Monthly Archives: April 2008

Greek – “War & Peace”

“War & Peace”

April 14th, 2008

If there’s anything we know about ABC Family’s Greek, it’s that it rarely becomes heavy-handed. In some cases, such as Cappie’s charming Southern-general act, this is an ideal development that heightens my enjoyment of the series. In other cases, however, there are moments where you wonder whether the light-hearted solution to, say, Casey’s affair with a 16-year old doesn’t cheapen the whole thing.

Her young beau didn’t get a mention this time around, and in many ways the episode cleared the air of a lot of broad conflicts in favour of emphasizing smaller ones. The rivalry between our two central fraternities and the struggle between the ZBZ leadership and their National-appointed nuisance Lizzie both disappear in this episode, at least temporarily, which means we’re left with the broader interpersonal questions.

I think that this is perhaps the show’s most difficult balance to strike, defining interpersonal relationships in a world where broad stereotypes define most social interaction. I don’t quite know if it has the balance, considering it had to dump a fair few of its supporting players to make it work, but I definitely don’t think it was a failed exercise.

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How I Met Your Mother – “The Chain of Screaming”

“The Chain of Screaming”

April 14th, 2008

Like last week’s episode of 30 Rock, I felt as if “The Chain of Screaming” was trying too hard to follow the checklist of HIMYM’s most successful elements as opposed to actually creating a strong episode of television. Barney’s titular catchphrase never quite gelled, even if it was the episode’s best element, and everything just felt extremely slow – the central point was there, but I wasn’t feeling the flow I’ve come to expect.

My thoughts were the same on 30 Rock, but on second viewing I enjoyed it more – perhaps tomorrow I will feel the same about this one, but I really just wasn’t on board from day one. I’m not necessarily against Marshall and Lily stories, our first in quite some time, but their side of the series has been floundering ever since they bought the crooked apartment. After two episodes focusing on Barney and Ted, clearly at this point the show’s most interesting character studies, heading back into the working life of Marshall seems, ultimately, uninteresting.

This isn’t to say that it was all bad, but rather felt more inconsequential compared to how it feels like it wanted to feel.

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‘Survivor’ Moves to High-Definition – ‘TAR’ next?

If there has been a single complaint regarding the move to High Definition television in my house (Or Dorm room, whichever we want to go with here) is that some series remain in Standard Definition. Now, yes, in some cases they are still of higher quality on the HD channels due to signal clarity, but where’s the widescreen? Perhaps it’s because we get spoiled, but tuning into a reality series is a break from our traditional viewing experience.

Now, the barriers are clear: HD cameras are expensive, and reality shows require a lot of them for the various activities which take place. Let’s face it, the whole point of reality television is that it is cheaper than hiring actors, and there are few reality shows that would really benefit from the shift.

However, as Variety reports, one of the shows that will is finally making the move: Mark Burnett is taking ‘Survivor’ HD for its 17th (!) season starting in the Fall. The move will be much appreciated by this viewer, at least – as someone who has stopped watching Survivor out of emotional attachment and has started viewing for the challenges and the novelty of it all, more landscape to look at will prove beneficial.

As the article points out, there are specific challenges to this: Survivor requires a lot of underwater cameras, and in many cases a ridiculous number of angles on challenges or at tribal council. To go to HD will complicate their angles, also, as the wider viewing space might change framing and other such things.

But there are visual advantages: the beauty of the locations has long been a Survivor staple, and now they’ll be even prettier. And while I am somewhat worried about what HD will do to the unkempt competitors, it will just feel more real…and isn’t that the point? (Answer: No, but let’s pretend)

However, while I appreciate the shift for Survivor, the real question that even the Variety article asks is: is The Amazing Race next?

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Late to the (Frat) Party: ABC Family’s ‘Greek’

Let’s chalk it up to a tad bit of nostalgia and a healthy dose of reflection.

I wasn’t exactly desperate for a new show – I had gone most of the strike-forced hiatuses for my favourite shows without getting hooked on much new material, so surely I could last a weekend. However, perhaps it was the return of The Office and 30 Rock that sparked it; they were a high from which I would surely crash during the normal Friday Night doldrums, and I gave in to temptation.

However, the choice of temptation was all of the above – as I prepare to complete my undergraduate university education, it’s a time to reflect back on the university experience. And, coincidentally, I sat down and watched Greek, ABC Family’s college dramedy sat in the Greek system. And, well, I really enjoyed it.

And that might not just be the reflection talking.

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Battlestar Galactica – “Six of One”

“Six of One”

April 12th, 2008

With a gun in her hands, and a suicidal Kara Thrace in front of her, Laura Roslin pulls the trigger – she misses, and while we ponder how she did so at such close range we notice something: what she shot was a photograph of Adama and Roslin, together. If that’s not an omen, I don’t know what is.

If last week’s premiere was perhaps a symbol that the show was starting off on a slightly different trajectory than the third season, then this week’s episode solidified our point of reference: this is season two all over again.

We have questions of faith, the schism between our two leaders, and even the same people in positions of personal crisis. I don’t say this as if it is derivative, but rather that it is a strong return to form – it may not be the 0 to 60 we saw last season, but it is a strong mythology turn that will serve the show well.

Read on to learn while Starbuck is in a cell, parts of her are all throughout the ship.

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Tiding Us Over: “Geekiest Conversation I’ve ever been a part of”

On Tuesday, I had the pleasure to quickly jump back into The Watchers, the official podcast of AlwaysWatching.org with Dave, Devindra and Adam. Really, it was for Devindra that I was there – he desired to discuss last week’s premiere of Battlestar Galactica, and neither of the others watch the show. I, of course, was momre than happy to step in to discuss the show.

The resulting conversation, where we discuss the premiere and I preview some of my thesis, was called by Adam “the Geekiest Conversation I’ve ever been a part of.” So, clearly, we did something right.

Take a listen over at Always Watching, and I’ll see you for perhaps 30 Rock/Scrubs this afternoon and BSG tonight.

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The Office – “Dinner Party”

“Dinner Party”

April 10th, 2008

Although I don’t particularly want to watch last night’s episode of 30 Rock again before writing a review, I’m going to have to in order to find at least one good thing to say about it. In the meantime, however, the more positive note of the evening (outside of the Montreal Canadiens’ 4-1 victory – woot) is the return of The Office with a difficult task: how does one live up to what was finally the first home run of the season, the pre-strike finale featuring Michael and Jan’s boardroom standoff?

You could tell that they were returning from the Strike – there wasn’t a great sense of time, and the events of the boardroom were only vaguely mentioned. That is the real struggle of the strike, a loss of momentum amongst the storylines that often tie the series together. There was one area where they picked up the slack, though, which I’ll get to after the jump.

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Pondering the Cable Timed-Exclusive: Friday Night Lights and Jericho

Last week, Friday Night Lights was saved from near cancellation by NBC and DirecTV, the later received a three month timed-exclusive on the airing of new episodes of the series. Essentially, the deal is designed to compel users to renew or sign up for DirecTV to see the episodes early, and hopefully NBC makes enough money from the deal to keep the show profitable.

Considering the apparent success of the plan in theory, the easy question is “Who’s Next?”

According to the New York Times, the answer could be the fan-favourite Jericho, a series that bowed for what was to be its final episode last month:

“Television executives say this model could help keep other sentimental favorites on the air. For instance, CBS Paramount Network Television has held talks with Comcast, the cable provider, about finding new life for “Jericho,” the low-rated drama canceled by CBS last month, according to two people briefed on the talks who requested anonymity.”

This is yet another hail mary, it seems, for Carol Barbee and the show’s producers: it is an opportunity to save the show, but also another opportunity to give fans false hope of the series’ success.

This is one of those situations where it feels as if television is finding a new way to find profit, which on the surface is a good thing: less dependence on Nielsen numbers has worked to keep some HBO/Showtime shows on the air beyond their rough patches. Showtime, in particular, showed patience with Dexter and Weeds due to their critical acclaim – the same goes for Battlestar Galactica. So seeing more of this model is good, isn’t it?

But it really isn’t that model at all – it’s a half-assed attempt at making money through that model while remaining, ultimately, dependent on the broadcast airings that would follow. NBC executives are playing down what has been called “A Victory for BitTorrent Users,” but that’s what it is – either people will pony up the cash for the early airings or they will just download the episodes illegally.

But what will the ratings be, then, for the regular viewings months later? Will even rabid Jericho fans be willing to wait months to see the new episodes when they will be readily available? NBC has said that in order to remain profitable FNL needs to retain its ratings from this past season…but why would they remain the same considering the amount of viewers who have access to the episodes early?

Which is why I’m not sure if this model actually does a show like Jericho any favours: it would return to the air as a test of an unproven method which is bound to fail, and does Jericho really want to be the poster child for a failed attempt to stray from the traditional Nielsen method of judging a show’s success? The show has the potential to continue, as these talks demonstrate, but CBS as a network has always been more conservative than NBC and it might show here in their willingness to take the risk.

Either way, stay tuned to see where this all goes – and whether Jericho fans might be flocking to a premium cable service in the months ahead.

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Season Premiere – Battlestar Galactica Season Four – “He That Believeth In Me”

“He That Believeth In Me”

April 4th, 2008

I had said earlier this week that I was going to spend copious amounts of time analyzing the third season of Battlestar Galactica…and then proceeded to spend copious amounts of time watching it instead. As a result, I expected to enter into this episode ready to compare it to the season which preceded it.

Instead, I’m comparing it to Lost.

Like any good serialized show of this nature, Ronald D. Moore and Co. ended last season on a cliffhanger, something it has done in past seasons. However, something was different this time around: I don’t know if it is that the stakes are lower, or the action slower, but something has changed. My point of comparison is this season’s Lost premiere: we had the revelation in the previous Finale, so the premiere will pale by comparison.

I think, in this case, I had already watched this episode in my head: the new Cylons happening to stumble into scenarios where people question their humanity unknowingly, Starbuck struggling to return to the real world after her absence, and everything being very bizarre for Gaius Baltar. I think the problem was that the episode never went beyond that: it was great for what it was, but having already deduced much of this myself I was sort of behind.

I actually quite loved the episode: laughed out loud, gasped in horror, loved the acting, etc. It’s just that after such a huge revelation, what was put on the screen was everything we had already imagined as fans of the series dealing with a year-long hiatus. And, well, that’s kind of a let down. But, let’s discuss further.

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The Office: Commodity or Television Show?

As a fan of good television, I am a fan of The Office. Greg Daniels and Co. have done a fantastic job taking the British series and making a relevant, funny, and memorable comedy. Combined with 30 Rock, it means one hell of a Thursday night, which is in every viewer’s best interest. For me, the series is a television show worth watching, and one that I want to see succeed.

For those who may have read my posts about the start of the show’s fourth season, you likely saw that I had some problems. I felt that the one-hour episodes were almost all failures at sustaining comedy and character, and that even when the show returned with half hours it was missing something. It was still memorable, but there were some fundamental problems that I felt needed more attention – not in a total overhaul sense, but just some small-scale adjustments.

However, I am not convinced NBC views The Office as a television show anymore – they’ve scheduled another batch of one-hour episodes for the start of next season, a move made on money and ratings and little else. I know that the show is a rare demographic star for the network, but milking it like this didn’t do it any good from a creative sense. And, maybe it’s that I don’t have a bottom line to worry about, but isn’t that the most important thing?

It doesn’t appear to be for NBC, because now comes word that starting in February The Office will be paired with a spinoff, a series built from the existing stable of characters and a host of new ones. This is being sold as a good thing, a chance for the unsung heroes of the large ensemble cast to get their due. And, on the one hand, I agree with this enthusiastic if questionable response: I think there some characters in The Office deserve more time to shine, if you will. However, I can’t help but ask the question of why this spinoff is really necessary, and why NBC thinks now is the best time.

When to run a spinoff is a tricky gambit, one that has multiple options.

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