Tag Archives: Casey

Chuck – “Chuck vs. The Sensei”

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“Chuck vs. The Sensei”

December 1st, 2008

Any show coming out of a major story arc is going to have a bit of a tough time of their next episode. This isn’t to say that the episode is going to be bad, but rather that it’s inevitable: whether Lost after their premieres or Battlestar Galactica after its inevitable midseason pit stops, there’s going to be a point when the rising action has reached its climax and it’s too soon for the next story to really pick up.

This was, for Chuck, as good a time as any to return to the past of one John Casey, stern-faced Buy More employee in one life and…stern-faced NSA agent in the other. While I like seeing more of Casey, the episode spends a lot of time plainly stating that John Casey only has one speed: mad. There is no inner calm in John Casey, and while we get one moment of unquestioned humanity in the episode there is, for the most part, not going to be something approaching the emotional side that we get so often from Sarah.

But Adam Baldwin knows how to play mad, and the show knows how to balance an episode like this; while it doesn’t help it rise above the show’s standard this season, the choice to parallel Casey’s past with Ellie’s upcoming wedding and the pressures of in-laws offered a good chance for the storyline to slowly move forward even as Casey faces off against a familiar face from his past (and ours, as far as the TV spy game goes).

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Chuck – “Chuck vs. The Fat Lady”

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“Chuck vs. The Fat Lady”

November 17th, 2008

One of the things that Chuck has done so well in its second season is the integration of all three parts of Chuck’s life, specifically how the Buy More and Friends/Family storylines have integrated (mostly) seamlessly into the cases that dominate the rest of Chuck’s time. “Chuck vs. The Fat Lady,” in many ways, is the toughest test of this yet: reintroducing Fulcrum in a big way, the show is given the task of personalizing a group that has remained very vague and poorly defined since the show’s first episode.

But, proving once again that it’s absolutely on the right path this season, the show demonstrates with a deft hand how it is able to personalize that which could seem impersonal, and familiarize storylines which could have felt even more diversionary. Capture under the theme of surveillance, the episode provides ample pleasures on every level: charactertization, eye candy, plot development and John Casey demonstrating his ability to hit a High C with only his pristine voice.

And that’s just fantastic stuff, there.

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Season Finale: Greek – “Spring Broke”

“Spring Broke”

June 9th, 2008

Most series set in college would end their first season with the end of the school year, but Greek is operating under a really weird schedule – it took only ten episodes to complete the first half of the year, but only got to Spring Break (Woo!) in its last twelve.

The argument you could make, though, is that a show that has nothing to do with academics should probably climax in the throes of the party period as opposed to the exam one. I don’t say that to degrade the series, a solid entry into its television category, but rather to point out the obvious: if you came in expecting no drama or theatrics surrounding love quadrangles or hijinx, you went to the wrong Spring Break.

For the most part, the show follows its traditional patterns: Ashley is shallow and immature, Casey is self-righteous, Cappie is humorous but unfairly treaded on, Evan is pathetic, and Rusty has every possible bad thing that could happen to him, well, happen to him. But they’re comfortable patterns, and just like an ideal Spring Break in a television season swimming with less and less options.

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