Tag Archives: Peter Bishop

Fringe – “Night of Desirable Objects”

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“Night of Desirable Objects”

September 24th, 2009

Thursday night television is, well, a night of desirable objects. With the return of Grey’s Anatomy and CSI, along with FlashForward, FOX’s decision to move Fringe into this competitive timeslot proved temporarily terrifying for J.J. Abrams and company as the show plummeted 23% in overnight ratings. Now, Live+7 numbers will ultimately tell the story of how many people DVR’d the show in order to catch the more buzzworthy Grey’s opener, but it’s like a big old red flag that FOX knew was coming, but that it hoped could be avoided. Bones has nicely situated itself in the once Survivor-dominated 8pm timeslot, and FlashForward dominated the timeslot with its premiere and CSI debuted to its own lowest premiere numbers since likely the first or second season.

What’s unfortunate for Fringe is that “Night of Desirable Objects” isn’t particularly desirable, effectively stopping the long-term storylines dead in favour of presenting a pretty simple (and not overly complex) frightfest along with a slow burn reveal regarding Olivia Dunham. For those who want the show to be a full-fledged television serial, it’s the kind of pace changer that turns them off entirely; meanwhile, for those who are mostly tuning in to see Walter have too much fun investigating dead people and to get some cheap thrills with some characters you enjoy, it was a harmless hour of entertainment that did some good work making Olivia more interesting and perhaps provide some laughs or scares along the way.

As someone who kind of sits in between, it was a not entirely unwelcome change of pace, although one that’s likely to prove an ineffective lure for new viewers.

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Season Finale: Fringe – “There’s More Than One of Everything”

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“There’s More Than One of Everything”

May 12th, 2009

I wrote a piece a while back about the ways in which Fringe sits between the procedural and the serial, with episodes that feel heavily formulaic and others that are heavily serialized and almost feel like a different show. “There’s More Than One of Everything,” as a finale, sits as the latter, an engaging with huge ideas, long-gestating character reveals, and the central “reality” that the show has been dealing with.

But what makes this episode work is that it didn’t come after a string of your run of the mill procedural episodes: by spending more or less the entirety of the post-hiatus period, which I haven’t been blogging about as I’ve been forced to play catchup more than once, balancing these two elements more effectively than in the first part of the season, the show has found its footing and was capable of delivering this finale without feeling as if this was an out of the blue burst of serialized interest to a show that too often falls on its procedural elements.

So when the scene eventually arrives when all of the individual cases suddenly tie together to help Olivia solve the true motivations of the infamous Mr. Jones, it doesn’t feel like the hackneyed scene it could have. The show doesn’t quite feel as natural as, say, Lost within this particular environment of the big event episode, but the show quite adequately and quite subtlely put itself into position for this finale over the past few weeks, and it was much more effective as a result.

As for whether it’s right up there with Abrams’ other shows in terms of finales, well, that’s a different story…but not an unpleasant one for the creator.

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Fringe – “The Equation”

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“The Equation”

November 18th, 2008

In a burst of inspiration over the weekend, I wrote a piece about the sort of transitional state of Fringe, a procedural series that people expect to offer heavily serialized content; it appears to have various states of being, and the confusion between them has kept me (to this point) from really becoming a fan of the show. Yes, there have been high points (“The Observer” has got to be on everyone’s list), but the uneven nature of the show’s opening episodes have made falling in love with Fringe a problematic scenario.

No longer, however – “The Equation” was maybe the show’s best episode yet, one which felt less contrived (if not entirely organic) and infinitely more personal than most of what we’ve seen so far. Much as “The Observer” delved deeper into Walter and Peter’s personal lives in search of an answer to a question about the Pattern and how it operates, “The Equation” takes Walter back to his time at St. Claire’s Hospital and it send us on a creepy and atmospheric journey into a quest to solve the end of an unsolvable equation.

Yes, the show still feels a bit like a low stakes Alias at points, but this episode combined some of the most interesting qualities of Alias’ mythology while focusing on the dramatic pathos of the right character at the right time. I’m not quite ready to see it as a trend, perhaps, but I was enraptured and hooked on tonight’s episode and, well, might just now call myself a fan.

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