The Sound of Music Live is officially a ratings success by nearly every metric imaginable, with the records—Highest rated non-sports Thursday in the demo since ER finale! Most watched non-sports Thursday since the Frasier finale! First time NBC has won five straight nights of primetime since 2002!—flying fast as the magnitude of its success becomes clearer.
I enjoyed The Sound of Music Live. It didn’t actually work as a case of storytelling, harmed by uneven performances by its two leads, but I also think that a lot of those problems were inherent to the medium in which the musical was being experienced. That Carrie Underwood and Stephen Moyer were unable to sell me on a relationship that I can imagine feeling rushed in 90% of performances of this musical is far from history’s greatest failure; instead, it’s a noble effort that created some decidedly powerful images and a few too many scenes of people speaking lines instead of expressing sentiments. Said problems were better overcome by the three musical theater veterans cast around the two leads—Audra McDonald, Laura Benanti, and Christian Borle—and on the whole I would say that I enjoyed the experience both as a social media event and as a unique and ultimately fun television program.
It is also—based on reports in The Hollywood Reporter from earlier this week—likely to fail to meet all of the expectations placed on it by NBC, because I find it difficult to imagine a scenario whereby The Sound of Music Live becomes an evergreen holiday performer in the way Robert Greenblatt imagined it could.