Tag Archives: Eric Taylor

Season Premiere: Friday Night Lights – “East of Dillon”

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“East of Dillon”

October 28th, 2009

“Clear Eyes, Full Hearts…”

In the very first episode of Friday Night Lights, a “can’t lose” football team became a longshot. When Jason Street went down on the field, ending up paralyzed, the Panther football program went from being a contender for State to being a rudderless ship with a rookie quarterback at the helm. The arc of the show’s first season was watching Matt Saracen become a leader in his own right, someone who would eventually deliver a State championship to the people of Dillon, Texas even when nobody really gave him a chance.

What allowed that team to come together as it did was that surrounding Matt Saracen was not only a collection of great players (Riggins, Smash, for all of their faults) but also a football culture that bred success. Panther Football was not only just the players involved, or even the inspired coaching from Eric Taylor, but a community that rallied behind its team because there was nothing else they wanted to do on a Friday night. That culture, that once seemed so far away for Saracen while throwing footballs through a tire in his driveway, has given the football program substantial financial support, and bureaucratic power in the form of lobbyists like Buddy Garrity. While some of the elements of Panther football were political and thus avoided by Eric Taylor (and, as a result of our appreciation for his character, maligned by the audience), they were parts of the team that provided a solid foundation. “Clear Eyes, Full Hearts, Can’t Lose” is as much a construct of years of success as it is about the players or the words themselves, a fact which becomes increasingly clear in “East of Dillon.”

What becomes clear in this fourth season premiere is that the first season wasn’t an underdog story at all, but rather a story of a team recapturing glory that never really left them but for those brief moments when all seemed lost. The story of the East Dillon Lions, handicapped by a biased redistricting that we were once on the other side of, is a true underdog story because this team has nothing. Not only are they handicapped by the inexperienced nature of its players, but they are also crippled by their lack of that community surrounding them – they don’t have lobbyists, they don’t have an experienced coaching staff, and they only have a few storefront signs to bring them together.

All they have is Eric Taylor, a true underdog whose only weapons are his coaching ability and the words (and the emotions behind them) that inspired the Panthers to victory for three years. With them, he needs to build not only a football team but a community around it, the equivalent to Noah’s Ark more than a texas high school football team. “East of Dillon” establishes this challenge, and tells us two things: Eric Taylor is going to make this work, and the people who are going to help him are slowly lining up to be a part of it.

And I’m already in the stands to enjoy the result.

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Friday Night Lights – “It Ain’t Easy Being J.D. McCoy”

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“It Ain’t Easy Being J.D. McCoy”

November 5th, 2008

In our new era of highly serialized television, we have vilified predictability. We want to be shocked, surprised, knocked off our feet by revelations and swept up in complex storylines that twist and turn every which way. However, evidence shows that execution becomes a much larger concern when one gets caught up in walking off the beaten path: look at what has happened to a show like Heroes, one that is so obsessed with being unpredictable that a lack of logic has become, well, predictable.

So when I say that Friday Night Lights’ third season has been preditable, I don’t want you to look at it as something with negative connotations, at least not entirely. See, I won’t argue that predictable can be bad: last week’s episode of Friday Night Lights, even, was predictable to a fault, retreading old storylines that were not all that interesting to begin with. I speak more of the fact that, now almost halfway through the shortened 13-episode season, I don’t feel as if anything has snuck up and surprised me yet.

But do we really need to be surprised when a show is operating at such a high level? While the various events of this week’s episode have been long foreshadowed by the show’s trajectory, the payoff was exactly what we were looking for; the fact that I “called” the character of J.D. McCoy during his silence of early episodes does not mean I didn’t enjoy seeing it, and the sheer inevitability of the episode’s romantic climax was handled with such grace that it’s yet another powerful emotional moment for a season that’s had more than a few.

The real surprise for Friday Night Lights these days is that it isn’t trying to surprise us, and yet here I am sucked in more than ever; I just hope that, considering the show’s past attempts to surprise us with homicide, they’re content with dramatically satisfying predictability and don’t feel the need to shake the boat too much.

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