Tag Archives: John Slattery

Mad Men – “A Night to Remember”

“A Night to Remember”

September 14th, 2008

Describing Betty Draper to the representatives from Heineken, Duck Phillips identifies her as “well off and educated.” Now, in the context of the scene, we breeze right by it: they’re selling this pitch, so it’s not like anyone’s going to put on the brakes. However, let’s be frank: to this point, and even after the events of the episode, would anyone really consider Betty Draper to be educated?

This isn’t to say that she is not intelligent, or that she is not capable of achieving great things, but rather that her tragic flaw is her ignorance to the outside world, to the world that she is constantly being surrounded by. When she becomes the punchline of Don’s pitch to Heineken, she isn’t necessarily just reacting to Don’s use of her as a tool: rather, it’s that he knows better than she does what her role is, what demographic she’s in, and what she’s likely to buy when she goes to the grocery store.

But that’s Don’s job, as it is Peggy’s: it’s their job to tell people what they want. It’s just that, as both found out in this episode, you need to know your audience: whether your wife or the Catholic Church, there are certain rules that need to be followed if you’re going to let your role in the ad game dictate the rest of your life decisions. And, as seen with Don, Peggy and Joan, the balance between these two sides of one’s life, in whatever form they take, will eventually get the better of you.

And when that happens, as it did to Betty Draper who doesn’t even have a single role she could really latch onto in her lowest moments, it will serve as…well, you can read the title of the episode, you know where this is going.

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Season Premiere: Mad Men – “For Those Who Think Young”

“For Those Who Think Young”

July 27th, 2008

The breakout success of Mad Men has been a huge surprise – when I started watching the show last summer, it was a cable show from a network that didn’t do such shows. It had the pedigree of Matthew Weiner, and it had some positive kudos from the critics, but what person would have predicted sixteen Emmy nominations, two Golden Globes, and a cultural firestorm so powerful that it even compelled the Canadian networks with the rights to the series to air the second season premiere before the first season has even completed airing?

But the time for kudos, set visits, really fancy DVD sets and excessive hype is over: while last season’s finale seems like ages ago at this point, it’s time to see whether the emotional resonance of “The Wheel” can be rekindled as the show picks up fifteen months later and in a whole different critical context: once a show without expectation, it has become perhaps the most closely watched sophomore session of the year.

And the series is showing its age, to use the opening episode’s central theme: it is a show that allows its characters to feel all of their insecurities in a way that ages them. If we look back to each character’s trajectory, and the series’ central transportation back to another era, a lot of it is about time and the way it changes people: whether it’s Betty Draper looking back to her modeling days or Roger Sterling having an affair with Joan, the voluptuous secretary, it’s all inevitably about returning to a younger self, a younger identity.

As the show begins its second season, it strongly and intelligently hits on this note, framing a story of a Valentine’s Day where “Young” is in and where those feeling time slipping away from them are hoping to hang onto everything they can. With a large ensemble cast and a number of emotional cliffhangers to deal with, the jump forward in time brings new facial hair, new jobs, and new rumours; in the process, it’s a new season of one of television’s finest dramas.

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Mad Men – “Babylon”

“Babylon”

Season One, Episode Six

In the world of Mad Men, normalcy is the goal: for Don Draper, it’s bringing his wife breakfast in bed on Mother’s Day. Of course, as he travels up the stairs, he losing his footing and everything smashes around him. Cue the flashback to his brother’s birth, and another sign that Donald Draper’s life is a giant lie just waiting to be smashed like the falling breakfast tray.

Yes, the opening of “Babylon” is not exactly subtle, but this is an episode that is all about the hidden becoming revealed, the secrets becoming part of common knowledge. The central attempt to commodify Israel into a tourism destination for Americans is about taking a secret and turning it into common knowledge, but there the ad men get to put their spin on it; the facts are one thing, but with the right treatment they can become something far more profound. This episode is about the people who need to spin their own lives, and the one person who’s about to start spinning for others.

And in the meantime, you’re stuck in exile; and as a series about people who find themselves searching to avoid such a position, Mad Men flourishes.

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