March 23rd, 2010
I’m curious what Jason Katims and Co. want us to take away from watching Parenthood. There are times, for example, I think it’s a subconscious argument for group parenting, as any one of the Braverman siblings, on their own, seems to be a legitimately terrible parent to the point where calling in a favour from another part of the family is like second nature to them. There are other times, however, where it tries to serve as a reminder to why parents go through the struggle of raising children, able to have those moments of maturity or peaceful sleep in which parents can awkwardly try to be funny or simply stand there creepily watching their child sleep.
I don’t necessarily think that these are two incongruous ideas, but the problem is that I don’t believe the characters on the show are actually benefitting from any of them. Rather than these stories emerging from who these characters are, “Wassup” was dominated by stories that emerge because the writers wanted to talk about them, and the lack of any sort of build-up or history to the events made it seem like the writers wanted to know how Lorelai Gilmore would deal with the “masturbation” question and what would happen if Nate Fisher had a teenage daughter who started dating.
While there are some fine moments in the episode which indicate that the writers know how to make these storylines resonate, there was nothing to make it feel consistent with the show’s trajectory thus far, making its “everyone learned a lesson” conclusion feel more problematic than in weeks past – I’m not giving up on the show, but I think that they need to find a way to merge story and character in a way which feels less like one big cliche.
“The Deep End of the Pool”
March 16th, 2010
Early on in a show’s run, writing reviews is about checking in with its progress: I’m not writing about last night’s Parenthood because it was particularly good or because it was some sort of game-changing episode, but rather because it’s early in a show’s run, and assessing its quality at this early stage helps me consider its future potential. While ratings are obviously important early in a show’s run (for the record, Parenthood is consistently slipping, as one would expect), the show’s creative trajectory is infinitely more interesting, which is why I’m taking the time to write about “The Deep End of the Pool” this afternoon.
In short, I thought the episode was pretty solid in that it drew attention to the biggest concern with a show like this one and seemed to suggest that it is capable of heading in a different direction: combine with some scenes that I really enjoyed, and you’ve got a pleasant way to spend an hour, which might just be enough to keep the show around on NBC’s dire lineup.
March 2nd, 2010
I’m currently trying to imagine a world where someone could handle watching both ABC’s Brothers & Sisters and NBC’s much-hyped Parenthood, the centrepiece of its Olympics advertising campaign. I used to watch the former show back in the day, and it had its moments: Sally Field makes a strong matriarch, the family squabbles featured a number of strong actors (Rachel Griffiths, Justin Annable, Emily VanCamp), and once its melodrama settled down enough to reveal itself as human drama the show could even be quite poignant on occasion.
And Parenthood reminds me a lot of that show, at least generally speaking. You have an extended family who gathers together for tense family dinners, you have the various siblings sharing a unique bond that is as deconstructive as it is constructive, and you have each separate family within the larger family dealing with their own issues with every other family peering over their shoulder.
I don’t think I can really tell you why I like Parenthood more than I ever liked Brothers & Sisters, but if I had to really try I would say that it is less smug. It feels more natural and less self-aware, either because the characters are slightly less idealistically wealthy or because I simply like the talent behind this show better. Or maybe, just maybe, the shininess of a new show is outweighing the staleness of an old one, the repetition and heightening melodrama of Brothers & Sisters being traded out for the fresh, unused template of Parenthood.
Perhaps in four years, I’ll be raving about another show just like them; for now, let’s talk about this one, because I quite enjoyed it regardless of how similar it may be to something else.