’s episode of Chuck, I found myself preoccupied with just how similar it was to last week’s episode: it involves the same guest character (MI-6 agent Cole Barker), and the ways in which that character interacted with the group were more or less along the same lines. However, I soon realized that the sense of deja vu I was getting wasn’t making me think less of “Chuck vs. The Lethal Weapon,” which came together as a rather great episode by the end of the day, but rather I was kind of even more frustrated with “Chuck vs. the Beefcake,” last week’s tepid and repetitive story.

That’s not fair to “Chuck vs. the Lethal Weapon,” where everything from last week is that much better due to a decision to pair Chuck’s efforts to get Sarah Walker out of his head with his equally strong desire to get the intersect out of there as well. It means that Chuck isn’t just lovelorn or sad about his current existence, but rather that he is striving for a future, hoping for a chance to be normal. It’s something the show felt like it put on the backburner recently, and returning to it in earnest (and, at episode’s end, with a pretty substantial reveal) makes yet another trip to the relationship well completely justified.

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Chuck – “Chuck vs. the Beefcake”

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“Chuck vs. the Beefcake”

March 2nd, 2009

Two weeks ago, I spent a great deal of my review discussing what I feel is Chuck’s achilles heel, the relationship between Chuck and Sarah. I want to clarify that I am not against their pairing: Levy and Strahovski have great chemistry, both actors can bring great dramatic material to the table, and the show is often at its best when it is delving into their relationship. No, the problem is not the characters themselves, but rather the show’s lack of movement in terms of their relationship.

It’s becoming a cliche, in other words, and this episode was ultimately no different: just as Bryce interrupted their relationship by returning to the scene, and just as Jill’s return earlier in the season turned the tables on Sarah, here we saw an MI-6 agent weasel his way into their lives and offer a more accomplished, more suave and potentially more realistic pairing for Sarah Walker. There will come a point where they are going to have to actually fundamentally change their relationship in order to keep things interesting.

But I spent enough time two weeks ago complaining about this, and the end of this week’s episode seems to indicate that some changes are on the way. While I remain wary, I also have to be honest: the show has so much working for it right now that even episodes that feel like they’re relying too heavily on one of the show’s elements end up coming out, if viewed in isolation of recurring trends, pretty solid.

And this is no exception.

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