November 5th, 2009
I was never what one would call a fan of the “Michael dates Pam’s Mom” storyline, and a lot of that has to do with what we got in “Double Date.” It’s not that I argued there was not comedy to be found in the scenario, as there certainly is some value to the storyline on a comic front. However, more than anything, the storyline is just plain awkward for Pam, and since we are predispositioned to see her viewpoint as the sane one we can’t help but find it a little awkward ourselves. And even if we choose to ignore Pam’s perspective, Michael’s view on the issue was sort of equally awkward in that he hangs onto her less because of love and more because of how ludicrously lonely he is. It all added up to a sense that this was going to go very wrong very quickly, and that’s not something that seemed necessary to me.
As such, I found “Double Date” to be a bit tough to watch in the way that the show sometimes likes to be, although it was probably as well handled as it could have gotten. While there were plenty of awkward moments in the context of the episode, they were all coming from a fairly logical place emotionally, and as such it was hard to watch less because of how inappropriate it was and more because we knew that anyone other than Michael with the same emotional feelings could have handled it far more gracefully. And by combining the emotional rollercoaster on that end with something charmingly quaint and silly in the Office, which could have been awkward but ended up working quite well, it ended up being a solid half hour of television, if not one that I would have personally placed into the show’s trajectory by choice.
October 22nd, 2009
This review is going to seem somewhat hypocritical, as I have always been a known supporter of serialized sitcoms. However, there are times when there are elements in previous episodes that I don’t necessarily want to see continue, left to remain as an enjoyable aside that is left to the audience’s imagination. Even heavily serialized shows like The Wire would often introduce small elements that aren’t part of some broader serialized storyline but rather sit under the surface and add to our understanding of these characters.
I know that I was being more than a bit idealistic, but I had really hoped that The Office would resist the temptation to take Michael’s rendezvous with Pam’s mother and follow it through to this logical but blown up conclusion. That small moment in “Niagara” was a shocking moment for the coda, but for it to turn into an entire episode played out like melodrama more than an episode of comedy. The episode succeeds in finding some comedy in the setup to the situation, with Pam’s realization proving to be an absolute highlight, but once things become about yelling things begin to fall off the rails a little.
It isn’t that this is a failure, as I thought the episode did a few interesting things on the dramatic side of things, but in its desire to be both comic hijinks related to the scenario and a depiction of Michael Scott’s eternal sadness it never quite connected on either front.
October 1st, 2009
After last week’s co-manager reveal, we knew this was the next logical step. Michael doesn’t deal well sharing power, and Jim has never actually been in power and when he has been it’s been a pretty big disaster. So, when this episode begins, we find Michael and Jim in a power struggle that shows no signs of ending easily, and which confirms what we knew about both men.
That’s not a terrible plan for an episode, but it’s problematically reductive and didn’t end up bringing anything new to these characters. While it comes to some sort of conclusion, it doesn’t feel as if it really proves anything, and the comedy throughout the episode was too scattershot for me to really claim that the largely transitional episode was as well-executed as it could have been.
At least it was a great Oscar episode, right?
May 14th, 2009
In what may perhaps be the Office’s most daring and diverse season, with the most substantial disruptions handled with the most impressive cost/benefit ratio, “Company Picnic” plays like a greatest hits of all of the things that have worked so well in the past year, and even a chance to help rewrite something that didn’t work quite as well. It’s not a daring episode designed to paradigm shift our expectations (I’m being facetious using that term, by the way), nor is it really about indulging in the drama-laden situations which could have emerged at the annual retreat.
Rather, it’s an episode about how humanity, and the people at Dunder-Mifflin who we enjoy so much in particular, are above all of that on some level: building more directly from “Cafe Disco” than I could have ever expected, the joys of group sport go from a lesson in anger management to a true bonding exercise, and a comedy routine with little to no actual comedy (for the crowd, not the viewer) stands as nothing but a life’s lesson learned as opposed to some pivotal stage in someone’s life.
What makes “The Office” so great, and what in this episode recalled perhaps my favourite Office finale in “Casino Night” (Favourite does not equal best, I’ll discuss this), is that the biggest moments come exactly when you’re not expecting them: just when you think that one thing is about to happen, or that a joke is about to come, real life comes and sweeps it all away.
The result is the most sweet and real finale I’ve seen in a long time, for a show that’s in no rush to end and no rush to close off this really quite awesome chapter in the series.
May 7th, 2009
About halfway through “Cafe Disco,” I admittedly wasn’t amused: here we are a week out from the half-hour finale (which is a move away from the one-hour finales we have been getting for the past few seasons), and the show is spending its time on the most throwaway of episodes. Not only that, but it appears as if the episode is going to be my least favourite kind of episode, where it boils down to Michael being incompetent, Pam and Jim having their dreams crushed, and Dwight and Michael both being so irresponsible that they’re unwilling to give someone proper medical attention.
In the end, though, I was really charmed by the episode, even if it was limited by its lack of scale: the episode never devolved into demeaning Michael, or Dwight being incompetent, or Jim and Pam losing their will to love. Rather, the episode was pretty much like one big stretching exercise for the cast, a chance for them to let loose on the dance floor before having to film the, likely, emotional and powerful finale. I had a lot of fun with the back end of the episode, and much as the epoynmous coffee shop/dance club got off to a slow start but was eventually a hit with everyone involved, I ended up liking this one.
“Lecture Circuit Part 2”
February 12th, 2009
One. Big. Letdown.
That pretty much sums up my thoughts on the second half of “Lecture Circuit,” which will go down as an entirely uneventful piece of comedy for a whole lot of reasons. Alan Sepinwall really sums it up best in arguing that this is just like every one hour episode: spreading it out over two weeks and throwing a “previously on The Office” in front of the second half doesn’t change the fact that it was one story stretched out over two episodes that really wasn’t in any position to handle it.
Combine this with the show’s bait and switch, shoving the potential of seeing Amy Ryan again in our faces and then snatching it away only moments into this episode, and it just feels like this one was operating on borrowed time as soon as it began. And while I think anyone would agree that the actual dramatic events of Michael and Pam’s trip to Nashua were engaging, and that there was some comedy there in relation to last week’s events, the rest of the episode did not provide a substantial comic element to feel as if extending the rest of the storylines through to another week
February 5th, 2009
Only four days after I was admittedly frustrated by an hour long episode, we have a unique test of my concerns in “Lecture Circuit,” the first of two parts of the same basic episode. What we have, essentially, is an hour long episode split into two parts: we leave most of our storylines at a cliffhanger, and it’s clear that we’re picking this up next week.
As the first half of an hour long episode, this was actually a very well containted episode that despite never really grasping at resolutions nonetheless offers a logical buildup to next week’s conclusion. The episode paces itself very logically: it’s a slow build, and one that isn’t really concerned about breaking new ground, but I enjoyed it for precisely that reason. While the hour-long Super Bowl episode was far funnier, and ultimately the better example of the show’s comic potential, it’s nice to be able to sit back and spend some time with the characters.