Tag Archives: Entertainment

Weeds – “The Three Coolers”

“The Three Coolers”

July 7th, 2008

A cooler can be many things, but the eponymous ones referred to by this week’s episode title are of two varieties: two literal coolers, the refrigeration equivalent of The Matrix’s red/blue pills, and one cooler that follows another definition.

From Urban Dictionary:

A hand in poker in which a person with a very strong hand (often the 2nd best possible hand) is beaten by the best possible hand (usually a very rare full house, four of a kind, or straight flush). The 2nd best hand is so strong that it is impossible to fold, usually resulting in the loss of a lot of money and sometimes, an existential crisis.

For Len Botwin, his Cooler was his mother, and while her departure leaves him with a house he can’t sell it also leaves him without that other hand there to beat him at every turn. Albert Brooks’ short stint on the show, spanning only this first set of episodes, has been a strong one largely because he hasn’t been a dominant hand. What made the character so strong is that he was a disruptive but not destructive element for all of these characters: he didn’t destroy anyone, but laid the seeds in all of them for a season’s worth of development.

And it looks like a good season: with everything now mostly settled, including how to bring Celia and Doug back into the fold and how to normalize Nancy’s drug work for Guillermo (All ruined by the previews, although maybe not in a bad way), it’s time to move on from Len and focus on how these characters will truly embrace their new habitat.

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Mad Men – “5G”

“5G”

Season One, Episode Five

To say that “5G” is uneventful or unrevelatory isn’t really doing it justice, but the point could probably be made. Of the episode’s major story points, none of them are all that surprising: yes, they fill in some blanks in Don Draper’s past and present, but elsewhere the episode plays much into the same things we already know. Pete is unwilling to share the spitlight, Draper has a lot of secrets, and Peggy is still just a little in the dark when it comes to how to handle her new position.

What “5G” does, though, is make these elements more starkly real: it displays the pettiness of Pete and the desperation of Draper. Pete’s attempt at being famous is a bit of a simple little plot point until you consider the implications on her marital relationship, but Draper’s actions take his character to a new level. The relationship between his old life and his current one is what paralyzes him, and here we see that seeing those two worlds collide creates a volatile situation.

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Mad Men – “New Amsterdam”

“New Amsterdam”

Season One, Episode Four

[I’m a week late on this one, but forgive me: I’ll have a piece on tonight’s episode done sometime tonight, probably]

By the time Mad Men got to its fourth episode, it had filled in a lot of its gaps: we are thoroughly compelled by Don Draper, interested in seeing more of this world from Betty’s perspective, intrigued at the inner workings of Sterling Cooper, and curious as to how all of these people intersect in the historical mediation the show presents.

All except Pete Campbell, that is. To be honest, Pete Campbell was pretty much a snake before this point: a spineless, ungrateful punk at his worst, and certainly not the kind of character that any of us relate with. His insistence on rising the corporate ladder could be passed off as mere capitalist determinism, a selfish attempt to take for himself and to leave others in his wake.

What “New Amsterdam” provides is a new perspective, a glimpse into the fact that Pete Campbell’s life is just as complicated as everyone else’s in terms of the series’ primary characters. Over time, the show reveals the truth behind other characters as well (Joan and Roger Sterling are next up), but the familial and spousal pressures facing this character are some of the most eye-opening. No, it isn’t exactly surprising that he has some serious family issues, but it does explain at least some of his past behaviour while leaving plenty of qualities on the table that we as viewers will take issue with.

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My Boys – “Spit Take”

“Spit Take”

July 3rd, 2008

Sorry for being a bit missing in action these past few days (And for the weekend) – I’m home for the weekend celebrating a birthday (Happy Birthday, Mom!) and associating with a new operating system on my shiny new MacBook, and as a result my television viewing (and writing) is taking a back seat.

But not so much enough to avoid a series I’ve gotten a bit hooked on. After last week’s episode kind of didn’t click for me, this week is a chance for the series to re-engage with its recurring storylines and fall at least somewhat back into its old routine: allow the secondary characters who are one-dimensional to act as such, while the ones with depth are given more material to work with.

“Spit Take” is that type of episode, where Jim Gaffigan’s Andy is given a new side (Albeit a somewhat sketchy one), and where Bobby’s next step with Elsa returns to the idea of PJ inviting Bobby along to Italy for some sort of romantic connection. If last week felt like a sitcom, this feels right: an episode about the live of a whole host of individuals, and not just those contrived moments they intersect.

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Assessing the Contenders: Damages – “Pilot”

[As the Top 10 Comedy and Drama series contenders have been released, and since Gold Derby has been kind enough to grab us the episode titles, I’m going through each submission judging its quality and its potential on the panel. Today, it’s time to delve into one of last summer’s most high profile series, and one with a lot of Emmy buzz.]

Damages (FX)

Episode: “Pilot”

Synopsis: Patty Hewes (Glenn Close) is a high-powered attorney who is known for her cutthroat behaviour and her cruel tactics; Ellen Parsons (Rose Byrne) is a young attorney right out of law school who finds herself becoming tangled in her web. Opening with a bloody Ellen walking the streets, the episode flashes between that terrifying future and the start of it all as Ellen and Patty both get caught up in a civil case with Arthur Frobisher (Ted Danson).

My Thoughts: Damages is not a perfect series – it ends up with serious narrative problems that shouldn’t have happened in a short thirteen episode season, and while it ends with a flourish it never quite lives up to the pilot’s potential.

But this pilot is full of potential, and is pretty close to perfect.

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The Top 10+ Pleasant Surprises of the 2008 Emmy Top 10s

The Top 10 Pleasant Surprises of the Top 10s

[If I was currently wearing a hat, I would take it off in honour of Tom O’Neill’s continued amazing work gathering up leaks in regards to the Top 10 lists of semi-finalists for the Emmy Awards panels taking place over the next few weeks. While he doesn’t have the complete list, I’m willing to go out and indicate the 10 choices (In no particular order, but the top 2 probably are) that actually make me optimistic about the show’s relevancy (Before, admittedly, taking a look tomorrow at the ones that give me no hope at all).]

1. Mary McDonnell (Battlestar Galactica)

Category: Lead Actress, Drama Series

Last year when writing up my For Your Consideration posts, I said the following about Mary McDonnell’s work as President Laura Roslin on my favourite Sci-Fi series:

“What I love about Mary McDonnell’s portrayal of the character is that, without fail, you are always rooting for Laura Roslin to succeed except for those moments where she is clearly wrong. In those cases, McDonnell makes you want to see Roslin get let down as easily as possible, in order to ensure that she isn’t too damaged in the process.”

This is even more true this season, where her character finds her cancer back and where a whole new perspective is reached. Her performance in “Faith” is heart-wrenching, and that panels will finally get to see an episode of this fantastic series in the Top 10 warms my frakking heart. This is one of those surprises that gives you faith that the Emmys are willing to recognize performances off the beaten path, if you will, and they don’t get much better than this.

2. Zeljko Ivanek (Damages)

Category: Supporting Actor, Drama Series

When previewing this category, I lamented the likely lack of recognition for Damages other supporting actor contender:

“While he seemed fairly minimal in most instance, sparring with Patty or reasoning with Frobisher, Ivanek burst into the main narrative with “I Hate These People.” Without falling into total spoiler territory, the character took a sudden turn to the tragic, a dramatic fall that was more compelling than anything the other supporting characters went through.”

That he broke through was a highlight for me, a sign that people were watching all of Damages and not just the show’s pilot. Ivanek may have had accent issues, and certainly the show wasn’t near perfect, but his performance in his submission is simply stunning, and I can only hope voters enjoy the time they have with this amazing piece of work.

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Series Premiere Review – The Secret Life of the American Teenager

Learning that ABC Family was airing a new series, I was of two minds. On the one hand, it’s ABC Family – a network not exactly known for its high-class programming. On the other hand, I’ve been enjoying their fare as of late – I was a big fan of Greek which had its season finale a few weeks back, and I’m slowly but surely going to be posting Middleman commentary in time (And I’m quite enjoying it as well). So, figuring that I should at least give their latest series a try, I dug in.

What I found, however, is that the network is not the issue here: airing on ABC Family is no longer a curse, but Brenda Hampton certainly is. Best known for her eons-long stint running 7th Heaven, one of my most hated shows of all time, she brings to The Secret Life of the American Teenager a bag of tricks so lifeless and emotionless as to emaciate any interest the series could have driven. The show looks, feels, like 7th Heaven, and while it isn’t quite as preachy that seems more like pilot sins that will later be repented.

What Teenager lacks is what Greek had: for all of the show’s stereotypical storylines and love triangles and everything else, it was willing to treat all of it with both a sense of humour and a sense of respect. While there is some humour in the show’s first episode, and I think that it does respect a few of its characters, the former is isolated to one character and the latter is only created through hackneyed bait-and-switch mechanics. At the end of the day, there’s a central secret, but it doesn’t have any of the life that its title alludes to.

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The Mole (2008) – “Episode Five”

“Episode Five”

June 30th, 2008

First off, happy Canada Day to my Canadian bretheren! I’ve been out for the day, but wanted to get a chance to catch up on the summer’s most high quality reality series that in recent weeks has been working extremely well. I won’t say it’s on the level of the other seasons of the series, but there is something that feels right about the overall purpose of the series. Or, felt right.

In this episode, it’s all about the psychological on first glance: the first task is entirely mental, demonstrating the emotional breakdown of a contestant who was once most confident in his game. The second task, though, seemed like it was about ingenuity or will but ended up being a giant mind game that demonstrates that these players are really just spoiled children.  It was an episode that showed these players at their worst, and while I saw semblances of the real story for the most part it was just reality show drivel that needs to stop.

And hopefully, as the game wittles down, it might – but losing one of the sane people isn’t going to help much.

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Weeds – “The Whole Blah Damn Thing”

“The Whole Blah Damn Thing”

June 30th, 2008

There are certain points in time when I question whether or not Nancy Botwin really understands what she does for a living. It’s one thing that she isn’t a seasoned professional when it comes to the drug trade, such as last week’s embarassing excursion to Mexico, but when she remains so shocked at the voltatility of it all I have to wonder if she even understands her own life. When she programs her new “secret” home into her GPS that Guillermo has access to, why should she be survived that he knows where she lives?

In what was technically an episode about assisted suicide, this is the only real pressing issue: the episode featured some strong performances from Justin Kirk and Albert Brooks, and ushered in a somewhat questionable if also potential-filled scenario that reintroduces Celia into the mix more quickly than anticipated. It’s a quickening of the pace that, following Bubbie’s passing, allows the show to stop dealing with the past and moving forward to the future.

And that’s a good stage for a series putting itself through an identity crisis on purpose.

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Assessing the Contenders: Boston Legal – “The Court Supreme”

[As the Top 10 Comedy and Drama series contenders have been released, and since Gold Derby has been kind enough to grab us the episode titles, I’m going through each submission judging its quality and its potential on the panel. Here’s the first Drama Series in contention, a nominee last year that looks to return.]

Boston Legal (ABC)

Episode: “The Court Supreme”

Synopsis: Having gained a reputation as a staunch opponent of the death penalthy, Alan Shore (James Spader) is approached by a young attourney whose client, a mentally disabled man from Louisiana convicted of raping a child, is appealing the death penalty at the highest level: the Supreme Court of the United States.

My Thoughts: There’s quite a few who are labeling this episode as Emmy bait, and they would not be wrong. For a show that is never afraid to quite literally throw its politics in the audience’s face, this goes even further than we’re used to. James Spader is likely to pick up his fourth Emmy for his performance here, and the show is more than likely guaranteed a nomination.

That doesn’t, however, mean I liked it.

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