Monthly Archives: October 2007

Brothers & Sisters – “States of the Union”

“States of the Union”

October 21st, 2007

I really want to add an s to this title, because there’s a lot of unions flying around this series. And, well, their states are pretty well all entirely the same: “Crappy”. Tommy and Julia are on the rocks, Sarah and Joe are beyond the rocks, and Kitty is freaked out that McAllister is preparing for them to maybe be on the rocks in the future. Nora’s there to try to fix all of the problems, and the result is largely uneventful.

Brothers & Sisters is at its best when it is either embracing its humorous side or creating powerful drama. This episode represents neither, focusing instead on people in crisis and the way they cope with it. This could easily fall into comic or dramatic territory, but it seems to float in between resulting in a distinct lack of impact as far as the series’ past goes. The conclusion brought things to a head, but it didn’t quite hit the right note.

[For more details, and Cultural Observations…]

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Friday Night Lights – “Are You Ready for Friday Night?”

“Are You Ready for Friday Night?”

October 19th, 2007

Once passed over due to its football focus, Friday Night Lights has spent its second season taking its established characters within a football environment and turning this into a purely personal drama series. This week, we finally returned to the gridiron…except not at all.

Last season, the show hit many of its finest moments when it paralleled the gridiron action with the off-field concerns: Mud Bowl, perhaps the show’s finest moment, brought a football game which intercut with Tyra being attacked and represented Coach Taylor’s field of dreams as much as it represented four quarters of high school ball.

We’re missing that this time around: football used to provide a framework, but now it’s treated as a distraction from the interpersonal drama. Football gets in the way of Tim Riggins’ drinking, football gets in the way of the Taylor family’s happiness, and football is just the reason Saracen and Smash are feuding. The only plays we saw in the football game were plays that spoke to this last point, as opposed to…well, actual football.

And I like football: I played a lot of it during lunchtime in High School, and I kind of felt like it was its own character within Friday Night Lights. Now, Football has no voice of its own, and I think that the show is hurting because of it. There doesn’t seem to be a connection between each episode, a way for us to relate these disparate storylines to one another in the web of things.

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Cultural Catchup – Dramas – October 19th

[Okay, so here’s the deal: I almost finished this post, and decided to wait for more shows…and then just got more busy. This covers most of the show until mid-week, I will hopefully get to the rest soonish]

Dexter – “An Inconvenient Lie”

I haven’t talked about Dexter’s second season much at Cultural Learnings for a variety of different reasons: well, actually, just one. The problem is that I watched the first two hours of the season back in July, and it was only on Sunday that the third installment aired. With Dexter’s ocean graveyard uncovered, the stakes are extremely high…but, unfortunately, I had to wait a really long time.

It is that much more impressive, then, that I was sucked right back in again. There is simply something compelling about Michael C. Hall’s performance that keeps you from being disconnected. Watching Dexter struggle to lie to the world while faced with the unearthing of his past performances while perfecting a new role as a drug addict, the parallel is less than subtle…but it is powerful, and brings forth the principle of the Dark Passenger more clearly than the show’s first season.

The episode hit many high points: Deb’s continued inability to get over Rudy trying to kill her remains important, and Dexter’s downright unsettling discussion with his FBI headhunter were two of them. Also: “You were right about the ample cargo room” was one of those one-liners that Michael C. Hall has too much fun with. The episode balanced messages of lying and Dexter’s own issues of personal introspection in regards to both Rita and the morality of his killings. It’s my first real Dexter in a while, and it reminded me why I became so infatuated with this show last year.

Gossip Girl – “Dare Devil”

Perhaps trying to prove its potential for an entire season, Gossip Girl came to bat with a full-featured and quality hour of television. “Dare Devil” dumps Nate and Chuck and focuses on situations with real drama: Dan and Serena’s first date, Jenny’s insistence on joining Blair’s social circle, Erik’s imprisonment at the Ostroff Centre, and the parental tango between Rufus and Darla.

Much like some of the best episodes of The O.C., this one managed to weave various separate threads together into a web of truth and dare, dive bar hopping, impromptu dinner dates and a jailbreak of sorts. Despite starting as separate storylines, these four parts became one by episode’s end, and I think that the result was a satisfying hour of television.

I’m frustrated with the speed at which Dan and Serena entered into makeout mode, but was surprised that the parents’ storyline gained some level of actual depth with the further introduction of Dan’s mother into the mix. Erik and Jenny remain rather adorable entries into the CW canon, and Blair’s catty side is certainly more entertaining than her rather meek appearance last week. On the whole, the show continues to sustain its basic level of quality, which is a positive sign.

Heroes – “The Kindness of Strangers”

This week’s episode of Heroes was a step in the right direction, but it didn’t quite get back on track. The core storyline is in better shape, but the dialogue and the overall pacing still need more work. This week’s episode at least gives us a worthwhile cliffhanger, but Tim Kring’s general plotting is still fairly lacklustre.

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Hey! Nielsen TV Blog Contest Update – 3rd Place? Madness!

Hey everyone, hope everything is going well out there. While I’m busy off dealing with the faculty strike (They’re talking again tomorrow night, in case someone is theoretically interested in my daily affairs), I missed an email that informed me that Cultural Learnings was sitting in 3rd Place in the Hey! Nielsen TV Blog Contest.

Needless to say, I need to thank everyone who has voted for me thus far. The fact that you’d take the time to react to this site in a positive fashion shows I must be doing something right. I greatly appreciate the support, and only wish I could have been more productive over the weekend to justify this high placement.

Now, you might be wondering what my plans are to dethrone the current leader. Well, I have no plans whatsoever. When it comes to who deserves to win this contest, there is no doubt in my mind that current #1, Jericho Monster, is that site.

Jane has put together a site that has garnered interviews with not only bloggers like myself and Rich over at Copywrite Ink., but also actors like Lennie James, who plays Hawkins on Jericho. Her interviews and postings have been a huge service to a fan campaign, and her contributions don’t stop there: whether on message boards or elsewhere, Jane has been a huge part of the Save Jericho campaign.

And since that’s really what Hey! Nielsen is for, rewarding those who step outside the box to promote their favourite series, I want everyone who might vote for me to vote for Jane as well.

Hey! Nielsen TV Blog Entry – Jericho Monster

Hey! Nielsen TV Blog Entry – Cultural Learnings

Thanks again, everyone: voting ends on October 24th!

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Pushing Daisies – “The Fun in Funeral”

“The Fun in Funeral”

October 16th, 2007

Perhaps starting a trend for the series, Pushing Daisies used its third episode to bring its pilot back to life. With creator Bryan Fuller writing, the story returned to Aunts Lilly and Vivian, to the Schotz Brothers’ Funeral Home in Couer d’Couers, and to the very premise of the show itself. The result was a charming episode that returned to the witty dialogue of the pilot even while losing some (but not all) of its dramatic flair. If this is what happens when Fuller steps back behind the computer, I think the series has plenty of longevity.

And I think this was a smart decision for its third outing: after the second episode felt extremely self-contained outside of some small moments of character continuity, this episode returned to the premise of the series in a big way. The mystery of the week surrounded the mysterious death of the funeral director who oh-so unfortunately died when Ned kept Chuck alive. When Chuck becomes aware that she is living in place of someone else, she is understandably mortified. And thus begins a game of cat and mouse that, while not quite capturing the pilot’s charm, certainly contains a great deal of wit.

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Cultural Catchup – Comedies – October 16th

[Oy vey. So much TV, so little time. This will be part one of a two-part series at this point, so we’ll start the comedies and move onto the dramas tomorrow (I’ll be covering Gossip Girl and Pushing Daisies this evening, barring unforeseen circumstances).]

How I Met Your Mother – “Little Boys”

There were some funny moments, sure, but the show’s focus is falling apart. The end of last season was a fantastic series of episodes because it was focused on Marshall and Lily’s wedding with Ted and Robin’s relationship taking a backseat. What happened at the end of last season was that Marshall and Lily became that “married couple” who no longer had any real comic potential…and Ted and Robin became the focus.

Ted has had some decent episodes (“Lucky Penny” was an example), but there is something about Ted that just doesn’t make for good comedy. The show has tried various perspectives: We went into Ted’s office for a span, and the result was mediocre comedy. Right now, Ted and Robin are both single and dating, and it just…isn’t entertaining. There’s some great jokes, and the structure of this week’s episode was interesting, but it just isn’t memorable.

I’m almost expecting them to throw Robin into the workplace any day now.

Samantha Who? – “Pilot”

The final new comedy of the fall season, Samantha Who? debuted to some solid numbers last night…and I’ll admit that I enjoyed it quite a lot. There are some fantastic elements to Samantha Who? that keep things interesting: a fantastic cast is first and foremost, with pretty well every performer nailing their respective character.

The comedy itself isn’t all that interesting, but the structure of the pilot had a lot of potential. There was some nice reveals of her “fake” best friend and her boy issues, and the mysterious hit and run driver is certainly of concern. As a pilot, it was well constructed to introduce us to these characters, as an Amnesiac makes a great tabula rosa upon which to write.

The concern, obviously, is that they’ve played out their amnesia jokes and that the rest of the series won’t be able to live up to this pilot structure. I enjoy the characters, from Jean Smart’s fantastic mother to Barry Watson’s awkward and short-haired boyfriend, but she can only learn so many things about herself each week before this gets extremely old. Will she get amnesia again? Will another character get amnesia? Where can this go, exactly?

Chuck – “Chuck vs. The Wookiee”

I will concur with the general sentiment on this episode: it just wasn’t as good as last week. It was still engaging, but it had some issues with balancing comedy and drama. In other words, it wasn’t quite funny enough, and the drama didn’t quite play as well as it could.

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Explaining the Cultural Absence

Hey loyal readers,

I know I’ve been a little bit aloof lately with the television, but there were a series of events that kept me both away from television and away from this blog. I am but a student, after all, so there are some times when television actually has to take a back seat (Yeah, I know, it’s not cool).

The faculty of my university is officially going on strike tomorrow morning, and I’ve been blogging for the Students’ Union in order to inform students about the details and the ongoing activities. This has taken up a great deal of my time, and I’ll be working in this role and others throughout the coming week (at least) to best deal with this situation.

But in short: I thought this week’s Friday Night Lights was better but still not quite on its feet, I found 30 Rock REALLY funny if not monumental, Survivor is a wee bit too predictable this year, and I’ll hopefully be able to watch Brothers & Sisters from tonight at some point tomorrow.

I would like to thank everyone who commented on my Hey! Nielsen Sound Off! week. It was great to get some fan participation, especially with the addition of Dresden Files fans late in the game.

All the best, and feel free to send me off an email if you have any TV related comments or questions!

Myles

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Sound Off! Week – Hey! Nielsen – Is it Making a Difference?

I have to apologize for not being able to post yesterday: I’m currently working with the students’ union as part of some pre-faculty strike preparations, so that took up a great deal of my time. As a result, I’m going to set us back a few days and finish this series on Sunday with some final recommendations. But, before I head out for the weekend, I want to leave what I think are some of the most important statements that Jericho and Supernatural fans made to me in their responses.

The reality is that Hey! Nielsen is a social networking site with a purpose: to better inform the Nielsen Company and their advertisers/partners about what parts of television, movies, etc. are most popular. The site is sold as a way to take the example of Jericho’s fandom to the next level, and this is why Jericho and Supernatural fans rushed to the new medium.

But the problem that the site faces is that it has no proof (as of this writing) that this is actually making a difference. There is no tangible return on their involvement: they spend a week pouring their hearts out about their favourite show, but did that make a difference? And, if it didn’t, why should they bother with this site when they’re already posting on message boards or on LiveJournal in the same fashion?

I know that the site doesn’t purport to have a direct impact on Nielsen ratings, but I think that the “purpose” of the site has led to a great deal of disinterest in its development. It’s one thing to post on a message board, such as the CBS Jericho Message Boards: you know you’re making a difference, but you have no illusion of your post being read by Nina Tassler and for Jericho to receive a third season order in the process.

But when you post on Hey! Nielsen, there is that illusion: that, in some way, being #1 on this site could be a breakthrough for your fandom. But then nothing happens: Supernatural’s ratings haven’t seen any sort of spike, Jericho doesn’t have a timeslot yet, and the Dresden Files (Newcomers to the Hey! Nielsen game, and to this blog. Welcome!) still remains canceled. People see this and, for obvious reasons, start to wonder if it was all a waste of time.

What Hey! Nielsen needs to do now is give its users at least some sense that someone is listening: I don’t care if it’s a PR letter from the head of the Nielsen Company, the first in its user-led focus groups being announced, or something to prove that they’re paying attention. A social networking site that purports to being a megaphone for fans to extend their views to a more important audience is a novel concept, but there needs to be some reciprocity in the relationship.

For now, here are what Jericho and Supernatural Fans thought of the site’s future differences, read below. If you have your own thoughts from the perspective of another fan group, let us know in the comments below!

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The Office – “Launch Day”

“Launch Day”

October 11th, 2007

To expand on the cold open to tonight’s episode of The Office, the show is a little square bouncing around a TV screen. As a fan, I’ve been watching to see whether the series will be able to hit that sweet spot right in the corner of the screen. As the members of the office wait for the bouncing cube to finally enter into that elusive meeting place of perpindicular lines, something happens: it goes in the corner. And, as if to coincide, the show found its own corner as well.

What the show brought to the table this week, that it hasn’t in weeks past, is a focus on entirely Office-related activity. The show teased heading to New York, but staying grounded in Scranton brought out the best in the show’s characters. The episode wasn’t perfect: the second half still devolved into Michael’s crazy antics that went a tad too far, but it remained grounded in the office environment. Plus, Michael actually realized he had done something wrong: a step in the right direction!

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Gossip Girl – “Bad News Blair”

“Bad News Blair”

October 10th, 2007

I really don’t have too much to say about this decent fourth outing for Gossip Girl, but I felt it was important to recognize that the series is the first to receive a full season order. The CW has a lot of faith that its little teen drama that could will grow with DVR ratings, iTunes and word of mouth. From my experience, everyone is decidedly not talking about Gossip Girl, but I think the show deserves a shot at growing.

This particular episode was actually fairly gutsy, proving once and for all that despite its title Gossip Girl has balls. It managed to keep Serena and Blair friends at episode’s end despite their fashion model meltdown, something which the previews seemed to make impossible. It also continued Dan Humphrey’s “coming out” into the Upper East Side with his first interaction with Blair, and spent considerable time with Dan and Serena’s parental units interacting over a painting.

This is all well and good, but I think that the characters are appearing a bit too thin at this point. Blair, in particular, needs to do something to prove that she’s not just another bitchy character. When she was criticized by the photographer for being too prim and stiff, I don’t think Leighton Meester was acting: her entire character has been that way. It’s like what Summer Roberts was supposed to be, on the page, before Rachel Bilson breathed life into her. I’m still waiting to see that life here.

And while the Dan/Serena pairing is fine and good, and I liked how Dan’s own relationship with his mother connected his storyline with his father’s, this teasing is going a bit too far: just let them have a date so we can see if they have any chemistry. I also missed Eric and Jenny in this episode: I get why they were cut (To focus characterization on Serena and Dan), but Serena’s development was minimal. I’m still waiting for her to gain dimension outside of her bad girl past.

But, now the show has time: my expectations are high for the series now that it has its full season, because it can start planning for the future. Much like The O.C., I’m expecting them to paint some realistic arcs for these characters outside of the back and forth between Blair and Serena. Here’s hoping that this actually comes to pass.

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