Tag Archives: Faith

Lost – “The Life and Death of Jeremy Bentham”

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“The Life and Death of Jeremy Bentham”

February 25th, 2009

Because there’s a war coming, John – if you’re not back on the island when that happens, the wrong side is going to win.

The question of destiny plays a pretty fundamental role in how things operate in the world of Lost. John Locke, of course, was a man who believed in the foundational aspects of destiny, who took on the role of believer while on the island because he had been most affected by its healing, most drawn in by its mystery, most wrapped up in its central nervous system of sorts.

But Locke has never been unwavering in that faith, until more recently; when the island began skipping, his insistence that he needed to go and find the others came from the words of Richard Alpert, and was something that has never made sense in and of itself. Locke does not know why he is to bring them back, or what good it will do, but he has committed himself to Alpert’s word, and to the island that he has some sort of a connection to. We knew, from the show’s fourth season, that Locke got off the island, and that he spoke to the Oceanic Six in order to convince them to return, convince them to come back with him. But what we didn’t know is what drove him to do so, and even before this week’s episode, “The Life and Death of Jeremy Bentham,” that point wasn’t entirely clear. Was it fate and destiny that brought him to this place?

There are, however, two faces of fate that linger around this narrative, two people who appear to profit from and are driven by the manipulation of fate, this power lust of sorts for something approaching control. When Locke returns to spread his word, the word that the island told him to tell, he is swept under the wing of two men who lay the same claims, who give the same reasons, and who ultimately offer the same thing: safety, protection, guidance. We have been taught, with time, to trust neither of them, and with the structure of this episode we have to wonder where the show now sits on these two men. The episode, written by series creators Damon Lindelof and Carleton Cuse and directed by Jack Bender, investigates a period in John Locke’s life where he became another man, where that man had his faith tested, and where John Locke was reborn.

And, well, there’s a lot of things to consider with this.

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Battlestar Galactica – “Faith”

“Faith”

May 8th, 2008

If there’s anything that Battlestar Galactica’s latest episode asks for, it is certainly the episode’s title: faith in its vision, faith in its journey, and faith in its slow as molasses pacing. If there was any hope in this changing, then “Faith” certainly set the record straight: with still a large number of episodes to go, Ronald D. Moore is going to take his sweet time getting to “the point.”

Of course, I am not one to criticize this decision – the nature of this final season is that it is having to tie together three seasons worth of action, suspense and drama into something even bordering on conclusiveness. It’s the same problem that any series faces towards the end of a season, or the show itself, but one that is particularly tough when you have two distinct societies, with multiple destinies intertwined within each one, to deal with. Human and Cylon are both on a collision course with something big, but how they get there needs to be choreographed.

I am kind of wary on “Faith,” if only because on a plot level it didn’t even live up to the low standards that I provided for it. It is one thing to spend a quarter of the episode with a very character/mythology driven story for Laura Roslin, that’s earned considering the show and Mary McDonnell’s respective pedigrees; the big problem is that the dramatic payoff to the Demetrius payoff was neither suspenseful nor dramatic on a broad plot level. We already knew what Kara Thrace learns from the Hybrid, we pretty well presumed what was going to be the end result of their journey, and outside of a random leg injury I never felt like anything was truly in jeopardy.

But, in the process, there was a few key scenes that elevated the material, and a sign that even though we’re not moving as fast as some would like we are definitely on the water in the river between the past and the future storylines.

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