Tag Archives: Showtime

For Your Consideration: Supporting Actresses – Julie Benz and Perrey Reeves

[In Week Two of Cultural Learnings’ 59th Annual Emmy Awards Nominations Preview, we’re looking at possible contenders for the Supporting Actress awards in both drama and comedy. Today, we present our third set of candidates. For last week’s Supporting Actor candidates, and an index of all candidates, Click Here]

Supporting Actress in a Drama

Julie Benz (Rita)

Dexter

Showtime’s Dexter is a fascinating character study, a drama that blurs the line between procedural and serial while investigating more its characters than its crimes. At the centre of that conflict, no doubt, is Dexter Morgan himself, but I have to hope that Emmy voters will be able to realize how important the supporting cast is to this series. Each of them portray a similarly damaged individual, just in different ways: there are no characters without some level of emotional distress, and they deserve to be considered. However, the nature of this series is that there is limited room, and decisions must be made. As a result, we shall consider Julie Benz, who portrays the emotionally damaged Rita. Attacked by her husband, raising her kids on her own, her relationship with Dexter is one of the show’s most important elements. As Rita’s own insecurities begin to evaporate, Dexter’s resurface. Benz matches the fabulous Michael C. Hall scene for scene, and the result is a powerful supporting performance worthy of Emmy consideration.

From the show’s very first episode, Rita’s character was clear: Dexter dated her because she was afraid of intimacy, having been assaulted by her husband. Benz brought to Rita a sense of insecurity that felt just as it needed to. She loves Dexter because he’s great with the kids, dependable, and an all-around good guy. She knows nothing of his vigilante justice, and that is what makes her character so powerful: she reacts to Dexter purely as a human being. But Dexter isn’t human, he’s damaged, and Rita is just an extension of that in his mind. This creates a gap: she believes them to be in one place, when inevitably he believes them to be in another.

As they came together throughout the season, eventually reaching much better terms, Benz remained the consummate supporting actress. Rita needed to be someone we can see Dexter loving, who we could see loving Dexter, and who we could see as someone damaged and yet trying to fight back. Benz managed to create someone who could be loved by a murderer, who could love a man who for some time could not show love, and who could be damaged at her core but hide it from her children. When she breaks down, it seems like she is shedding layers that she will pile right back on as soon as the discussion is over. Not enough people have seen Benz’s performance, perhaps, but more people need to be made aware: Dexter was one of the best new shows of the season, and Julie Benz was an integral part of the series’ dynamic.

Episode Selection: “Truth Be Told” (Aired December 10th, 2006)

While Dexter’s finale ended the season-long Ice Truck Killer mystery, it didn’t have room for a resolution for Rita. As a result, Truth Be Told was really the final hurrah for Rita within the season. And, for the most part, the episode provided her with a lot of dramatic movement: faced with a druggie ex-husband being framed by Dexter (Quite excessively, too), she has to balance her new relationship, her old one, and being a parent amidst it all. Unfortunately, I can’t use YouTube to show you that performance, but just imagine that it was powerful and vulnerable. It’s a good choice because there’s a torrent of frustration: her anger with Dexter never turns into a full-fledged fight, but their relationship is different from their happier moments. For the sake of something, here is one of those happier moments.

YouTube “Rita and Dexter”

Supporting Actress in a Comedy

Perrey Reeves (Mrs. Ari)

Entourage

Most television characters without a first name are unlikely to make a dent in our collective memories. Being known as “Mrs. Ari” in Entourage‘s credits certainly hasn’t given Perrey Reeves any sort of fame boost, and for the most part I would say that she’s a marginal player at best. However, and this is a big however, when she is on screen it is fabulous to watch. While Jeremy Piven rants away, giving Ari a sense of insanity and fortitude so very powerful, Reeves always matches him. Her responses are just as sharp-witted, just as biting, just as strong. She goes toe-to-toe with Ari in a way that often seems almost unnatural. We see so little of her life: we rarely see the kids, and we never see “Mrs. Ari” on her own. However, as a supporting player in the life of an overpowering character, she always manages to get a word in edgewise where so many others would not. And, for managing to do so without even a first name, Perrey Reeves deserves Emmy consideration.

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Filed under Dexter, Emmy Awards, Entourage, Television

Television Critics Pile on the Praise for the Shows I Like

The annual TCA awards are pretty much the exact opposite of the Emmy Awards.

Television Critics Association Nominations – Variety.com

Television Critics are, for the most part, much better informed on the actual quality of network and cable television as opposed to being completely ignorant to various entertaining programs. As a result, these are awards that actually give us an indicator of who gave the best performances, not just who submitted the best episode. And, let me tell you: the result is an intense race that creates categories impossible to decide upon.

Program of the Year

“American Idol” (Fox)
“Friday Night Lights” (NBC)
“Heroes” (NBC)
“Planet Earth” (Discovery)
“The Wire” (HBO)
“When the Levees Broke” (HBO)

This is such a bizarre category, because it’s really more defined as programming from I guess a…I don’t even know what it means. Either way, you’ve got reality television, family drama, Sci-Fi drama, Nature Documentary, gritty HBO drama, and a Katrina documentary. That’s a diverse mix of shows right there. Are they looking for something new, something powerful…I don’t even know.

Comedy Series

“30 Rock” (NBC”)
“The Daily Show” (Comedy Central”)
“Entourage” (HBO”)
“The Office” (NBC”)
“Ugly Betty” (ABC”)

This category is just unfair, TCA. The Office against The Daily Show? Throw 30 Rock into the mix and you’ve got an impossible decision to make. I really have no idea how I’d decide on this one, and I for one support separate variety categories just to keep this conundrum from taking place.

Drama Series

“Friday Night Lights” (NBC”)
“Heroes” (NBC”)
“Lost” (ABC”)
“The Sopranos” (HBO”)
“The Wire” (HBO”)

We don’t know how much this will coincide with Emmy’s list, but I feel for certain that three of these shows will be named on July 19th. The Wire is one of those shows that has never garnered Emmy attention due to its lack of Network coverage, and without star power or pedigree it might have trouble breaking through at the Emmys. However, the amount of critical attention given to the series might make it something to catch up on this summer.

New Program

“30 Rock” (NBC”)
“Dexter” (Showtime”)
“Friday Night Lights” (NBC”)
“Heroes” (NBC”)
“Ugly Betty” (ABC”)

Umm, TCA? Are you following my viewing habits or something? I doubt they are, but these five shows are likely to make it onto my respective Drama/Comedy Emmy FYCs in July, and are probably my top 5 new shows of the season. I’m especially happy to see Dexter getting some love, it is most deserved.

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Filed under 30 Rock, American Idol, Award Shows, Battlestar Galactica, Dexter, Friday Night Lights, Heroes, House, Lost, NBC, Television, The Office, The Sopranos

Cultural News Bytes (June 4th) – On the Lot Format Shift, Spurned Pilots Find New Life

‘On The Lot’ Cuts Back

If you turn on FOX tonight looking for a new one-hour installment of ‘On the Lot’, you’ll be disappointed. Thanks to extremely poor ratings, the series will be cut back to a single hour-long segment each week to air at 8pm on Tuesdays. Reruns of House, FOX’s only real rerunnable series, will air on Mondays for the foreseeable future ahead of returning reality series ‘Hell’s Kitchen’ (Debuting tonight at 9pm).

There is no official word on how Burnett and Co. are going to turn a results show into both a presentation and a result show, but magically it will happen. Personally, I think they should ditch the audience vote altogether and have the judges make the decisions based on screenings of the films. It would make a hell of a lot more sense, and get a lot better filmmakers in the process. We’ll find out tomorrow night, regardless, when ‘On the Lot’ returns to see if it can make a go of it.

ABC, FOX Pilots Find New Life

While Upfront season is long over, it appears that, according to The Hollywood Reporter, the drama is just beginning for two high-profile pilots from the creative teams behind two cult-favourites: Arrested Development’s Mitch Hurwitz and Battlestar Galactica’s David Eick.

Hurwitz is behind “The Thick of It”, a pilot about a congressman dealing with his new surroundings that is based on a British sitcom. The pilot found no traction at ABC, who went with Cavemen instead (Ugh), but it is apparently seeing life in both fans of Hurwitz’ work and fans of British comedy adaptations. Showtime, fans of Hurwitz ever since they attempted to acquire Arrested Development for a 4th season, want to work with him and even bid on the pilot before ABC nabbed it. NBC, meanwhile, is in the running since new boss Ben Silverman was responsible for The Office (US) and is therefore seeing a strong future for a similar adaptation. HBO is apparently also considering it.

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Filed under ABC, FOX, House, On The Lot, Reality TV, Television, Upfronts