Tiding Us Over: “Geekiest Conversation I’ve ever been a part of”

On Tuesday, I had the pleasure to quickly jump back into The Watchers, the official podcast of AlwaysWatching.org with Dave, Devindra and Adam. Really, it was for Devindra that I was there – he desired to discuss last week’s premiere of Battlestar Galactica, and neither of the others watch the show. I, of course, was momre than happy to step in to discuss the show.

The resulting conversation, where we discuss the premiere and I preview some of my thesis, was called by Adam “the Geekiest Conversation I’ve ever been a part of.” So, clearly, we did something right.

Take a listen over at Always Watching, and I’ll see you for perhaps 30 Rock/Scrubs this afternoon and BSG tonight.

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The Office – “Dinner Party”

“Dinner Party”

April 10th, 2008

Although I don’t particularly want to watch last night’s episode of 30 Rock again before writing a review, I’m going to have to in order to find at least one good thing to say about it. In the meantime, however, the more positive note of the evening (outside of the Montreal Canadiens’ 4-1 victory – woot) is the return of The Office with a difficult task: how does one live up to what was finally the first home run of the season, the pre-strike finale featuring Michael and Jan’s boardroom standoff?

You could tell that they were returning from the Strike – there wasn’t a great sense of time, and the events of the boardroom were only vaguely mentioned. That is the real struggle of the strike, a loss of momentum amongst the storylines that often tie the series together. There was one area where they picked up the slack, though, which I’ll get to after the jump.

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Pondering the Cable Timed-Exclusive: Friday Night Lights and Jericho

Last week, Friday Night Lights was saved from near cancellation by NBC and DirecTV, the later received a three month timed-exclusive on the airing of new episodes of the series. Essentially, the deal is designed to compel users to renew or sign up for DirecTV to see the episodes early, and hopefully NBC makes enough money from the deal to keep the show profitable.

Considering the apparent success of the plan in theory, the easy question is “Who’s Next?”

According to the New York Times, the answer could be the fan-favourite Jericho, a series that bowed for what was to be its final episode last month:

“Television executives say this model could help keep other sentimental favorites on the air. For instance, CBS Paramount Network Television has held talks with Comcast, the cable provider, about finding new life for “Jericho,” the low-rated drama canceled by CBS last month, according to two people briefed on the talks who requested anonymity.”

This is yet another hail mary, it seems, for Carol Barbee and the show’s producers: it is an opportunity to save the show, but also another opportunity to give fans false hope of the series’ success.

This is one of those situations where it feels as if television is finding a new way to find profit, which on the surface is a good thing: less dependence on Nielsen numbers has worked to keep some HBO/Showtime shows on the air beyond their rough patches. Showtime, in particular, showed patience with Dexter and Weeds due to their critical acclaim – the same goes for Battlestar Galactica. So seeing more of this model is good, isn’t it?

But it really isn’t that model at all – it’s a half-assed attempt at making money through that model while remaining, ultimately, dependent on the broadcast airings that would follow. NBC executives are playing down what has been called “A Victory for BitTorrent Users,” but that’s what it is – either people will pony up the cash for the early airings or they will just download the episodes illegally.

But what will the ratings be, then, for the regular viewings months later? Will even rabid Jericho fans be willing to wait months to see the new episodes when they will be readily available? NBC has said that in order to remain profitable FNL needs to retain its ratings from this past season…but why would they remain the same considering the amount of viewers who have access to the episodes early?

Which is why I’m not sure if this model actually does a show like Jericho any favours: it would return to the air as a test of an unproven method which is bound to fail, and does Jericho really want to be the poster child for a failed attempt to stray from the traditional Nielsen method of judging a show’s success? The show has the potential to continue, as these talks demonstrate, but CBS as a network has always been more conservative than NBC and it might show here in their willingness to take the risk.

Either way, stay tuned to see where this all goes – and whether Jericho fans might be flocking to a premium cable service in the months ahead.

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Season Premiere – Battlestar Galactica Season Four – “He That Believeth In Me”

“He That Believeth In Me”

April 4th, 2008

I had said earlier this week that I was going to spend copious amounts of time analyzing the third season of Battlestar Galactica…and then proceeded to spend copious amounts of time watching it instead. As a result, I expected to enter into this episode ready to compare it to the season which preceded it.

Instead, I’m comparing it to Lost.

Like any good serialized show of this nature, Ronald D. Moore and Co. ended last season on a cliffhanger, something it has done in past seasons. However, something was different this time around: I don’t know if it is that the stakes are lower, or the action slower, but something has changed. My point of comparison is this season’s Lost premiere: we had the revelation in the previous Finale, so the premiere will pale by comparison.

I think, in this case, I had already watched this episode in my head: the new Cylons happening to stumble into scenarios where people question their humanity unknowingly, Starbuck struggling to return to the real world after her absence, and everything being very bizarre for Gaius Baltar. I think the problem was that the episode never went beyond that: it was great for what it was, but having already deduced much of this myself I was sort of behind.

I actually quite loved the episode: laughed out loud, gasped in horror, loved the acting, etc. It’s just that after such a huge revelation, what was put on the screen was everything we had already imagined as fans of the series dealing with a year-long hiatus. And, well, that’s kind of a let down. But, let’s discuss further.

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The Office: Commodity or Television Show?

As a fan of good television, I am a fan of The Office. Greg Daniels and Co. have done a fantastic job taking the British series and making a relevant, funny, and memorable comedy. Combined with 30 Rock, it means one hell of a Thursday night, which is in every viewer’s best interest. For me, the series is a television show worth watching, and one that I want to see succeed.

For those who may have read my posts about the start of the show’s fourth season, you likely saw that I had some problems. I felt that the one-hour episodes were almost all failures at sustaining comedy and character, and that even when the show returned with half hours it was missing something. It was still memorable, but there were some fundamental problems that I felt needed more attention – not in a total overhaul sense, but just some small-scale adjustments.

However, I am not convinced NBC views The Office as a television show anymore – they’ve scheduled another batch of one-hour episodes for the start of next season, a move made on money and ratings and little else. I know that the show is a rare demographic star for the network, but milking it like this didn’t do it any good from a creative sense. And, maybe it’s that I don’t have a bottom line to worry about, but isn’t that the most important thing?

It doesn’t appear to be for NBC, because now comes word that starting in February The Office will be paired with a spinoff, a series built from the existing stable of characters and a host of new ones. This is being sold as a good thing, a chance for the unsung heroes of the large ensemble cast to get their due. And, on the one hand, I agree with this enthusiastic if questionable response: I think there some characters in The Office deserve more time to shine, if you will. However, I can’t help but ask the question of why this spinoff is really necessary, and why NBC thinks now is the best time.

When to run a spinoff is a tricky gambit, one that has multiple options.

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An Open Letter to NBC, Re: Fall 2008 Schedule

Dearest NBC,

According to the trades, you have revealed your Fall schedule, which is one of those times when I head off to Variety to ponder what kind of stupid decisions you’ve made. Now, you’re right – you have occasionally made some good decisions, and there are some of them found within this year’s announcement. However, at the same time, there are some which frustrate me to no end, and which need to be discussed.

First, let’s discuss the good:

  • Friday Night Lights is definitely coming back, although not until the Winter. Through some sort of cost-saving measure (Hopefully not cutting out parts of the ensemble, although I could do with less Lyla in general), the show has been saved – long live quality television.
  • On the same front, unsurprising considering its buzz in critical circles, 30 Rock is returning for a third season. After such a creative push pre-strike, it should be interesting to see how it does in the post-strike period. Hopefully, like How I Met Your Mother, it will see a boost.
  • A smart network, “Thursday Night Live” will air for four weeks leading up to the Presidential Election following The Office on Thursday Night. This shall offer some strong comedy, which excites me.
  • NBC is officially not picking up Scrubs, a great decision in my books. Too bad ABC wishes to flog the dead horse a while longer.
  • Critical hit Life, even with low ratings, is renewed as previously announced, but might struggle for viewers on Friday nights in the Winter.

Now, based on this you’d think that I was happy with this upfront, that I wouldd have just posted about how great you were, NBC, and move on with my life. Well, let’s just say that I have some other issues – I won’t get into your new shows (Not much information is available, and what little there is doesn’t tickle my fancy to be honest), but there are a few decisions you’ve made that are potentially awful:

  • Airing after the Super Bowl, NBC is officially launching a spinoff of The Office. Now, this is only a potential evil: I haven’t seen the show, and no details are available as of this time. However, I’ll have more thoughts throughout the week on why I think this is a fairly volatile idea.
  • However, that’s not even the biggest concern with the Office – that belongs to the idiotic return to one-hour episodes in the Fall. I’ll rant more about this later too, but do we not remember those episodes? And how they were not up to the standards of the half-hours which proceeded? Did no one at NBC pay attention to the quality of the show in this decision? Clearly, they did not.

What these decisions represent to be is a shameless milking, a milking that goes against the quality of a television program. I think there is potential for an Office spinoff (I vote for Daryl, personally), but I don’t know if the show proper is at a place creatively where it will be able to excise part of itself. I guess that your confidence in The Office financially doesn’t quite jive with my own views of its relative quality this season, which is fine…I just wish you’d just kept it at a half hour. I could deal with spinoff, but the two combined just angers me.

I shall vent more anger tomorrow, so stay tuned. Plus, knowing you, you’ll have changed this schedule by then.

Sincerely,

Myles

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Signposts to Battlestar Galactica Season Four: Occupation/Precipice

[With Battlestar Galactica’s 4th Season starting on Friday night, it’s time to take a look back at some of the important parts of the 3rd Season as I rewatch it in preparation of the premiere. We’ll start with the opening two episodes, and progress with four more signposts from there.]

When I finished watching Season Two of Battlestar Galactica, my response was quite simple: “That was ballsy.” Jumping forward over a year in time created a lot more questions than answers, and if I learned anything from Alias it was that sometimes you risk overwhelming your audience. And, inevitably, what Ronald D. Moore did was, in fact overwhelming…but for all the right reasons.

The occupation of New Caprica by the Cylons was supposed to be overwhelming, both on a visual and intellectual level. When Col. Tigh emerges from the Cylon prison missing an eye, you get a sense that bad things are happening, and that there isn’t going to be an easy out from this scenario. We’re stuck in this occupation, as the viewer, but can escape to Galactica and avoid the struggle directly.

The result is an opening to a season perhaps amongst the best in television, the intellectual equivalent of 24’s four-hour openings of the middle seasons. It wasn’t action-packed in a traditional sense, rather using dense plotting and challenging situations to interrogate our understanding of our own lives and of the lives of these characters.

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Series Finale – Jericho – “Patriots and Tyrants”

“Patriots and Tyrants”

March 25th, 2008

You know, say what you will about Jericho, but I have to point out how frustrating the title of this finale is. By the end of the show’s short second season, there is no questions – the world can be boiled down simply to patriots and tyrants in the world of Jericho, as we saw as the Cheyenne government’s days are coming to an end while we leave Jake and Hawkins on their way to finish saving the world.

This episode was always bound to be a disappointment due to the circumstances of the show’s cancellation, but for the most part it was a dramatic failure less due to its own accord and more due to the short season. There were arcs being resolved in this episode that were never given adequate time to develop. Would we not have been more involved with storylines like Beck’s redemption if, in fact, we had spent time in an episode examining his back story with his family? And wouldn’t we care somewhat more about Cheyenne being bombed if we knew anyone who lived in the city other than the evil Jennings & Rall? Wouldn’t we have wanted to spend more time with John Smith, or examining the nature of diplomacy in this new America?

The answer to all of these questions is an emphatic yes, which means that I left this finale wondering just how much dramatic potential had been by necessity left on the table. It’s never good when you’re thinking about what’s not there, as opposed to what it is, but thus is the nature of the only vaguely satisfactory series finale.

However, let’s take a look at what the episode brought, how it ended, and why the show’s chances of being picked up by another network are now even more slim.

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Jericho: A Question of Blame, a Legacy of Fandom

Tonight, March 25th, Jericho airs its series finale…well, it’s second one, in a way. When the series ended its first season on a cliffhanger, few expected that ten months later we’d be once again sending Jericho into the horizon. It was a bubble show then, but today it is official – Jericho is gone.

Here at Cultural Learnings, we spent a lot of time on the nature of the fan movement to save the series, as people bombarded CBS with Nuts until they cried mercy. Fans hoped in that moment, when CBS renewed the series for seven episodes, that it signaled CBS turning a leaf. That Nina Tassler, in all of her kindness she displayed in this scenario, would be there for Jericho all summer and fall long, making sure that the buzz surrounding nuts would not die down easily. Obviously, as we can see, it did.

I think that one of the things that I find most fascinating about all of this is the concept of a relationship between viewer and network. As we see  more and more producers of individual series engaging with their audience through podcasts or blogs, it seems as if the networks themselves are incapable of grasping the idea of some sort of unspoken contract between the two sides when it comes to struggling shows.

I think this is unfortunate, but I think it allows us to extend this idea of a contract of sorts further. There are many parties who eventually help make up the decisions, and the problem is that they’re all looking out for different interests.

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How I Met Your Mother – “Ten Sessions”

“Ten Sessions”

March 24th, 2008

Ah yes, back finally with a real episode review. I didn’t get a chance to blog last week’s episode due to an impending thesis deadline, but it’s hard to ignore this week’s continuation of an alarming trend: we appear to be closer and closer to discovering who, in fact, is the Mother of the series’ title. After Ted picked up her yellow umbrella last week, tonight we got a distinct sense that there was something fishy about Stella, the dermatologist who steals Ted’s heart.

Of course, there’s a whole question right now as to what this episode was, and what it was intended to be. Alicia Silverstone was supposed to play the role of Stella up until a few weeks ago when, when Britney Spears was stunt cast as her receptionist. Silverstone’s three-episode arc, then, became a one-episode stint with now back to work on Scrubs Sarah Chalke filling in at the last minute. This leaves the HIMYM community with a burning question: considering the events of tonight’s episode, is Stella the mother? And, if so, doesn’t these events and Scrubs’ imminent renewal complicate things.

Well, in the end, I don’t think we have to worry – I don’t think she’s the mother.

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