“Chuck vs. Santa Claus”
December 15th, 2008
When someone thinks of what a good Christmas episode should be, “Chuck vs. Santa Claus” will meet many of these criteria. It has plenty of jokes within the holiday spirit, characters dressed up in seasonal garb, generous samplings of Christmas-themed music, and the absolutely genius decision to have Reginald VelJohnson reprise his role as “Big Al” from Die Hard to go with the episode’s Christmas-themed hostage situation. In these moments this episode felt like what we all expected: one of the most funny and enjoyable shows on television delivering a note of holiday cheer.
But what we got was less an example of a good Christmas episode than it was a demonstration of Chuck’s ability to balance the emotional with the hilarious, the dramatic with the comic, and the danger with the laughter. When things seemed to be wrapping up too neatly at the halfway point of the episode, it became clear this was about something more: it was about learning how far people were willing to go to protect those they loved, and continued a long streak of fantastic dramatic work from both Zachary Levi and Yvonne Strahovski.
It’s another fantastic episode, if not quite the one we expected, from a show that put together quite a great opening to the season.
“Chuck vs. The Fat Lady”
November 17th, 2008
One of the things that Chuck has done so well in its second season is the integration of all three parts of Chuck’s life, specifically how the Buy More and Friends/Family storylines have integrated (mostly) seamlessly into the cases that dominate the rest of Chuck’s time. “Chuck vs. The Fat Lady,” in many ways, is the toughest test of this yet: reintroducing Fulcrum in a big way, the show is given the task of personalizing a group that has remained very vague and poorly defined since the show’s first episode.
But, proving once again that it’s absolutely on the right path this season, the show demonstrates with a deft hand how it is able to personalize that which could seem impersonal, and familiarize storylines which could have felt even more diversionary. Capture under the theme of surveillance, the episode provides ample pleasures on every level: charactertization, eye candy, plot development and John Casey demonstrating his ability to hit a High C with only his pristine voice.
And that’s just fantastic stuff, there.
“Chuck vs. The Ex”
November 10th, 2008
If I was going to make one complaint about Chuck’s 99% sublime second season, it would be that we haven’t spent enough time on Chuck himself – sure, he had his crisis in the premiere, but the show has dealt mainly with his relationship with Sarah as opposed to really letting Zachary Levi cut loose in this role. While he is perhaps the most unsung hero of the show, Levi continually gives Chuck a certain humanity that makes this show work, quite simply – without him, I’m not sure it would be the show it has been so far this season.
As far as episodes go overall, this one was a bit slower and more open-ended than our last few, the multi-episode arc element meaning that we get only part of a broader story (plus, this week’s Buy More storyline was one of the weaker ones in a good season for the store). But the return of Jill, Chuck’s ex-girlfriend from Stamford who broke his heart by running off to Bryce Larking so soon after their breakup, is the kind of thing that lets Levi demonstrate that he is the heart of this show, an element that can often be forgotten when we’re running at the kind of breakneck speed this season has been maintaining.
And that’s what turns what could have felt like a slow, exposition-driven introduction to a new character into something so successful: sure, it’s a bit slower plot wise than anything we’ve seen lately, but the episode was so chock full of double entendres, stylish one-liners and hilarious iPhone photos that any loss of momentum is entirely negated. This is a show that can stop, detour, or hit any multitude of speed bumps, and something will be there to pick up the slack, what little of it there is.
“Chuck Versus The Seduction”
October 6th, 2008
As mentioned last week for the show’s second season premiere, Chuck is just “on” right now. If there is anything that gave the show some problems in the first season, it was managing to handle all of the different elements of the series: the numerous settings (Buy More, Home, Missions), the various supporting characters, and worse of all the weekly storylines and the recurring plots, both romantic and unromantic.
With “Chuck Versus the Seduction” it becomes clear that the premiere was no fluke: flawlessly introducing a case that dredges up Chuck and Sarah’s relationship as well as the continued growth of Chuck as an actual agent as opposed to just an asset. Even though the show goes so far as to throw around the L-word as it relates to our central relationship, it still feels like a show that is letting things move organically. When a show can trot out John Larroquette and Melinda Clarke in the same episode and still not feel like it’s trying to hard, you have a show that is playing with the right themes at the right time.
In other words, the show is more or less seducing the audience in the same nature as the four-prong attack: as long as it doesn’t become a bastard, the show is on a very strong trajectory.