Category Archives: Lost

Cultural Catchup: April 2nd-9th

Okay, so there’s isn’t a whole lot I didn’t get a chance to comment on, but I figure I’ll fill in some gaps here.

24

Ahead of tonight’s episode, I am perhaps the least interested in the season thus far. To be honest, there just isn’t anything really interesting happening at this particular point. Sure, Fahed has been captured and Gredenko is off bleeding into the pacific, and President Palmer has launched a nuclear missile, but I just don’t care at this point. When 24’s president launches a nuclear bomb, I should at least care; in this case, I thought it was ridiculous but didn’t overly care about its intended target (Especially when, although it’s for good reason, it’s known as ‘Fahed’s country in the Middle East’). At this point, something needs to happen which totally changes the way we look at the series, or at least provides an interesting construct. Jack going from torture session to torture session is not, in my view, interesting television, no matter how hard Kiefer Sutherland tries. They need to get back on their feet, ASAP on this one…we’ll see how they manage this evening.

Lost

This week’s episode of Lost, “Left Behind,” was unfortunately recapless here at Cultural Learnings due to the two 3500 word papers due on Thursday. However, I did get a chance to watch the episode live, and I must say it was quite enjoyable. We didn’t get any major revelations (Although the Smoke Monster flashes now), but we did get a great setup for future episodes. Juliet being integrated into the castaways is a fantastic way to move forward, as it makes a romantic square out of Jack/Kate/Sawyer/Juliet that I think works well. Plus, by uniting some characters together for the first time I think there’s a chance for some new dynamics, and some interesting changes heading into the final portion of the show’s season. It’s picking up a whole ton of momentum at this stage, and I’m guessing it will do quite well with it. This week’s episode promises to bring Jack back to the beach for the first time all season, and I’m sure we’ll see some spark fly between he and Sawyer.

American Idol

Gina Glocksen going home was annoying, but none too surprising. The real question right now is whether or not we’re heading for our 2nd all-female final between Lakisha and Melinda. I think that Jordin is the most likely to get Tamyra’d or Hudson’d in this scenario, perhaps exiting before Blake, but those two seem relatively unstoppable. Only time will tell what happens to Sanjaya, but in all honesty I couldn’t really be bothered.

Survivor

While I’m certainly still watching, I’m not too perplexed with this season of Survivor at this stage. I think that the merge upcoming this week will shake things up fairly well, but there’s just nothing to really shock me in the meantime. That said, this past week’s episode featured the awesome archery/spear powers of Yao Man, who basically destroyed everyone else with his unorthodox style. It’s nice to see someone like him sticking around, and perhaps even moving into a position to get into the final four. However, I have to think that the old guy who everyone likes is going to be pretty well doomed in a final three situation. No one will take him into it, and he’s far too weak to last in an endurance challenge of strength. Still, if the challenge is suited to him, he could well end up the Survivor champion. That would be a breath of fresh air, in my book.

Entourage

The episode last night was fantastic, and I am officially already annoyed that I have to wait an entire week after watching the rest back-to-back-to-back-to…you get the idea. The breakup between Ari and Vince being handled like an actual breakup was absolutely fantastic, with Lloyd and Drama on either side to help establish the scenario in their respectively awesome ways. It’s so funny that Vince is finally at the centre of the show’s drama; so often Eric gets placed as the real centre of things, but in this episode he was the money and the occasional mouthpiece. Vince is really running the show right now, and as the end of the episode shows this was a rather terrible idea. One person who certainly thinks so is new agent Amanda, who is played by the ridiculously stunning Carla Gugino. Pitting Ari against a power-female isn’t anything new (They do it with Mrs. Ari all the time), but it works extremely well here, and I think the episode bodes well for the rest of the season.

The Amazing Race

It’s really too bad that last night’s episode was quite so anti-climactic, because it contained some potentially exciting elements. Just one flight can kill a team, and it doesn’t make for great television. It does, however, make picking a winner incredibly hard.However, I’m nonetheless officially going to put on my “Prediction” hat and perhaps jinx a few racers in the process. As a result, here is my predicted finish order for The Amazing Race: All Stars.

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Filed under 24, American Idol, Entourage, Lost, Reality TV, Survivor, Television, The Amazing Race

The Ratings Clout of the College Crowd

Mediaweek had an interesting piece of statistics yesterday which reports on a change made by Nielsen in terms of how they track ratings. While last year saw the introduction of TiVo viewings into the ratings system, starting in January Nielsen started measuring something called “out-of-home viewings” by college students.

Mediaweek – ABC Benefits From Out-of-Home College Viewers (March 29, 2007)

Yesterday, the results for the first three months of the year were revealed in terms of their effect on the 19-24 age group. And, unsurprisingly, the change is fairly substantial in many cases.

For ABC, the big winner was Grey’s Anatomy, which since January has seen enough growth in the 18-24 ratings group that its entire 18-49 rating has gone up a full point. This makes sense, really; it’s the kind of show that large segments of college populations will gather around the TV to watch on a regular basis, and it appeals to pretty much every gender/social group within campuses.

However, surprising to me at least, Lost was not included in the list of shows with at least 17% growth in the 18-24 age range. Considering the amount of support which I see for Lost at the university level, I find this very hard to believe, and it seems like Nielsen families have really lame college students. This is further evidenced by the ratings increase for FOX’s ‘Til Death, which was actually fairly substantial.

Other shows gaining ground include Ugly Betty, Men in Trees (ABC), America’s Next Top Model (The CW), and House (FOX). However, these are all very abstract figures, and to an observer it may seem as if they really don’t matter in the least. And, while you’re right on many counts, I think that this is actually somewhat important.

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Lost – ‘Exposé’

Paulo & Nikki:

A ‘Lost’ Morality Play

“Morality plays are a type of theatrical allegory in which the protagonist is met by personifications of various moral attributes who try to prompt him to choose a Godly life over one of evil.” [Wikipedia]

There is no question that Nikki and Paulo’s introduction to the series was a moment where many felt that Lost had crossed a line. The idea of just randomly placing two castaways into the show’s mythology was sketchy at best, and it wasn’t met with any less resistance when they proved entirely worthless in every way for the first dozen episodes this season. We were told that this episode would be the one to justify their existence; it is my humble opinion that it did not do so, but yet it was an absolutely fascinating hour of television.

Honestly, it was kind of fun to go back into the past of the island and make some sense of quite a few things. Often times Lost has been too quick to forget its own history, and this episode brought back a lot of those memories. As an example, Sun’s capture at the hands of Sawyer and Charlie designed to ensure Sawyer regained political power was pretty well forgotten; now, it returned to the forefront of the discussion. The beach castaways have long been rather forgotten in many ways, and yet here they finally got a chance to return to some of their drama from last season.

And yet, in the end, it was all a morality play. The ‘deaths’ of Nikki and Paulo were a reminder to the people about the wrongs which had been done, about the problems which had been left untouched. And, really, it’s quite the message to send, and the fact that they buried them alive only further shows that these people are not purely moral citizens.

And, the episode was a fantastic piece of writing and directing. The entire episode was filled with inside jokes, editing Nikki and Paulo into the show’s mythology rather seamlessly all things considered. It made the moment earlier this season when Paulo came out of the bathroom in the Pearl station sensical, and the return of some island favourites (Ethan (Ian Mapother), Shannon (Maggie Grace), Boone (Ian Somerhalder), Arzt) was neat on all sorts of levels.

And yet, even not form a nostalgic sense, the episode resulted in a fantastic twilight zone ending complete with the burial of perfectly alive Nikki and Paulo. The slow reveal of the spiders, itself foreshadowed previously in the episode, was a fantastic device, and it resulted in a ‘Holy Shit’ moment which the show hasn’t achieved in a long time. It was different than anything else we’ve seen on Lost, which I think was good. As The Elder was discussing earlier in terms of BE Something’s criticism of Lost, people are sometimes left out of the speculative loop with the show’s big storylines. Here, however, we were welcomed into the story, sucked into the plot as it weaved its way from present day to the past. It was, if anything, a mystery story where we were offered the chance to step into Hurley’s shoes and try to find the true ‘killers.’

But yet, as I say all of these good things about the episodes…was that it? Were these two actors brought in simply for this one episode with little to no connection to the main storyline? The episode was very standalone, very indulgent, and didn’t really justify their salaries for their earlier episodes. Have we seen the last of Paulo and Nikki? If so, were they really worth it just for this hour of television? It’s an interesting question, and I look forward to the weekly podcast to find out the answer.

If you want to know what happened in the episode, continue on. Note that highlighted sections take place in the past, while non-highlights are in the present.

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Sci-Futility Challenge: Can Heroes ‘BE Something’ other than Lost?

As some of you may be aware, I’ve been a tiny bit sketpical as to whether shows like Jericho or Heroes can seriously avoid the pitfalls which Lost has found itself dealing with in its second and third seasons. That post didn’t get a huge amount of attention (Although the Elder certainly took it to heart), but it did apparently have one reader who chose to analyze the situation from a different perspective. Matt over at BE Something, you see, has decided that there are six ways in which ‘Heroes’ can avoid becoming Lost and follow the fancy blue line instead of the red. It’s an interesting article, I think, although one that is clearly in direct opposition to my original thesis.

I was going to comment on the article over at BE Something, but I decided to do it here; it’s going to end up being quite extremely long, so I figure I might as well formalize things (Although, admitttedly, these are still relatively unorganized thoughts, I have a head cold). So, as a result, it’s time for the first ever Sci-Futility Challenge. Do Matt’s points hold up? Can they convince me that Heroes is, in fact, not on the same trajectory? Let’s find out.

Argument #1

Stick to the Core Group of Characters

So far, Heroes too has featured a large and rotating cast, with some characters not appearing for episodes at a time. However, they’ve managed to foster good will among their audience for (most of) these characters — some of us still hate Niki. As these characters find themselves continuously entangled with other characters and their back stories get fleshed out and their motivations explained, it’s easy to understand why a writer would rather simply introduce a new character rather than dwell on an ‘old’ one. But just because it’s easy to understand doesn’t make it good writing.

In debating, we like to avoid making purely logistical arguments, but I’m going to start with one of these. Because, in the end, there is absolutely no way that Heroes will be able to avoid falling into this trap for a variety of different reasons.

The creators of the show will want to have fun with new types of superheroes with new types of powers; the creators will run out of things to do with certain people’s powers; contract renegotiations for a cast this large will mean cutting some dead weight at some point, etc.

I think it’s idealistic to assume that the creators of the show will manage to overcome these logistical concerns, as they’re traps which are far too easy to fall into. However, really, Lost didn’t have this problem, outside of contract issues (Maggie Grace); they could have easily managed to continue with just these characters should they have pleased to do so. However, as I feel Matt ignores, characters are often introduced in order to bring new storylines into play.

For Lost, the Tailies may have added to the cast but they also brought tension and diverse experiences into the camp. Things were getting far too complacent for the castaways, and to move the storyline forward they had to introduce new characters.

Won’t Heroes have the same problem? When they go to change storylines, can they seriously expect this group of characters designed to fit this one to magically mould themselves into perfect fits for the new one? That would require a great deal of contrivance, and could in fact compromise those storylines. Whether Lost did a good job of it or not, the problem it faced will be shared by Heroes, and either its characters or its plot will fall as a result.

Argument #2

Continue with the ‘arc’ structure

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Lost – “The Man From Tallahassee”

Mystery Solved?

The Wheelchair, The Submarine and the Locke Box

Well, Lost has solved one of its most long-running mysteries with last night’s episode: “How did Locke end up in his wheelchair?” We, finally, learned that Locke lost the use of his legs when his own father tackled him out of an eight story apartment and sent him barreling to the ground. This was one of those mysteries which had always lingered; in every Locke back story, you waited to see if there were any clues, any hints, any revelations as to what happened to our favourite bald mastermind. There was little question that the episode where it was revealed would have to deliver, and in the end: it did.

This episode, more than anything else, was a masterful example of the ability of this show to develop a good character drama. The conversations between Ben and Locke were, perhaps the best the show has had since…well, since Locke and Ben sat chatting in the Hatch. There is something about Michael Emerson’s performance, and Terry O’Quinn’s characterization of Locke, that mesh together so well in terms of discussing and delving into their respective pasts. We’ve missed this side of Ben ever since he went under the knife, and it was fantastic to get manipulative and cunning Ben back to the show.

Because, in the end, this entire episode related back to Locke’s ability to be manipulated, to be used, to be taken advantage of. In a way, the island is perhaps the greatest manipulator, giving him the use of his legs and then asking for things in return which have led to Boone’s death and perhaps even Eko’s, if you want to go that far. The show is often at its best with these types of mind games, and they were in full force in this episode.

You might be realizing that I’m not really talking about Locke’s big mystery, and there’s a reason for this: it doesn’t matter anymore. What Lost has done here is take one of their biggest back story mysteries and actually make it worth a damn in the present. If you remember, when we learned that Kate had blown up her stepfather, we quite literally stopped caring. There was no impact; it didn’t change our perception of the character, it didn’t change the situation on the island, and it was pretty much useless all around.

However, even though the actual event of Locke breaking his back wasn’t over-the-top amazing (Nice quick cut to black, though), it matters in the big picture much more than any other back story we’ve seen. Not only did Locke’s injury provide some great wheelchair banter with Ben (A great parallel to his story, and to this episode), but it all went back to his ability to be manipulated and the memory of his father. It made Locke’s decision to blow up the submarine make sense, which was somewhat integral, and even more importantly it introduced us to the Locke Box.

We don’t know what it is, this box which gives you exactly what you want. However, somehow, it appears to have delivered to Ben “the man from Tallahassee.” When Locke’s father was behind that door, as I had somewhat assumed, it made this entire episode actually matter. I don’t give a crap if it solved a mystery by adding more, because that’s what the show needs to do to stay interesting. Unlike Kate, who now lacks a mystery to sustain her character in back stories, Locke is now even more confused, more complex and is a character open to more development outside of his Season 1 origins.

Fantastic dramatic tension, really good directing (The Hatch shot in the submarine mirroring the shot from the original hatch made me happy), great acting, and a heightening of mystery while providing one of the answers we were always looking for. How anyone could argue against this hour of television boggles my mind, if only for Ben’s one-liners alone.

If you missed it, or want to rekindle fond memories, continue on to check out the full recap.

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Sci-Futility: Why ‘Heroes’ and ‘Jericho’ will end up like ‘Lost’

There’s been a lot of talk over the last few weeks about how shows like NBC’s ‘Heroes’ or CBS’ ‘Jericho’ are attempting to avoid what happened to ABC’s ‘Lost’. Once one of the most buzzworthy shows on television, it has found itself with lower ratings and a great deal of bitterness from one-time fans. In panel discussions at WonderCon and the Paley Festival, executive producers of both ‘Jericho’ and ‘Heroes’ have been attempting to ensure fans that they won’t be heading down the same road.

Jericho Executive Producer Stephen Chbosky:

“One thing we knew from the beginning is we didn’t want to frustrate the audience by not paying off mysteries, by not answering questions, because we know.”

Heroes Executive Producer Jeph Loeb:

“It was very important to us, unlike a lot of serialized shows — and I think some of that has to do with the people who came on the show from places like ‘Lost’ and ‘Alias’ — that we want our audience to know that when Tim [Kring] started out by staying this was chapter one or volume one, that is exactly what it is.”

Now, while I respect that these producers are trying to be successful and all that, I think they’re giving themselves far too much credit in this scenario. Both of them are boasting that they have been able to do what ‘Lost’ has not, that they’ve discovered the magic formula to keeping fans and viewers happy and smiling for many seasons to come.

However, in all honesty, I think these genre producers are missing the point entirely. They speak as if they’ve learned their lesson, that they’ll never do what Lost has done, that their fans have no reason to worry. However, I’d like to inform these producers that they couldn’t be more wrong. Any serial sci-fi drama like Lost, whether it is Heroes or Jericho or Invasion or Surface, is going to eventually elicit bitterness and anger amongst its audience and critics for a simple reason:

TV Viewers are fickle, fickle beings.

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Lost – “Par Avion”

Gone to the Birds:

Lost’s Migratory Movements

This week’s episode of Lost was all about birds, both literally and metaphorically.

The Raven – John Locke

Finally we get to see a little bit more of Locke’s nefarious planning leading up to next week’s episode. We knew that his actions with the computer were sketchy, and that he certainly seems to have somewhat different motivations than Kate in this scenario, but it is becoming clearer that Locke has his own mission of sorts here.

Much of this was precipitated by an explanation of the list by Mikhail, specifically regarding the John Locke he once knew. Is this the John Locke who fought boars and found his way into his hatch? If anything, it’s the John Locke we once knew ourselves and have been yearning for. I certainly believe that it is the John Locke who steals C4 and seems to have his own special plans for the Others once he gets into their Barracks.

The return of Locke as a character of important and, most important, mystery has been one of the reasons the show has improved greatly over the past few weeks, and this episode appears to send us heading further towards finding out more about Locke’s past.

The Pigeon – Dr. Christian Shepherd

You know how, when you’re in a park of any sorts, you see a whole lot of pigeons? Well, it appears that Dr. Christian Shephard is the backstory equivalent for Lost. Now having been spotted in the back stories of four different characters (Jack, Sawyer, Ana Lucia and Claire), there’s little question that he is somewhat important to the mythology of all of these characters.

We didn’t learn too much new about Christian in this episode, except that perhaps his frequent tips to Australia make a bit more sense. I would have to go back and watch his visit to the house while under the care of Ana Lucia to see if it connects to Claire or to some other character, but either way I like this continued development. John Terry is good in the role, his bones are sitting somewhere on the island, and it was somewhat nice to see a back story have some sort of ramification on the show’s overall mythology after a few very insular back stories.

The Common Indian Myna – Claire

Now, apparently, the Common Indian Myna is an invasive pest in Australia, which is kind of how I felt about Claire in this episode. Don’t get me wrong, the character isn’t quite that awful, but the problem was that it was a diversion to the much more interesting storyline regarding the search for the Others’ barracks.

It just sometimes feels like it’s a different show we’re watching, and this is frustrating when the other storyline involves people suffering from cerebral hemorrhage. Claire’s storyline wasn’t terrible in terms of backstories go, but her quest for a sea bird was too similar to everyone else’s quests to get off the island and provide hope for the future. Much like Bernard’s, however, there really wasn’t much hope in the least, and it was all rather misguided.

I like that we’re returning to long-forgotten characters, but I just felt like there were more important stories to be telling…and therefore it was a storyline very similar to an invasive pest.

The One That Flew the Coop – Jack

He’s fraternizing with the Others, playing football with Tom? From the preview, he’s being all friendly with even Ben? We knew that Jack was in fairly good spirits with the Others when they left the small island, but how did this all develop here? I’m assuming that it’s in an attempt to save Juliet’s life, but it’s clear that he’s not too concerned about escaping anytime soon (The running towards them was a neat little freakout).

I think it adds an interesting dynamic to things, and I very much like how this storyline is moving quite quickly. Whereas often these storylines have taken awhile to develop, this has moved quite quickly. One episode wandering in the woods following North, one episode at the Flame, one episode getting past the sonic boom fence, and then bam! They’re at the barracks. Some nice little mythos tidbits along the way (Some interesting stuff with the list and the talk about leaving and coming to the island [For its healing properties?]), and some neat action sequences, and we find ourselves at a crossroads.

This is the kind pacing we saw in the show’s first season, and I think it’s a return to form of sorts. Now that we’re back to an integration between the Others and our castaways, let’s see if it can continue.

If you didn’t get a chance to see the episode, continue on for a recap. Continue reading

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Lost – “Enter 77”

7 Things I Learned About Lost from “Enter 77”

1. Locke + Computer = Bad

So, first he stops inputting the numbers and they lose the hatch, and now this time he blows up the Flame Station? I have to wonder how he managed not to blow up that box company he was working at in his flashbacks the second he touched their computers.

2. Cure to PTSD? Cats

The whole idea of cats being used to treat emotional wounds is really quite fascinating, and probably quite logical, but it seems a bit off for some reason. The flashback on the whole was fairly topical, if perhaps a little bit isolated and redundant based on past stories, but it certainly gave showcase to some lovable felines.

3. Absense…actually finds fondness quite the same

It’s been a while since we’ve spent decent time with Sayid and Locke this season, so it was good to finally return to these two characters. Their characters remain as interesting as ever, although I worry about redundancy of back stories (Locke’s should be coming up soon, though).

4. Hurley likes Sports

It always seems to be Hurley who suggests taking some randomly found objects and turning them into a game to liven up everyone’s spirits, including the episodes. This week’s ping pong match was almost entirely off-screen (Makes you wonder what was cut), but it served the same purpose as his golf game and the like.

5. Roger and…that girl are still utterly useless

Come on, Lindelof and Cuse, I want to know why it was necessary to add these people to the cast, especially since Kiele Sanchez has signed onto ABC’s Footballer’s Wives pilot which at this point has too many stars not to get picked up. If you’re just going to kill her, we better have a damn good reason for her existence.

6. The Purge

I like this idea of the purge, this idea that the Dharma people tried to eliminate the hostiles. When did this happen? Who of our current characters were involved? What role did Rousseau play in it all? I actually quite like the confusion it adds to her character; if she’d never been in this part of the island, where exactly has she gone? Has she really avoided them all this time, it seems quite unlikely. Either way, it certain adds lots of questions for which better answers can be provided when Jack returns in the upcoming weeks.

7. CTV’s Previews Are…Not Too Bad

The preview for this week’s episode seemed to reveal a lot, but it all went down within the first few minutes. Similarly, the preview for next week showed mainly just two scenes, as opposed to real plot twists and turns within the story. I’d still rather not see them, but as I was too lazy to turn to channel I was pleasantly surprised to see something I don’t mind watching. Kudos.

Oh…and, since I forgot to clarify, the episode was really quite good, and I think it really got things back on track compared to a few weeks of awkward attempts to regain past footing. That’s that: If you want a full recap of the episode, continue on. Continue reading

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The Top 10 Episodes of February Sweeps 2007

It’s perhaps the most important non-premiere/finale month in the TV Calendar, the month where shows and networks are made and broken. Now, while I’m enough of a TV Geek to know when these periods are, Wikipedia has actually taught me a whole lot more on the subject. What is a Sweeps Period, you ask?

Link: Wikipedia – Nielsen Ratings System – Sweeps

“Much of the ratings system, however, still consists of the completion by viewers of ratings diaries, in which a viewer records his or her viewing habits, generally for a week, in exchange for being advanced a nominal fee. These diaries play an especially important role during the four sweeps periods conducted in February, May, July and November in an attempt to measure smaller local market audiences in markets that are not covered by People Meter samples already…”

Television networks and other programmers make unusual efforts to attract additional viewers during these periods, including airing mostly first-run programming as opposed to repeats, airing more special broadcasts, and including special content in programming such as guest stars, controversial and unexpected plots or topics, extended episodes, finales, and increased competition in advertising.”

So, during these periods the Nielsen ratings system is gathering data on those areas that are not usually found within their polls of the nation. As a result, this is the time when advertisers are most interested in seeing what people in the entirety of the U.S. are watching, so networks have a vested financial interest: the more different populations watching, the more advertising dollars they may be able to charge in the upcoming season.

So, much like the article says, February is defined by event programming and new episodes of shows. There are guest stars, huge new plot arcs, explosions, premieres, and just about everything else you can imagine. And, it is now my job to go back through this month and television and find out which 10 episodes stood out above all others. It’s a tough task, but I believe I’m up to the challenge.

Honourable Mentions

There are the episodes that were considered for the list, but just didn’t make the cut. Still, they represent some quality television and should be commended. Also, since I limited the final list to one from each show, some of these could have ranked quite easily.

The Amazing Race – “Beauty is Sometimes Skin Deep”
Gilmore Girls – “I’m a Kayak, Hear Me Roar”
Grey’s Anatomy – “Wishin’ and Hopin’”
Heroes – “Unexpected”
Lost – “Flashes Before Your Eyes”
The Office – “Cocktails”
Ugly Betty – “I’m Coming Out”

The Top 10 Episodes

Of February Sweeps 2007

(Episodes must air between January 29th and February 28th)

10. Veronica Mars – “Papa’s Cabin”
Airdate: February 27th, 2007

While not reaching the heights of its first season, the end of the 2nd Season Three arc on “Veronica Mars” felt more satisfying than its first. Things came together in a logical way, the perpetrator (Tim Foyle) didn’t turn into a raving lunatic at the episode’s end, and there were some nice comedic moments along the way to keep things a little bit light. The show will never be as cohesive as it was in its first season, but this episode shows that they’re still capable of ending an arc in a satisfactory manner.

9. Gilmore Girls – “I’m a Kayak, Hear Me Roar”
Airdate: February 19th, 2007

While certainly not the show’s best episode, and one that certainly won’t be remembered as a pivotal episode for the series, the fallout from Lorelai’s breakup with Christopher was incredibly well handled. Lorelai told Rory first, and then painstakingly told her mother while both were a little bit drunk. That level of mother-daughter bonding between Lorelai and Emily is rare for the series, and it was handled extremely well; when Lorelai woke up the next morning to find that her mother was now cold and angry about it all, it seemed even more natural. I’ve stopped thinking about the switch in producers for the show, and episodes like this are not changing that any time soon.

8. The O.C. – “The End’s Not Near, It’s Here”
Airdate: February 22nd, 2007

Although my detailed thoughts about the episode can be found within Thursday Night TV Club, on a simple level it was a satisfactory finale to a show that, a year ago, I had written off. While it was certainly not the simplest finale, and it was plenty contrived, it did its job well enough to deserve a spot on this list. It was an hour of television that made you forget, for just a second, that you sat through two seasons of absolute shit to get to this point; I’d say that’s a successful finale. As it ended with a young Ryan look-alike sitting, clad in his grey hoodie, looking lost, it was fitting; Ryan has turned into Sandy, and the circle continues.

7. The Office – “Business School”
Airdate: February 15th, 2007

While it may not be the show’s best episode of the season, and lacked the drama inherent within the next week’s “Cocktails,” I think that Joss Whedon defeated J.J. Abrams in the battle of the guest directors. From the hilarious “Jim the Vampire” storyline, to the handling of the bat by Dwight, to Michael’s candy bar lecture style, the episode delivered the comedy. However, it also dealt with the relationship between Ryan and Michael, an oft ignored one, and Pam’s art show provided some drama between her and Roy and a nice moment between her and Michael. It wasn’t a perfect episode, but it blended comedy and drama into a quality half hour of television.

6. Battlestar Galactica – “Dirty Hands”
Airdate: February 25th, 2007

Stuck with three filler episodes during the February Sweeps period, Battlestar Galactica managed to make one of them work to great effect. Tyrol’s return to a position of labour boss, as the episode was advertised was predictable, but it was the context which provided a great deal of interest. The idea of Baltar smuggling a book out of his prison cell is another nod to historical events, and its effects on the core storyline were immediate; painting Adama and Roslin as the aristocracy ,and then having them be a little bit crazy, paints a picture that is a fascinating microcosm of true events and one that complicates the fleet’s dynamics. Battlestar may be at its most explosive when dealing with the Cylons, but it’s at its best when it delves into the political drama inherent in their situation.

5. House – “One Day, One Room”
Airdate: January 30th, 2007

An episode so divisive that I felt like blogging about it specifically, it very much redeemed House in my eyes after it had struggled to keep my attention. While I think that the episode featuring Cuddy’s blind date may have been more entertaining, I think that this story of a rape victim that relates to House was far more interesting. The philosophical discussions were not life-changing, but they were necessary to balance out the fairly boring medical cases which had come before it.

House is at its best when it balances these elements, and this episode was something that I needed in order to continue to enjoy the show. While I can understand that some people may disagree with this, and considered the episode too preachy and abstract, I also think that neither of those are overly negative attributes. After the absolutely dreadful Tritter arc, which took the show in circles for a good six episodes, it was good to return to something on a larger scale that could actually change the titular character in some fashion. Divisive or not, the episode was the perfect example of what House needs to do to stay relevant.

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It’s All About the Benjamins: Clip Shows and TV’s Financial Realities

[Editor’s Note: Tonight on ABC (April 12th), Ugly Betty and Grey’s Anatomy aired Clip Shows. I figure this is a good time to focus on this piece, which explains why a Clip Show is a television reality, and why we’re waiting until next week to see new episodes of ABC’s hit Thursday Dramas. While written about an episode of Scrubs, this applies to all shows. – Myles]

Now, everyone, last night was certainly a slower night than usual when it comes to Thursday Night TV Club, which is really quite sensible considering that it’s now no longer the coveted February Sweeps period; as a result, I’m going to put it on a one week hiatus, maybe more if nothing’s on next week as well. And yet, I have a lot to say about last night’s television, specifically the episode of Scrubs: “My Night to Remember.” This was actually quite a literal title, because the show took 22 minutes to remember some of its “best” moments of the past 2 and a half seasons. I was very much disappointed to learn it was a clip show, but I think this is a good opportunity to discuss something fairly important. Because, I want to call a special meeting right now about the reality of the clip show and the financial reality of network television.

Link – Wikipedia: “Clip Show”

Shows go clip shows for only one reason, and it wasn’t the tongue-in-cheek reason found within the episode itself; rather than being a lack of creativity, it is purely for budget reasons that such episodes are constructed. It’s really quite pragmatic, as with the number of episodes these shows have in a season some will no doubt be more complicated and, therefore, more expensive than others. Continue reading

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Filed under Battlestar Galactica, Grey's Anatomy, Lost, Scrubs, Television, Ugly Betty