October 8th, 2008
In the prologue to the second episode of Pushing Daisies’ second season, Ned learns a lesson that may be all too self-prophetic for Bryan Fuller’s charming show: that “new beginnings only lead to painful ends.” Considering last week’s alarmingly low ratings numbers, joining Chuck and Terminator: Sarah Connor Chronicles on the lists of shows bouncing back creatively if not in terms of viewership after the writers’ strike cut their seasons short, Pushing Daisies might well be headed for an end that will certainly be painful considering how much I love this show.
But as the episode progresses, what is demonstrates is that new beginnings aren’t nearly as hard as Ned’s initial lesson made it out to be: that striking out on your own, or suddenly being on your own, or hoping for a new period in your life to begin, can be both exhilarating and terrifying at the same time without having to fall into either category. While it may seem like a show shouldn’t be able to create a common thread for a pie maker who can bring back the dead, an alive again childhood sweetheart, a picture-book making detective, two eccentric Aunts, and an employee who’s at a nunnery, all while also managing to construct an entertaining circus-based murder mystery, Pushing Daisies has proven its mettle.
October 1st, 2008
Sometimes a show isn’t profound, or fascinating, or deep. Sometimes, a show’s originality and charm are what elevate it to the level of being one of the most anticipated returns of the fall season, not a cliffhanger or any sort of buzzworthy (I know, I know) story element.
Pushing Daisies is one of these shows. I’ve always found it tough to blog about Pushing Daisies on any sort of extremely critical perspective: it’s a show that people either love or hate, and falling so strongly on the love side of things I can’t help but be more giddy with excitement than brimming with allegorical readings. If Pushing Daisies offers a cranky Emerson Cod, spastic Olive Snook, optimistic Chuck, awkward Ned, wacky Aunts Lily and Vivian, and more of Digby (Television’s best canine co-star) than I could ask for, I’m not going to be complaining anytime soon.
“Bzzzzzzzzz!” (With exactly nine Zs, I checked) is more of the same: not quite the revolution that Chuck’s second season premiere was for that show’s trajectory, it’s an episode that smartly places the focus on the central premise of the series while allowing the opportunity for almost all of its characters to have their various little moments. Settling in from the end of season drama that we were left with, Pushing Daisies remains what it was before: a comfy, cozy and whimsical universe to escape to for an hour each week.