Tag Archives: For Your Consideration

June 15, 2007 · 11:01 am

Cultural Learnings’ ‘For Your Consideration’: Week Three Update

Considering that we are now through two of five weeks of Emmy Nominations previews here at Cultural Learnings, I figured I’d give everyone a little update on how things are going heading into Week Three.

FYC: Index

Now that two weeks are gone, the For Your Consideration Index now has enough information for you to spend hours watching YouTube clips and reading up on who’s who in this year’s Emmy race. If you’ve missed any of the daily updates, all of them can be found nicely sorted into categories in the Index: Supporting Actor in a Comedy, Supporting Actor in a Drama, Supporting Actress in a Comedy, Supporting Actress in a Drama.

By the time this process finishes, this section will be chock full of some of the season’s best scenes and performances according to our own selections. After the nominations are announced on July 19th, some of these individuals might make the cut…and others might not.

FYC: Jericho

Fans of the CBS drama have made their voices heard, and a collection of their passion for Jericho and its cast have been collected at the FYC: Jericho page. These are not just fan ramblings: these people are well-spoken and articulate about what makes their show great, and this type of passion should be what every series searches for. To add your own thoughts to the page, send off an email to cultural.learnings @ gmail.com.

Week Three: Lead Actors

It’s time for the leading actors, and these are a much tougher bunch. While supporting roles are varied and provide plenty of room for selectivity, the same cannot be said for leading actors. As a result, there will be times where I question my own decisions…but there just wasn’t any other decision to make, I’m afraid. Either way, there’s plenty of contenders out there, so stay tuned for some thorough analysis as the week progresses. Today, we start with a winner from last year and a perennial nominee from NBC’s Comedy Night Done Right, so stay tuned for that.

As we start counting down the days until the Nominations are announced (35 days remaining!), feel free to send off an email with your own candidate, or your own thoughts on the pending awards. Also stay tuned for details on the rest of Cultural Learnings’ Emmy coverage to continue over the summer.

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June 14, 2007 · 11:00 am

For Your Consideration: Supporting Actresses – Hayden Panettiere and Jenna Fischer

[In Week Two of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actress awards in both drama and comedy. Today, we present our seventh and last set of candidates. For last week’s Supporting Actor candidates, and all of the Supporting Actress candidates, Click Here]

Supporting Actress in a Drama

Hayden Panettiere (Claire)

Heroes

When I previewed Heroes’ pilot back in August, I had the following to say about Hayden Panettiere’s performance as Claire: “The texas cheerleader is perhaps the most grating of the characters, although there is still nothing inherently negative there.” I don’t really know what that even means to be honest with you, but I do know that my opinion of Claire turned around drastically as the series went along. Perhaps more than any other character, Claire allowed us a glimpse at someone coming to term with their powers in a real way, without the grand world-saving idylls of people like Peter or Nathan. While her story started as her against her father, it was clear as time moved forward that he was simply protecting her…and then it all made sense. As part of this ensemble cast, Hayden Panettiere got to be the only actress to understand her powers not through some sort of contrived plot device, but through natural progression and understanding as the season wore on. I might not have been squarely in her court in the beginning, but I am now willing to submit Hayden Panettiere for Emmy consideration.

There is something instantly appealing about Claire, even if I found her grating in the beginning. A young girl realizing she has powers, she is forced to face the perils of high school while also hiding her true self from all those around her. This period provided some good material for Hayden: her on the autopsy table was a moment to remember, and her friendship with Zack was certainly one of the show’s most convincing outside of Hiro and Ando. However, that period of Claire’s life was really just the life she knew; as she struggled to figure out her relationship with her parents, she became curious. As she became officially part of the Petrelli clan after meeting her fire-starting mother, suddenly she was faced with a different dilemma: now that she knew who her real family was, where did her true allegiance lie?

And that is where the character came to a real high point. Now an integral part of the series mythology not just due to the ‘Save the Cheerleader, Save the World’ talk, Claire was forced to choose a side between her new family (Led by her triumphant hero Peter) or to remain loyal to her father as she knew him, Noah Bennet. As Claire’s story came into full view, it was clear that Panettiere was up to the task. Claire’s discovery of her true past, and of her true future, were compelling almost entirely because Panettiere never allowed the role to completely overcome her. Whereas other actresses might have been unable to handle the transition gracefully, I came to believe Claire’s transformation from high school cheerleader to world-saving heroine because it never jumped to extremes or gave into its gimmick (I’m looking at you, Ali Larter). While Heroes’ cast is certainly diverse, none of the other supporting actresses can claim as solid a season as Hayden Panettiere, and it’s why she is most likely to gain Emmy attention.

Episode Selection: “Company Man” (Aired February 25th, 2007)

Remember last week where I discussed how this is the episode for which Jack Coleman (Mr. Bennet, Claire’s father) should be considered for an Emmy? Well, I have to say the same for Panettiere, who holds her own in this episode that gives her what I believe is her most genuine hero moment of the entire series. With her father in jeopardy, Claire shifts into full-on hero mode by going out of her way to help her father and save them all from a nuclear meltdown. By establishing her love for her adopted father, even in the wake of his betrayal of her, Claire was given just as much depth in this episode as her father. Panettiere waltzes through it all with a sense of childhood playfulness in the flashbacks and genuine heroism in the present, without playing things too harshly in the process. It is a strong performance, and one that is likely to garner her Emmy attention once her dramatic conclusion arrives at the end of the episode.

YouTube – “Company Man”

Supporting Actress in a Comedy

Jenna Fischer (Pam)

The Office

Oh Pam. In my first attempt to write this paragraph I really just wanted to talk about Pam as if she actually existed and I could in some way shape or form influence her. I think that is what has always been what makes Pam interesting: her ability to be so damn real you want to reach through your screen and strangle her for being such an idiot, especially this season. I think this says a lot about Jenna Fischer’s character, because she always made me care: not always in the best ways, mind you, but I always felt that Pam’s fate was important to me personally. And this season, I watched Pam spiral into a place that wasn’t happy, and saw as everyone around her basically treated her like she was just another character. If she had stayed in that rut all season, I don’t think I could have possibly considered her for an Emmy award…but then the end of the season happened. Those final two episodes were everything they needed to be for Pam: a chance to speak her mind, and a chance to return to her old self. And in the process, Jenna Fischer finished a character arc worthy of Emmy consideration.

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June 13, 2007 · 11:35 am

For Your Consideration: Supporting Actresses – Adrianne Palicki and Becki Newton

[In Week Two of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actress awards in both drama and comedy. Today, we present our sixth set of candidates. For last week’s Supporting Actor candidates, and an index of all candidates, Click Here]

Supporting Actress in a Drama

Adrianne Palicki (Tyra)

Friday Night Lights

In a sea of supporting actress candidates, selecting Adrianne Palicki for Friday Night Lights was difficult. Much of my praise for Zach Gilford last week actually doesn’t apply to Palicki at all: his performance is about subtlety and teenage anxiety, whereas Tyra Collette is brash and acts far closer to Palicki’s real age of 24. However, what I realized as the season went on is that Tyra is a character with a great deal of depth beyond her apparent surroundings. While early season storylines had her sleeping with young oil executives (Which was sketchy for a 17-year old and never quite fit), she developed into a much stronger character as the season wore on. She may have been that bad girl who was on the wrong side of the tracks, but by midseason she was the girl who acted tough because her life was falling apart around her. While she might not excel at playing a teenager, Adrianne Palicki excelled at playing a girl who faced trouble with her head held high until she just couldn’t handle it anymore. And that performance is worthy of Emmy attention.

Tyra is the requisite bad girl, in direct contrast to Minka Kelly’s sugar sweet Lyla Garrity. She’s the bad influence on the coach’s daughter Julie, the love interest for resident bad boy Tim Riggins, the object of the nerdy Landry’s desires, and the special project for Guidance Counselor Tami Taylor. However, somehow Palicki managed to make each of these relationships incredibly compelling. Her scenes with Julie were playful, being just subversive enough without being deplorable. Her relationship with Riggins is complicated, with her feelings being varied and wavering at a realistic pace. Her scenes with Landry provided some great comedy late in the season, and working with Tami showed the bad girl side of Tyra breaking down.

And yet, I think the scene that I most enjoyed was Tyra heading into Jason Street’s hospital room with a bottle of liquor and shooting the shit while getting plastered. She was there to make a statement, screw with Lyla’s head, and yet she never quite took it to the level of outright “I’m going to screw your boyfriend”. She was this bad girl, so capable of being so, and yet she had some sense of a moral guideline. That moral guideline became even more clear as her academic future and her strained relationship with her mother became clear, including her battles with her boyfriends. Suddenly, her early season actions gained context they did not have before, and the result was that Palicki’s performance seemed that much better in hindsight. She is no household name, but Palicki crafted a character in a way that is worthy of Emmy consideration.

Episode Selection: “Mud Bowl” (Aired March 28th, 2007)

I don’t want to call this episode Emmy bait, because that takes away from Adrianne’s strong performance…but it was Emmy bait. Waiting for Landry at a fast food joint in the pouring rain, Tyra encounters a rather creepy male. As Landry is late, Tyra gets up to leave and is followed by the man who attempts to rape her. She fights him off with a cigarette lighter, and falls into Landry’s arms as he arrives. Palicki’s performance in the episode is incredibly powerful in what could have been a tough storyline to pull off, and she’s also great in the rest of the episode as she warms up to Landry and all of his charm. To see this “bad girl” devolve into a mess following this traumatic situation was one of those moments where you realized how real Friday Night Lights was, and Palicki’s portrayal of Tyra is what makes that possible in this episode. But since that scene can’t be watched, here’s a scene of Tyra interacting with Matt and Landry.

YouTube – “Mix Tape”

Supporting Actress in a Comedy

Becki Newton (Amanda)

Ugly Betty

A lot of what I discussed about Michael Urie’s performance in Ugly Betty goes as well for Becki Newton. She was also introduced as a catty coworker who would attack Betty mercilessly, and was as one-dimensionally funny as a character could get early in the season. However, like Marc, Amanda grew throughout the season into someone more caring, compassionate, fragile. Perhaps realizing that Betty wasn’t herself interesting enough to carry every storyline, B Plots began going the way of Marc and Amanda, and the result was three-dimensional characters that stood on their own accord. While she might not be a big name like Vanessa Williams, Becki Newton was always up to the task of being a vicious critic when necessary while always being able to show Amanda’s more sensitive side. That ability to balance conniving and concerned, caring and villainous, puts Newton into consideration for an Emmy Award.

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June 12, 2007 · 11:30 am

For Your Consideration: Supporting Actresses – Patricia Wettig and Vanessa Williams

[In Week Two of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actress awards in both drama and comedy. Today, we present our fifth set of candidates. For last week’s Supporting Actor candidates, and an index of all candidates, Click Here]

Supporting Actress in a Drama

Patricia Wettig (Holly Harper)

Brothers & Sisters

Fans of FOX’s Prison Break will know Patricia Wettig from her stint as (Vice-)President Reynolds on the show’s first season before she mysteriously disappeared in its second, returning only for a brief cameo. Well, for those fans who might not be so interested in primetime family dramas and who skipped ABC’s Brothers & Sisters, it was the reason why she was absent. With her husband Ken Olin (A prolific director/producer on Alias) producing the ABC series, Wettig was drawn away from her presidential role for one somewhat different. And, while I’m sure it mucked things up over at Prison Break, Wettig made the right decision in the end. In Holly Harper, Wettig has a character with emotional depth beyond her introduction. Beginning as a volatile plot device from the Walker family’s departed patriarch’s past, Holly has since developed into an honest-to-goodness part of this ensemble cast. While some of the other supporting performances were perhaps more showy (Mainly Rachel Griffith’s turn), Wettig brought to Holly a sense of loss and independence worthy of Emmy contention.

Holly Harper was the other woman, the one that Nora Walker knew existed and yet didn’t believe was ever a real problem. The key theme of the season was Nora dealing with her husband’s past haunting her even after his death, and Holly was a big part of this. As she became an inheritor, and as she bought herself into the family business, Holly was a thorn in Nora’s side in a real fashion. However, Holly was rarely out to get Nora in the beginning. Wettig brought to the role a sense that she was willing to be civil, willing to be honest, willing to let things slide. Then, of course, things hit the roof and Nora couldn’t take it anymore.

Their tension was palpable, and it drove the show forward. As Holly battled with Sarah and Nora, she was often somewhat vindictive and it would be easy for Wettig to fall into that pattern. However, once Holly’s daughter Rebecca entered the picture, Wettig was given a more emotional side. We began to see the life she led without having to relate to this family, the life as the other woman with a daughter and a life to live. It is easy to immediately condemn the other woman, but I found myself warming to Holly by season’s end. Wettig brought to the role a sense of honesty, a knowledge of her sins and yet an acknowledgement of needing to move on from it. From beginning to end in her series run, Patricia Wettig embodied Holly Harper in a way that she could never have achieved with Prison Break’s cold-hearted president. Not only did Wettig make perhaps the best career move of the year, but she also delivered a performance worthy of Emmy consideration.

Episode Selection: “Grapes of Wrath” (Aired May 6th, 2007)

Holly is at her most vicious here, reeling from the news that her daughter has moved in with the Walkers and the tension between her and Nora is most certainly at a fever pitch. Wettig has a lot of fun seducing Nora’s date for the weekend, her creepy writing teacher, but the real kicker comes from an end of episode food fight that is both funny and yet evolves into something much more substantial. Holly breaks down after the fight, realizing that she still misses William (Nora’s husband, her lover). That breakdown is the first time I really looked at Wettig for this award, and I think it convinced me she deserved it. It puts into context Holly’s actions, Holly’s inability to move on, just as it did Nora’s inability to move on before she put William behind her at some point earlier. Actually, Holly’s actually better at moving on than Nora is. And Wettig makes this very clear, matching Sally Field line for line and delivering an Emmy-worthy performance.

YouTube – “Grapes of Wrath”

Supporting Actress in a Comedy

Vanessa Williams (Wilhemina Slater)

Ugly Betty

There is something to be said for an actress finally finding the right role for them. Vanessa Williams has jumped around, struggling to find her role in the television and film universe. Outside of appearances in films such as Soul Food or Shaft, or her short-lived runs on Boomtown or South Beach (Which existed, believe it or not), she has never found a niche in the acting world. As a result, most people know her best from performing ‘Colours of the Wind’ in Disney’s Pocahontas and her other singing accolades. However, Williams is not happy just being another Pebo Brison; she appears to have been waiting for the right role to finally come along. And, well, come along it has: as the scheming Wilhelmina Slater, Williams has elevated her game with a conniving and devious performance that skirts the line between villain and hero so well that I’m still not sure where I stand. However, either way, Vanessa Williams has finally found the right role, and it is one worthy of Emmy Awards attention.

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June 11, 2007 · 12:00 pm

For Your Consideration: Supporting Actresses – Kelly Bishop and Cobie Smulders

[In Week Two of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actress awards in both drama and comedy. Today, we present our fourth set of candidates. For last week’s Supporting Actor candidates, and an index of all candidates, Click Here]

Supporting Actress in a Drama

Kelly Bishop (Emily Gilmore)

Gilmore Girls

This year, for the first time, Gilmore Girls is submitting in the drama category. This decision will certainly benefit the series, I believe, as it more directly represents the show as a whole. However, at the same time, it will also directly benefit who is arguably the series’ most important supporting player. Kelly Bishop has portrayed the Gilmore matriarch for seven seasons with a sense of grace, but she was rarely given a chance to be “comic” by popular standards. Sure, Emily Gilmore can be hysterical, but it makes more sense for her to be considered as a dramatic performance. As a result, as the series shifts over, so too do Bishop’s chances of finally getting her due. In the show’s final season, Kelly Bishop portrayed Emily Gilmore as a powerful wife, mother and grandmother in a way that was always real despite her wealth and status. As a dramatic performance, Bishop deserves to be considered for an Emmy Award.

This past season has been an opportunity for Emily to come to terms with her own life, as opposed to that of her daughter. Her life changed when her husband suffered a heart attack, and all of a sudden she was alone in many things. That sense of loneliness sent the always on the edge Emily over the cliff, in a sense. Faced with a new reality, a change in her routine, it required a lot of dramatic range from Bishop. At that age, where retirement and everything else kicks in, people are faced with a change of lifestyle, and Bishop portrayed it with a subtlety and vulnerability that was in line with Emily’s past actions.

Perhaps most importantly, however, was that Emily’s journey felt complete. After seven seasons of tense relations with her daughter, the season ended with her attempting to ensure that her connection with Lorelai would continue even as Rory is graduating. Their strained relationship was always important to the core dynamic, and to see it resolved in the finale was perhaps the most important moment from my personal perspective. What Bishop always brought to the role was a sense that Emily held a grudge, but that she also very much loved and cherished her relationship with her family. In her finale season, Bishop lived up to that history and delivered a performance worthy of Emmy consideration.

Episode Selection: “I’d Rather Be In Philadelphia” (Aired February 6th, 2007)

A moment of crisis is always rife with drama: in this case, Emily is faced with her husband’s heart attack and struggles in the hospital to pull together. Her reaction is real, honest, and Bishop portrays her anguish with just the right amount of denial. While I think she had better performances, this is the one where she was placed in a tougher position. Remorse, anger, it’s all there. It wasn’t perhaps the most subtle of her performances, but I think it is certainly the one that might get a good amount of Emmy related attention.

YouTube – “I’d Rather Be In Philadelphia”

Supporting Actress in a Comedy

Cobie Smulders (Robin)

How I Met Your Mother

I watched the first two seasons of How I Met Your Mother in the span of a few weeks, and in the process I warmed up to Cobie Smulders in a big way. I was, for the most part, ambivalent towards her as the seasons progressed, but over time I began to come to terms with her contribution to the series. While Alyson Hannigan is perhaps the bigger star, Smulders often has the more difficult role to play. Her relationship with Ted needed to seem worthwhile, honest, and it always did. She brought to the role a sense of comic timing that was always somewhat offbeat, and she always played the role of the outsider in the right way. And really, I’ll be honest: while I believe that her performance as a whole is deserving of attention, I’m really only listing her for one reason: Robin Sparkles.

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June 10, 2007 · 11:56 am

For Your Consideration: Supporting Actresses – Julie Benz and Perrey Reeves

[In Week Two of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actress awards in both drama and comedy. Today, we present our third set of candidates. For last week’s Supporting Actor candidates, and an index of all candidates, Click Here]

Supporting Actress in a Drama

Julie Benz (Rita)

Dexter

Showtime’s Dexter is a fascinating character study, a drama that blurs the line between procedural and serial while investigating more its characters than its crimes. At the centre of that conflict, no doubt, is Dexter Morgan himself, but I have to hope that Emmy voters will be able to realize how important the supporting cast is to this series. Each of them portray a similarly damaged individual, just in different ways: there are no characters without some level of emotional distress, and they deserve to be considered. However, the nature of this series is that there is limited room, and decisions must be made. As a result, we shall consider Julie Benz, who portrays the emotionally damaged Rita. Attacked by her husband, raising her kids on her own, her relationship with Dexter is one of the show’s most important elements. As Rita’s own insecurities begin to evaporate, Dexter’s resurface. Benz matches the fabulous Michael C. Hall scene for scene, and the result is a powerful supporting performance worthy of Emmy consideration.

From the show’s very first episode, Rita’s character was clear: Dexter dated her because she was afraid of intimacy, having been assaulted by her husband. Benz brought to Rita a sense of insecurity that felt just as it needed to. She loves Dexter because he’s great with the kids, dependable, and an all-around good guy. She knows nothing of his vigilante justice, and that is what makes her character so powerful: she reacts to Dexter purely as a human being. But Dexter isn’t human, he’s damaged, and Rita is just an extension of that in his mind. This creates a gap: she believes them to be in one place, when inevitably he believes them to be in another.

As they came together throughout the season, eventually reaching much better terms, Benz remained the consummate supporting actress. Rita needed to be someone we can see Dexter loving, who we could see loving Dexter, and who we could see as someone damaged and yet trying to fight back. Benz managed to create someone who could be loved by a murderer, who could love a man who for some time could not show love, and who could be damaged at her core but hide it from her children. When she breaks down, it seems like she is shedding layers that she will pile right back on as soon as the discussion is over. Not enough people have seen Benz’s performance, perhaps, but more people need to be made aware: Dexter was one of the best new shows of the season, and Julie Benz was an integral part of the series’ dynamic.

Episode Selection: “Truth Be Told” (Aired December 10th, 2006)

While Dexter’s finale ended the season-long Ice Truck Killer mystery, it didn’t have room for a resolution for Rita. As a result, Truth Be Told was really the final hurrah for Rita within the season. And, for the most part, the episode provided her with a lot of dramatic movement: faced with a druggie ex-husband being framed by Dexter (Quite excessively, too), she has to balance her new relationship, her old one, and being a parent amidst it all. Unfortunately, I can’t use YouTube to show you that performance, but just imagine that it was powerful and vulnerable. It’s a good choice because there’s a torrent of frustration: her anger with Dexter never turns into a full-fledged fight, but their relationship is different from their happier moments. For the sake of something, here is one of those happier moments.

YouTube – “Rita and Dexter”

Supporting Actress in a Comedy

Perrey Reeves (Mrs. Ari)

Entourage

Most television characters without a first name are unlikely to make a dent in our collective memories. Being known as “Mrs. Ari” in Entourage‘s credits certainly hasn’t given Perrey Reeves any sort of fame boost, and for the most part I would say that she’s a marginal player at best. However, and this is a big however, when she is on screen it is fabulous to watch. While Jeremy Piven rants away, giving Ari a sense of insanity and fortitude so very powerful, Reeves always matches him. Her responses are just as sharp-witted, just as biting, just as strong. She goes toe-to-toe with Ari in a way that often seems almost unnatural. We see so little of her life: we rarely see the kids, and we never see “Mrs. Ari” on her own. However, as a supporting player in the life of an overpowering character, she always manages to get a word in edgewise where so many others would not. And, for managing to do so without even a first name, Perrey Reeves deserves Emmy consideration.

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June 9, 2007 · 12:04 pm

For Your Consideration: Supporting Actresses – Autumn Reeser and Jane Krakowski

[In Week Two of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actress awards in both drama and comedy. Today, we present our second set of candidates. For last week’s Supporting Actor candidates, and an index of all candidates, Click Here]

Supporting Actress in a Drama

Autumn Reeser (Taylor)

The O.C.

I’m basically going really far out on a limb here, but there is a definite theme with today’s selections and Autumn Reeser fits right in. Introduced as a stuck up villain for Mischa Barton’s Marissa who hooked up with the evil Dean Hess (It was embrassing for all involved), Taylor was a character left as almost purely one-dimensional…but then something happened. As the third season progressed, she began to change; her mother was seen as a tyrant, and she began to pursue a friendship with Seth, Summer and the gang. As the show progressed into its 4th season, now Marissa free, Autumn Reeser was made a regular cast member. And, as a result, she became the scene stealer the show was clearly looking for. She was smart, funny, insanely charming, and she managed to make a relationship between Taylor and Ben McKenzie’s Ryan work far better than it should have. Basically, Autumn Reeser was one of the main reasons for The O.C.’s creative resurgence, and even though it’s a long shot and I once found her insufferable, I am going to put her under consideration for an Emmy Award.

The challenge for any new regular cast member, even one who was recurring before, is integrating into the existing cast. This, it seems, was Reeser’s calling. She managed to have memorable scenes with pretty much every single character. She had fantastic banter with Kirsten and Sandy, unconventional girl talk with Summer, the usual humour from Seth, and, of course, an actual relationship with Ryan. There was even some fantastic Julie/Taylor moments in there as well. And every single time, she stole the scene: when Taylor was in a scene, chances are she was the focal point.

And yet, Reeser always gave her a certain vulnerable side, never quite becoming entirely the neurotic mess Taylor usually is. On a show that often fell apart, Taylor was always consistent in her actions, and I think that any Emmy voters who see an episode of The O.C. for Emmy consideration will see her as a shining beacon of hope amongst teen soapiness. Even as an admitted fan of the show this season, I know that she has little chance of standing out. But, she basically knocked every scene out of the park, and in terms of supporting performances I can’t help but consider her seriously. A lot of things saved The O.C. this year, but Autumn Reeser deserves a large portion of the credit.

Episode Selection: “The Sleeping Beauty” (Aired November 30th, 2007)

This episode isn’t actually her Emmy submission, as she decided to submit one of the more dramatic performances from the utterly awful story arc with her French husband showing up. However, this early season episode proved to me that this reboot of the show could work, and basically make the Taylor/Ryan relationship believable in one fell swoop. She has funny scenes with the Cohens, with Kaitlin Cooper, and of course with Ryan. She is funny, engaging, heartbroken, nervous…it’s a tour de force performance, and isn’t all caught up in annoying French husbands like she is in The French Connection. She manages, here, to be an emotional connection for the audience. The fact that she makes a contrived relationship work in this manner is deserving of Emmy attention, simple as that.

YouTube – “The Sleeping Beauty”

Supporting Actress in a Comedy

Jane Krakowski (Jenna)

30 Rock

I have said some unkind things in the past about Jane Krakowski’s Jenna. I believe, at multiple points, I wondered whether she was really necessary for the show’s dynamics after she was absent for a few weeks. And, to be honest, the show was better without her. However, in retrospect, I think that my favourite 30 Rock episodes feature Jenna in some capacity. It’s weird, because while I dislike her character in comparison to Liz, Jack, Tracy…she’s still a part of this cast. She’s almost always the butt of the joke, but I think that you need someone like that to be around. Often the victim of poor writing, when the writing was good Krakowski always lived up to the material. While part of me feels she was extraneous to the show’s best elements, the episodes that featured her brought some of the show’s best comedy. It wasn’t the most individualistic comedy performance of the year, but I think it should at least be considered.

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June 8, 2007 · 11:00 am

For Your Consideration: Supporting Actresses – Elizabeth Mitchell and Melora Hardin

[In Week Two of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actress awards in both drama and comedy. Today, we present our first set of candidates. For last week’s Supporting Actor candidates, and an index of all candidates, Click Here]

Supporting Actress in a Drama

Elizabeth Mitchell (Juliet)

Lost

We first met Elizabeth Mitchell’s Juliet at the beginning of season three, as she became Jack’s all-purpose wrangler if you will. She brought him sandwiches, she played him Bob Dylan-style video tapes in an attempt to seize control, and she assisted in surgeries despite only being a fertility specialist. Throughout that six-episode mini-arc, this was all we knew about Juliet. Mitchell’s portrayal was certainly strong, but the character was just another Other as far as we could tell. However, with “Not in Portland” (The first episode back from hiatus), Juliet was thrust into the centre of the Others’ history, and Mitchell was up to the task. Throughout the remainder of the season, she became an intricate and powerful part of this ensemble, and at season’s end she was still as complicated and engaging as ever. Much like Michael Emerson, Mitchell had an incredibly tough task ahead of her. And, like Emerson, she stepped up to the plate with a performance worthy of Emmy consideration.

Juliet could have been a fairly mediocre character in the wrong hands. She has been used as a disruptive influence in the relationship between Jack and Kate, and became “the other woman” to the castaways as well when Jack brought her back to camp following their adventures. And yet, Mitchell always managed to create a character that we outwardly liked, even when they were doing somewhat evil things. When we learned that she was still working for Ben as she took Sun to the medical hatch, we as viewers wanted it to be false, wanted there to be some kind of explanation. Mitchell’s portrayal made us want to like her, something that could have been difficult considering who the Others are.

This season of Lost was all about humanizing the Others, providing them a perspective on this island. Without performance like Mitchell’s, I think the Others might have remained faceless villains, incapable of becoming part of the show’s mythology. Juliet became someone we outwardly liked through a complex back story, a relatable situation trapped between two sides, and by never completely showing her cards. The show asked a lot of Mitchell, and she stepped up every single time. I was never bored with Juliet, and I’m not sure I will ever be. Elizabeth Mitchell is now an integral part of Lost’s ensemble, and her ability to weave Juliet into the show’s complicated storyline is Emmy worthy.

Episode Selection: “One of Us” (Aired April 11th, 2007)

Juliet’s second episode worth of back story, One of Us is a tumultuous journey through her time on the island, coinciding with her present struggle to become part of the culture at the beach. It is a fantastic portrayal from Mitchell that gives her a wide range of scenes that would pull any Emmy voter into her direction. She has so many that I had an incredibly tough time picking just one. Her nervousness before she heads to the island? Her breakdown after yet another woman dies during childbirth? Her smackdown of Sayid and Sawyer as she gather the medical equipment? All of them are noteworthy, but the one I must showcase is where she confronts Ben about his tumour. He had promised to cure her sister of cancer, and yet he has it himself: Juliet is unpleased, and Mitchell’s portrayal is honest and just fantastic. This is an acting tour de force, and it cannot be ignored.

YouTube – “One of Us”

Supporting Actress in a Comedy

Melora Hardin (Jan Levinson)

The Office

I believe that one of the greatest disservices of this television season was the character homicide of Jan Levinson on NBC’s The Office. After three seasons worth of strong, subtle performance from Melora Hardin, she was turned into a boob joke and a serious case of the crazies. While it provided some comedy, sure, what was always entertaining about Jan was how she walked the line between neurotic mess and corporate role model. Her relationship with Michael was her trying something new, trying to find stability where there was none. If she was the comedic form of humpty dumpty, she had a great fall at the end of the season. But, I hope that Emmy voters will be able to remember how to put Melora Hardin’s subtle and entertaining comic performance back together when it is time to submit their ballots.

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June 7, 2007 · 5:18 pm

‘For Your Consideration: Jericho’ Page Now Open

Just a heads up to my regular blog readers: I’ve officially opened the For Your Consideration: Jericho page I have alluded to in far too many previous posts (I’m a whore for the email link recently, apparently).

For Your Consideration: Jericho
https://memles.wordpress.com/jerichoemmys

If you want to submit something, or think that another show might deserve a similar page, send me off an email…well, I won’t post it again, but it’s in the upper right hand corner for those interested.

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June 7, 2007 · 11:00 am

For Your Consideration: Supporting Actors – Terry O’Quinn and Michael Urie

[In Week One of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actor awards in both comedy and drama. Today, we present our last, and seventh, set of candidates. Tomorrow, we’ll begin looking at Supporting Actresses. For all Supporting Actor candidates, Click Here]

Supporting Actor in a Drama

Terry O’Quinn (John Locke)

Lost

I’ve saved Terry O’Quinn until the end not because I don’t know what to say, but rather because it almost feels unnecessary to say it. After unjustly losing the Emmy two years ago, Terry O’Quinn has unfortunately gone unrecognized for his role as John Locke, and in a way it makes sense. The 2nd season wasn’t a big one for Locke, as he lacked a true defining moment. It was more of a general pattern, his obsession with the Hatch being a long, drawn out affair as opposed to a single emotional moment. However, I will make no excuses for the Emmys or any other awards show when it comes to the coming awards season. Because, when it comes to supporting performances, no character had a bigger episode this season than John Locke, and no actor stepped up to the plate like Terry O’Quinn. And for that, my friends, Terry O’Quinn deserves an Emmy.

This season, Locke was given the opportunity to finally reconnect with the island, the very thing that had so tempted him in the first season when he stumbled upon the hatch. Without that hatch to rely upon, Locke was asked to step up to the plate and lead his people after Eko’s untimely death. The result of this was Locke regaining his faith, of sorts, from Eko’s scripture-laden stick, and sending him on a journey to find the Flame Station, the Others’ compound, a certain submarine, a magic box, a gruesome task, a fateful journey, a mysterious encounter, a near fatal shooting, a visitor from his past, and a final plea to Jack to not allow outsiders to enter the sacred island he now calls home. That journey, taking place in the second portion of the season, hearkened back to the Season One Locke we knew and loved.

And O’Quinn was right back with it. Don’t call it a comeback for O’Quinn, though, because he was just as solid in the second season as he was here. However, the content of each season can’t be compared: whereas Locke became marginal in season two, he was the centre of attention in season three. And O’Quinn rose to the occasion, never backing down from a challenge and marking some memorable exchanges with Sayid, with Jack, and with the leader of the others, Ben. At all times, O’Quinn played Locke like the man of faith again, the man who believes when others don’t and, perhaps, might just be onto something. Lost wouldn’t be the same without Locke, and the Emmy Awards will not be the same without Terry O’Quinn. They made a mistake two years ago, and it’s time they made it up to him.

Episode Selection: “The Man From Tallahassee” (Aired March 21st, 2007)

In Season One, Terry O’Quinn should have won that emmy for Walkabout, the episode where we learned he had previously been in a wheelchair (One of the show’s best reveals, perhaps only topped by this season’s finale). In Season Two, O’Quinn was at his finest when sparring with Henry Gale, the prisoner in the hatch who we later learned was the leader of The Others. The Man from Tallahassee takes these two elements (Locke’s past paralyzation and his confrontations with Ben) and puts them into the same episode. The result is a philosophical and powerful hour of television that wraps itself around the island as a character, Locke’s journey, and most importantly: we finally learn how Locke lost the use of his legs. It is perhaps the final chapter in Locke’s journey, that final piece of the puzzle, and Terry O’Quinn knocked it out of the park. If this performance isn’t worthy of an Emmy, I don’t know what is.

YouTube – “The Man from Tallahassee”

Supporting Actor in a Comedy

Michael Urie (Marc)

Ugly Betty

After watching the pilot for Ugly Betty, I felt that the show was far too vindictive. At that time, the various intricacies of the show were tossed aside in favour of fish out of water at its finest. The staff at Mode magazine were downright mean to hapless, unfortunately dressed Betty, and the result was that they all became instant villains from that moment onwards. And, thus, it is to the show’s credit that they managed to take these people and turn them into human beings who we empathize with on a weekly basis. One of those individuals is Wilhelmina’s flamboyant and biting secretary Marc, and Michael Urie’s portrayal of the character has managed to turn heartless into heartfelt. In a show that has transformed itself along with its titular heroine, Urie’s performance is absolutely part of that reason, and for it he deserved to be considered for an Emmy Award.

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