Tag Archives: NBC

The Office – “Branch Wars”

“Branch Wars”

November 1st, 2007

This week signals a return to the type of Office episode that I enjoy, find humorous, and yet can’t help but feel could have been better. I like this kind of episode, because it isn’t bad (Which at least one of the one hour segments were) and it signals a return to formula for a series that deviated from it too often early in the season.

Strongly directed by returning guest director Joss Whedon (Who is returning to television with Fox next year), the episode had some great subtle visual comedy and a great awkward moment between Jim and Karen (Returning guest star Rashida Jones). However, the build to that moment was The Office at a sensationalist level that did not elicit enough laughs to justify its stupidity.

And, I’m sorry, but urine is always stupid.

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Chuck – “Chuck Versus the Sandworm”

“Chuck Versus the Sandworm”

October 29th, 2007

I should have known that Chuck would eventually find its indie rock sensibility considering Josh Schwartz is in charge, but the early mention of Arcade Fire still came as a bit of a surprise. The show has fallen into a nice groove of slickly-produced spy romps tempered by emotional interludes on the home front; while it is certainly geeky, its indie cred remains in question.

In the case of this episode, it’s actually a bit of a step-backward for Chuck, to be perfectly honest with you. The show’s sense of humour may still be intact, but it stretched its premise a bit thin with Lazlo, an electronic geek who can use a home theatre system to guide nuclear missiles and magically produces a steering apparatus from the glove box of Chuck’s car. The question of trust is a fine recurrent theme, but I wish I could trust the producers to maybe ground the series a little more; the result is an episode that felt a bit off even as its interpersonal story stayed on track.

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Heroes – “The Line”

“The Line”

October 29th, 2007

At a certain point during tonight’s episode of Heroes, I pondered simply blogging about the storylines that I actively enjoyed within each episode. By the end of the episode, I realized that this would be fairly difficult considering there was only one that qualified. As a result, this review shall remain pretty well 90% negative.

There just isn’t anything overly compelling about Heroes right now: at this point, they’re just dropping the occasional hint of something interesting (In this episode, the paintings and Peter’s end of episode time warp) while stumbling towards a climax. The problem right now is that there are only three storylines actively driving towards something meaningful, and only one of them was actually heavily featured in the episode (And is a more recent development). The rest…well, Heroes just isn’t pulling them together.

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Heroes: “Fight or Flight” or “The Kristen Bell Episode”

“Fight or Flight”

October 22nd, 2007

Five episodes into its first season, Future Hiro showed up on a subway train informing Peter to “Save the Cheerleader, Save the World.” Five episodes into its second season, it might take more than Kristen Bell’s much-anticipated arrival to save a series struggling to get a grip on its own storylines. Will she bring with her the overarching storyline the season so desperately needs, or just a fanboy surge without any last impact?

Obviously, considering that her arc will last a fairly long period of time, it’s hard to judge what impact Bell will have. Her scenes were both sparse and uneventful, her impact limited thanks to either low budgets or the show’s deluge of storylines being juggled. I think her character at least introduces something new to the equation, which is at least the kind of step forward that the show needed at this stage of the game. While it doesn’t quite happen in this episode, even though Peter’s storyline moves forward slowly, there are more redemptive elements present than in weeks before.

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Friday Night Lights – “Are You Ready for Friday Night?”

“Are You Ready for Friday Night?”

October 19th, 2007

Once passed over due to its football focus, Friday Night Lights has spent its second season taking its established characters within a football environment and turning this into a purely personal drama series. This week, we finally returned to the gridiron…except not at all.

Last season, the show hit many of its finest moments when it paralleled the gridiron action with the off-field concerns: Mud Bowl, perhaps the show’s finest moment, brought a football game which intercut with Tyra being attacked and represented Coach Taylor’s field of dreams as much as it represented four quarters of high school ball.

We’re missing that this time around: football used to provide a framework, but now it’s treated as a distraction from the interpersonal drama. Football gets in the way of Tim Riggins’ drinking, football gets in the way of the Taylor family’s happiness, and football is just the reason Saracen and Smash are feuding. The only plays we saw in the football game were plays that spoke to this last point, as opposed to…well, actual football.

And I like football: I played a lot of it during lunchtime in High School, and I kind of felt like it was its own character within Friday Night Lights. Now, Football has no voice of its own, and I think that the show is hurting because of it. There doesn’t seem to be a connection between each episode, a way for us to relate these disparate storylines to one another in the web of things.

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Cultural Catchup – Comedies – October 16th

[Oy vey. So much TV, so little time. This will be part one of a two-part series at this point, so we’ll start the comedies and move onto the dramas tomorrow (I’ll be covering Gossip Girl and Pushing Daisies this evening, barring unforeseen circumstances).]

How I Met Your Mother – “Little Boys”

There were some funny moments, sure, but the show’s focus is falling apart. The end of last season was a fantastic series of episodes because it was focused on Marshall and Lily’s wedding with Ted and Robin’s relationship taking a backseat. What happened at the end of last season was that Marshall and Lily became that “married couple” who no longer had any real comic potential…and Ted and Robin became the focus.

Ted has had some decent episodes (“Lucky Penny” was an example), but there is something about Ted that just doesn’t make for good comedy. The show has tried various perspectives: We went into Ted’s office for a span, and the result was mediocre comedy. Right now, Ted and Robin are both single and dating, and it just…isn’t entertaining. There’s some great jokes, and the structure of this week’s episode was interesting, but it just isn’t memorable.

I’m almost expecting them to throw Robin into the workplace any day now.

Samantha Who? – “Pilot”

The final new comedy of the fall season, Samantha Who? debuted to some solid numbers last night…and I’ll admit that I enjoyed it quite a lot. There are some fantastic elements to Samantha Who? that keep things interesting: a fantastic cast is first and foremost, with pretty well every performer nailing their respective character.

The comedy itself isn’t all that interesting, but the structure of the pilot had a lot of potential. There was some nice reveals of her “fake” best friend and her boy issues, and the mysterious hit and run driver is certainly of concern. As a pilot, it was well constructed to introduce us to these characters, as an Amnesiac makes a great tabula rosa upon which to write.

The concern, obviously, is that they’ve played out their amnesia jokes and that the rest of the series won’t be able to live up to this pilot structure. I enjoy the characters, from Jean Smart’s fantastic mother to Barry Watson’s awkward and short-haired boyfriend, but she can only learn so many things about herself each week before this gets extremely old. Will she get amnesia again? Will another character get amnesia? Where can this go, exactly?

Chuck – “Chuck vs. The Wookiee”

I will concur with the general sentiment on this episode: it just wasn’t as good as last week. It was still engaging, but it had some issues with balancing comedy and drama. In other words, it wasn’t quite funny enough, and the drama didn’t quite play as well as it could.

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The Office – “Launch Day”

“Launch Day”

October 11th, 2007

To expand on the cold open to tonight’s episode of The Office, the show is a little square bouncing around a TV screen. As a fan, I’ve been watching to see whether the series will be able to hit that sweet spot right in the corner of the screen. As the members of the office wait for the bouncing cube to finally enter into that elusive meeting place of perpindicular lines, something happens: it goes in the corner. And, as if to coincide, the show found its own corner as well.

What the show brought to the table this week, that it hasn’t in weeks past, is a focus on entirely Office-related activity. The show teased heading to New York, but staying grounded in Scranton brought out the best in the show’s characters. The episode wasn’t perfect: the second half still devolved into Michael’s crazy antics that went a tad too far, but it remained grounded in the office environment. Plus, Michael actually realized he had done something wrong: a step in the right direction!

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Chuck – “Chuck Versus the Tango” and a sidenote on Aliens in America

“Chuck Versus the Tango”

October 8th, 2007

I don’t have too much to say about Chuck, but I haven’t formally discussed a single episode thus far and felt this was a good time to do so. The series emerged out of its first week with a decent second stanza, but I feel the need to point out that this week’s episode was just plain good: it maintained the energetic pace of the pilot without any of the large-scale action pieces, and after last week’s repetitive fare added some new elements to the mix.

Chuck was the highlight here, as Zachary Levi delivered a great comic performance as the perpetually in danger government secret keeper. The situations in the episode, while technically stretching the show’s premise, were perfect: it put Chuck in conflict with his friends, in awkward and new situations with the tango, and to new points in his relationship with Sarah. It was essentially an episode of Alias but played for comedy. Chuck had to learn new skills and techniques, but instead of doing so to great effect he klutzed his way throught it.

And it was funny: Alias always had its humorous side, and played to full effect it’s allowing Chuck to come into its own. Having never purported to being a plot-driven series, the character-building is great: the villainness was portrayed well, the plot was simple enough to follow, and it felt like the kind of adventure that we actually like watching. I can only hope that tonight’s episode of Reaper can convince me just as well as Chuck did.

A Note on “Aliens of America”

I watched the second episode of The CW’s new comedy last night, and I’m confused. I knew the second episode went for broad comedy (The apparent homosexuality, according to the school, of Raja and Justin), but it still felt a bit off compared to the subtlety of the premiere. Raja was played just a bit too culturally lost for me, and it felt a bit too simple.

However, on the other side of the coin, the episode displayed a bizarre schizophrenic sense of comedy. On top of the broad comedy, the episode contained a Willem Dafoe joke and a reference to “Say Anything.” Normally I’d view these as signs of the series maintaining a sharp perspective, but within the overall tone of the episode it felt off. The people who would find the broad comedy funny, in other words, would be unlikely to have been a fan of early Cameron Crowe or Willem Dafoe, Spider-Man notwithstanding.

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Heroes – “Kindred”

“Kindred”

October 8th, 2007

Heroes gets off the ground with two story threads that were left hanging for its opening two episodes: Niki and Micah Sanders, the fate of their patriarch up in the air, and Sylar, dragged into the sewers after last year’s finale. Before the first scenes come to a close we get our answers: D.L. is dead, and Sylar lives. Neither of these are surprising, but the latter in particular is quite frustrating.

My view on Sylar’s resurrection can be found here, remaining unchanged since that post was written, but this episode could have made up for that. It could have used his return to chart a new path for his character, and a new path for the series. Instead, we get a complete ripoff of every superhero origin story inhistory (And Three Men and a Baby) which Sylar makes a single appearance in the opening half hour. And that? Results in yet another extremely frustrating episode of Heroes.

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Season Premiere: Friday Night Lights – “Last Days of Summer”

“Last Days of Summer”

October 5th, 2007

The world of Dillon, Texas is askew as Friday Night Lights starts its second season…well, actually, no its not. Dillon is taking a backseat, more or less removed from the series’ credits in favour of shiny pictures of its actors. The show operates as if its finale had established a laundry list of character problems, but the only real drama was for the Taylor Family and Panther Football.

And yet, Jason Katims has chosen to add drama for every single other character: Matt and Julie are drifting apart thanks to a Swede, Landry is trying to impress his father by trying out for football, Street feels left out by the new coach, Tyra is being stalked by last season’s attacker, Buddy is stalking his future ex-wife, Riggins has become a drunken lout (again), and only Lyla has found solace (Although not much) in Jesus.

I know that there needed to be an obvious problem to solve when Coach Taylor returned, but the show has been thrown into too much turmoil too quickly. This used to be a series about a town that, while football crazed, was at its heart full of decent people. Instead, it’s about scandalous teenagers and people in over their heads. My faith in the series can’t help but wane in this moment: have they forgotten what made the show what it was?

Well, the answer is no…they’re just taking a little while to get back to it. And, well, I’m okay with that. I think. Until the murder.

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