Category Archives: The Office

The Office – “Lecture Circuit Part 1”

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“Lecture Circuit”

February 5th, 2009

Only four days after I was admittedly frustrated by an hour long episode, we have a unique test of my concerns in “Lecture Circuit,” the first of two parts of the same basic episode. What we have, essentially, is an hour long episode split into two parts: we leave most of our storylines at a cliffhanger, and it’s clear that we’re picking this up next week.

As the first half of an hour long episode, this was actually a very well containted episode that despite never really grasping at resolutions nonetheless offers a logical buildup to next week’s conclusion. The episode paces itself very logically: it’s a slow build, and one that isn’t really concerned about breaking new ground, but I enjoyed it for precisely that reason. While the hour-long Super Bowl episode was far funnier, and ultimately the better example of the show’s comic potential, it’s nice to be able to sit back and spend some time with the characters.

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The Office – “Stress Relief”

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“Stress Relief”

February 1st, 2009

I am not conditioned to enjoy this hour of The Office.

First off, I don’t think the show should be in this position in the first place: Chuck has a special 3D episode ready to go tomorrow night, and is much more vulnerable to audience erosion than what is quickly becoming NBC’s flagship series.

Second, I don’t like hour long episode of The Office: they are often overblown, and rarely is there enough comedy to justify the longer running time. Combine with the always frustrating reality that they will eventually be split into two parts in syndication, so they’re forced to split into two separate stories at some level, and they are rarely worthwhile (“Goodbye, Toby” and “Weight Loss” could be seen as a reversal of the trend, but the Amy Ryan variable is the more likely explanation for their quality).

And third, as if that all wasn’t enough, we have the blatant stuntcasting of Jack Black and Jessica Alba, a principle that has been a bit of an achilles heel for NBC’s other Thursday comedy, 30 Rock, all season. The Office has always been pretty immune, being as it is about the mundane life of office employees, but now even that is bleeding its way into the series.

So going into “Stress Relief,” my expectations were fairly low, and I was fully prepared to harp on all three of the above points for 1500 words.

And, well…old habits die hard, I guess – this was a mess of an episode that tried too hard to be worthy of the Super Bowl, was too scattershot to be a cohesive hour, and represented the most superfluous and tangential use of guest stars that I could possibly imagine. So in the end, my opinion remains the same: it shouldn’t have been an hour long, it shouldn’t have cast celebrities, and it shouldn’t have even been airing after the Super Bowl in the first place.

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The Office – “Prince Family Paper”

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“Prince Family Paper”

January 22nd, 2009

Well, if there was ever any doubt, we are definitely in a transition period with The Office: this, the last episode before the big one-hour Super Bowl episode with all of the big guest stars, never pretends that it is something substantial, its A plot admitting to being a result of transition and its B plot entering into the list of most insubstantial, office minutia plots the show has ever attempted.

But there is something very charming about that lack of substance in the second plot of the night, an epic battle over whether or not Hilary Swank is hot that divides the office. There will be no long term ramifications of this battle, or to any of this episode for that matter; it is an episode designed to bridge the gap between different periods in the show. Now that we know that Idris Elba (The Wire) will be arriving as the new Jan/Ryan, Michael filling in for them will be a thing of the past.

However, sitting within this transitional space isn’t particularly a bad thing: it may not hit any new notes, or any sustained ones, but I feel like it nonetheless chose the right beats for an episode that will be swept under the rug over time.

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The Office – “Duel”

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“Duel”

January 15th, 2009

There are a lot of things to like about “Duel,” most of them related less to the episode itself (solid but unspectacular) and more to what it does to bring up some great memories from the past and to put to rest a storyline that seemed as if it was going to tear the office dynamic asunder in its resolution.

I don’t necessarily think that the episode was amazingly funny, with some sharp gags in the A-story somewhat undermined by a really quite uninteresting B-story, but what it did was establish a great deal of continuity and a deft hand for the show’s overall trajectory. Letting the love triangle between Andy, Dwight and Angela explode seemed like a really big risk to take, but with a little bit of finesse it has reached its worthwhile, if perhaps a bit overdue, conclusion.

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The Office – “Moroccan Christmas”

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“Moroccan Christmas”

December 11th, 2008

A week after getting it so very right, The Office has gotten it so very wrong.

“Moroccan Christmas” is a mess of an episode, a mostly charmless affair that offers small tidbits of potential but masks them in an unnecessary and forced intervention story that felt overdone and, like the rest of the episode, only operating on one frequency. The episode was filled with small moments that felt like they could have sustained this episode without its investigation into Meredith’s drinking: the office had more than enough drama going into this episode to let that drive the story forward, and the addition of Meredith’s hair getting caught on fire isolated Michael into an unlikable and unfortunate story.

What resulted was an episode where cleverness was not enough to overcome this issue of conception, and a Christmas episode which was both joyless and, to be honest, not even all that funny when it achieved some level of success.

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The Office – “Surplus”

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“Surplus”

December 4th, 2008

Last season, an episode like “Surplus” would have felt like a godsend at this stage of the season. After getting bogged down in hour-long episodes with no direction, something so driven by office politics and Michael’s inability to make a decision would feel like a breath of fresh air.

Instead, it felt a little bit too slight. While the charm was there, and it was a nice showcase for Jenna Fischer’s Pam in particular, I think I was missing something to set the episode apart. While the central storyline had its charms, the B-Story felt more like a predictable distraction, and I’d rather have eschewed the plot entire in favour of a more complete reaction to the crisis of Copier vs. Chairs.

But, nonetheless, I consider it a good sign for the show: a show that has a problem with excess needs one of these every now and then, an episode that is almost entirely fat-free and plentiful in, if not stuffed with, comedy.

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The Office – “Frame Toby”

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“Frame Toby”

November 20th, 2008

Michael Scott is not a heartless man – he may hate Toby with every fibre of his being, and he may act as if his return is in fact a 911 emergency, but this does not mean that Michael is a terrible person. Under the circumstances, it makes perfect sense that Toby (Paul Lieberstein) returning would make Michael upset: he didn’t know he was there for a week because he refuses to go into the annex because “that’s where Holly worked,” and his most hated person replacing the person he loved would be highly problematic for anyone, yet alone someone as devoid of stability as Michael.

What works about “Frame Toby” (Michael’s initial reaction to his return, Dwight’s contribution to the eponymous effort, the conclusion of that particular story arc) works fine, but it felt like there was a bigger story here. The last time Michael was this adversarial with a co-worked was in “Goodbye, Stanley,” an episode where Michael finally came to his senses at episode’s end and he and Stanley actually talked out their differences. One of those scenes here could have gone a long way to formalizing Michael’s Holly issues, but the episode never goes there; instead, it spends a bit too much time on Pam’s non-triumphant return to the office, and never quite feels like a cohesive episode or something that adds to the existing mythology of this epic feud.

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The Office – “Business Trip”

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“Business Trip”

November 13th, 2008

When episodes like “Business Trip” end up being solid entries into a season, it’s not really because of anything they do in an isolated fashion. This is an episode that is all about whether or not the rest of the season has properly built to this moment where we take a bird’s eye view into a thus far untapped side of an office relationship, and where a trip to Winnipeg brings out Michael’s frustration with the decision to send his beloved Holly away.

These are not hilarious topics – Michael’s storyline, in fact, was played almost entirely off screen and was for the most part dominated by sadness. But the episode nonetheless whips along at a solid pace, using this business trip not as a chance to make fun of Canada (there’s much less Canadian-specific humour than one might expect) but rather to bring out those residual feelings that emerge when one is isolated away from their life with people they don’t normally associate with.

The result is an episode that has most of its action and “drama” take place offscreen, allowing the comedy to flow at a unique pace that, for me, worked very well.

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The Office – “Customer Survey”

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“Customer Survey”

November 6th, 2008

My complaint about The Office recently was that it felt inorganic: that between the concerns over Pam and Jim’s future, and the sad departure of Amy Ryan, and the battle between Dwight and Andy feeling like something we’ve dealt with too often in the past, last week’s episode just felt “off.” This week, things are less momentous but, to be honest, more consistent with what I come to expect from the show.

And on all of the fronts involved, we just got a more full-featured storyline: while removing the focus from Michael is rough when Holly brought such a great new dynamic to his character, we got to see Jim and Pam move to the center of the narrative even while entirely apart. The episode’s gimmick seemed like it could be quite lame, but it was used in a couple of charming ways and proved a potent device for the conclusion. Combine with some smart use of Michael and Kelly Kapoor, and you have an episode that just felt more natural to me, even with a bug in its ear.

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The Office – “Employee Transfer”

“Employee Transfer”

October 30th, 2008

Remember last week? I was a bit underwhelmed by “Crime Aid,” feeling that it felt a bit too much like the show forcing a situation compared to the previous two episodes, but in retrospect (and another viewing) I felt like I was a bit harsh: it was still a very funny episode with a nice running subplot.

However, I feel a bit safer in acknowledging that “Employee Transfer” was by far the season’s weakest episode, all cold open and no comic follow-through, where we said goodbye to our favourite new employee of Dunder-Mifflin while, quite honestly, not doing much else in the process. While another decent subplot, Andy and Dwight battling it out over Angela through Beets and Cornell, was at least bringing some humour, it felt derivative of what we’ve seen the show do before.

This is not to say that Employee Transfer was a bad episode, but rather that it kind of takes the wind out of the show’s sails: we’re losing the season’s MVP, we have very little sense of the show’s overall direction, and it was an episode that never quite gathered a cohesive comic vision.

In short, I think I’ve got it right this time: this is the weakest episode of what has been an otherwise fantastic opening to the season.

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