Category Archives: Lost

Lost – “House of the Rising Sun”

losttitle3“House of the Rising Sun”

Aired: October 27, 2004

[I’m going to be taking over The A.V. Club’s TV Club Classic reviews of Lost tomorrow—in preparation, I’m offering some short thoughts on each of the episodes Todd VanDerWerff already covered at the site.]

Whereas Jack’s flashback in “White Rabbit” leaves out huge swaths of his life, narrowing in on one part of his identity in his relationship with his father and not even offering insight into decades of that relationship, Jin and Sun’s flashback in “House of the Rising Sun” is a fairly complete narrative. We don’t see the moment they meet, sure, and there are large narrative gaps (captured with elegant efficiency by the age of the dog) that pose questions, but there is a clear certainty to this story that makes it among the most effective flashbacks in the series’ run.

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Lost – “White Rabbit”

losttitle3“White Rabbit”

Aired: October 20, 2004

[I’m going to be taking over The A.V. Club’s TV Club Classic reviews of Lost this Wednesday—in preparation, I’m offering some short thoughts on each of the episodes Todd VanDerWerff already covered at the site.]

“White Rabbit” is the first of what will be many Jack stories, all about a character that doesn’t come with any inherent mysteries. When we meet Jack, he’s centered, focused, and stepping into the role of a natural leader. Whereas other characters are begging to be explored in more detail, an investigation into Jack’s past is less designed to answer a question and more designed to pose one. You thought Jack was a well-balanced individual? Well, guess what: he’s got daddy issues.

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Lost – “Walkabout”

losttitle3“Walkabout”

Aired: October 13, 2004

[I’m going to be taking over The A.V. Club’s TV Club Classic reviews of Lost next Wednesday—in preparation, I’m offering some short thoughts on each of the episodes Todd VanDerWerff already covered at the site.]

There is no more iconic flashback than “Walkabout.” It was the flashback that showed what the flashbacks could do, the first sign that something supernatural didn’t need to mean something destructive, and a tour de force performance from Terry O’Quinn.

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Lost – “Tabula Rasa”

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“Tabula Rasa”

Aired: October 6, 2004

[I’m going to be taking over The A.V. Club’s TV Club Classic reviews of Lost next Wednesday—in preparation, I’m offering some short thoughts on each of the episodes Todd VanDerWerff already covered at the site.]

On the one hand, the second-pilot-syndrome in “Tabula Rasa” seems to fly in the face of our conception of Lost as a highly serialized show. In the context of the mythology-heavy show it became, the idea that it would so pander to the idea any viewer tuning into this episode would have no idea what happened in the previous episode is absurd, particular when it’s now watched in a binge-viewing environment where it’s likely someone has just watched the pilot.

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Lost – “Pilot”

losttitle3“Pilot”

Aired: September 22, 2004/September 29, 2004

It seems probable that I revisited parts of the first season of Lost back in 2005, when I received the first season on DVD for Christmas. I have a distinct memory of watching some of the DVD bonus features, at the very least. But as life and the show grew more complicated, time grew shorter, and I’ve never revisited the show in any detail since despite writing about Seasons 3-6 in some detail here at the blog.

This is changing now that I’m stepping in to take on The A.V. Club’s TV Club Classic coverage of Lost’s first season this summer following the exit of esteemed former editor—and a big part of how I got into this episodic television criticism racket—Todd VanDerWerff. He’s completed coverage of the first six episodes of the season, and I’ll be stepping in to handle the rest, but in part for the sake of my own momentum and also to offer some perspective, I wanted to write at least some brief thoughts as I work my way through the episodes leading up to “The Moth” and “Confidence Man” next week.

And while I suggest above that I haven’t rewatched Lost, that doesn’t mean that there aren’t specific episodes—like “The Constant,” which is what Netflix told me was the last episode I’d watched—that I’ve revisited over the years. The “Pilot” is foremost among those, one of those episodes of television that I could recount almost beat-for-beat. It’s strikingly familiar, which is exactly why it’s so interesting to revisit it while knowing you’re about to embark on the journey of writing about the first season of the show while most viewers are still caught up in its sixth.

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Lost – “The New Man in Charge” Epilogue Review

“The New Man in Charge”

August 6th, 2010

“The New Man in Charge” is entirely unnecessary.

There is absolutely no creative justification for this epilogue to ABC’s Lost, which will appear on the Season Six and Complete Collection DVD sets releasing August 24th, unless we admit outright that fan desires play a prominent role in the creative process. Of the three non-commercial functions of this epilogue, which I’ll get into below the jump for the sake of avoiding even the slightest spoilers for those wanting to remain pure, only one feels as if it comes from an honest creative place: the others, meanwhile, seek to answer unresolved issues in the eyes of fans rather than unexplored ideas in the eyes of the writers.

I have no intention of spoiling the epilogue, as it isn’t “out in the wild” through legal means and I don’t want to make ABC angry with me,  but I do want to talk about it in a bit more detail after the jump if only to try to understand its existence.

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Talking Lost with TV on the Internet and The /Filmcast

Talking Lost with TV on the Internet and The /Filmcast

May 29th, 2010

I’ve written a lot about Lost this week, but if you’re still interested in hearing more discussion about the series finale and the series as a whole I took part in a couple of podcasts on Thursday that might make for some nice weekend listening for those so inclined.

First, I was one of many guests on TV on the Internet’s special Lost episode, which collected a bunch of people who write and tweet about Lost to discuss the finale (including hosts Todd VanDerWerff and Libby Hill, Jason Mittell, Zack Handlen, Daniel T. Walters, Chris Dole, and myself). For the most part, we all liked it, which means that the episode was more of a discussion of the finale and the series as a whole than it was a deconstruction or a dissection. It was a podcast with some really intelligent voices, and it resulted in some cogent discussion on the final season, the characters and their journeys, as well as the cultural impact of the series on both television in general and in our own lives.

TV on the Internet, Episode 37: Lost [Media Elites]

I think both discussions are equally interesting, but the special /Filmcast bonus Lost episode is definitely a bit more dynamic due to both its free-for-all format and the presence of more diverse opinions relating to the finale and the series as a whole. I wouldn’t go so far as to call the episode an outright debate, but /Filmcast hosts Devindra Hardawar and Adam Quigley raise some legitimate concerns with the series which Katey Rich and I work to reconcile with our own enjoyment of the series. The result, at least for me, is an honest and frank discussion which in its confrontation gets to the heart of the ways in which viewers experienced Lost and its finale, and I think anyone listening would find some part of their voice within the arguments being made.

The /Filmcast Bonus Ep. – Lost Series Finale and Wrap-up [/Film]

I want to thank Todd and Devindra for both inviting me to the respective parties and doing a fantastic job in their capacities as moderator/host/whatever you’d choose to call it, and I truly recommend that those who are still contending with their feelings over the Lost finale give these shows a listen (although perhaps spread out a bit, since both are about two hours long and I can speak from experience that four hours of Lost podcasts in a single day is a bit overwhelming).

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Lost the Morning After: Critics face “The End”

Lost the Morning After: Critics face “The End”

May 24th, 2010

Writing about the end of a television show is a lot like writing about the end of a war. When a war comes to a close, people want to know the facts of how it came to an end, and they want to understand the legacy that it will leave behind, and the same goes for a television show: people want to “understand” the ending, and they want to see the “big picture” in order to evaluate the series as a whole.

However, for critics who have been reviewing the series episode-by-episode, this is a greater challenge than I think people realize. It isn’t that we don’t have opinions about “The End” in terms of where it fits into Lost’s big picture or how its ending concludes the series’ long-term storylines, but rather that we have been in the trenches, so to speak, for years of our lives. Noel Murray likened writing about Lost weekly to “reports from the field…recording immediate impressions,” but now we’re forced to combine the immediacy of our response to the finale with this desire for closure, both within the viewing audience and within our own expectations. These critics are the embedded reporters, people who have dedicated so much of their time to cataloging their immediate responses that channeling that energy towards the end of the series seems like a different and in some cases counter-intuitive experience.

However, they’re also the people who offer a valuable glimpse into the series’ run as a whole, both in their wide-reaching commentary and in their specific analysis of “The End” and its various mysteries and reveals. Their “reports from the field” may be over, but the final transmission will serve as a wonderful starting point for the larger discussion, so let’s take a closer look at their analysis and see how the process of historicizing Lost’s impact begins.

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Series Finale: Lost – “The End”

“The End”

May 23rd, 2010

“There are no shortcuts, no do-overs – what happened, happened. All of this matters.”

[For more of my thoughts on "The End," check out my analysis of the critical response to the episode, which expands on some of the points I raise here while bringing up arguments that I didn't get to.]

I don’t know where to begin.

I know how I feel about “The End” because I have notes which capture my intense emotional responses to the action onscreen. I also know many of the points I want to make about the episode as a whole, and how it fits into the sixth season, and how it works with the remainder of the series. In fact, I could probably write every other part of this review but the first sentence, and I’d probably be able to fill it in just fine after the fact.

However, that would be dishonest: it would make you think that I, the moment I sat down at my desk after the finale finished airing, knew precisely the topic sentence which would boil this finale down, the words that would unearth its secrets and solve its mysteries. I may know the things I want to say, and I may have my opinions about the quality of this finale, but I don’t know what I can really say to get it all started.

As the quote above indicates, and as I believe the finale embodied, there are no do-overs: what happened, happened, which is why you’re reading a short meandering consideration rather than a definitive statement. “The End” lacks any definitive statements: we learn nothing about what the island really is, we get no new information about the Dharma Initiative or any of the people involved, and the episode leans towards spiritual conclusiveness rather than any resolution of the series narrative. Lost doesn’t try to end in a way which closes off its plot holes or pieces together its own meandering qualities, but rather creates an episode that says the journey was worthwhile, that the time these characters spent with each other and the time we spent with these characters was all worth it.

And for all of the questions that we may still have – and trust me, I think all of us still have questions – I firmly believe that the quality of this series finale and the overall quality of the series simply cannot be among them. Beautiful and heartwrenching, “The End” captures more than any other series finale I’ve watched the sum total of the series’ experience, awakening in viewers the same power of recall which pulls together half of the series’ narrative.

Lost was more than our experience, featuring a complex plot which goes beyond those powerful and emotional moments so lovingly punctuated by Michael Giacchino’s stirring music, but I feel “The End” paid respect to the series that’s been: it may have taken shortcuts, and it may have prioritized certain questions differently than some viewers, but at no point did it feel like the series was making that argument that what we saw tonight was the only thing that mattered.

All of this matters, for better or for worse, and by wearing its heart and soul on its sleeve Lost has gone out the same way it came in: presenting a very big world with some very big ideas through the eye(s) of those who live their lives within it.

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Lost Finale Countdown: Some Light Pre-Finale Reading?

Lost Finale Countdown

May 23rd, 2010

I don’t know if I’m ready for tonight’s Lost finale: an afternoon of flying through galaxies as a moustached-plumber who rides dinosaurs (while playing Super Mario Galaxy 2, just so it’s clear) may not be the most apt way to prepare for an epic dramatic television event, but it was darn fun and I guess that’s fitting. I’m looking to have fun with tonight’s finale more than anything else, less desperate for answers than I am desperate to see just how Lindelof and Cuse are going to end this thing.

However, I will probably be revisiting some of my thoughts from earlier this season as well as my other articles from this weekend, so I figured I’d throw up some links for new and veteran blog readers alike.

Articles

Reflections on Reviewing Lost [May 22nd, 2010]

In Defence of “Expose” [May 21st, 2010]

Lost in Lost’s Critical Culture: A Response to the New York Times [May 20th, 2010]

Why Lost Owes Us Nothing [January 28th, 2010]

Key Reviews

“LA X”

“Ab Aeterno”

“Happily Ever After”

“Across the Sea”

“What They Died For”

Lost the Morning After Critics’ Roundups

Ab Aeterno

Across the Sea

What They Died For

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