Parks and Recreation – “The Reporter” and Other Thoughts

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“The Reporter”

April 26th, 2009

One of the downfalls of my trip to California was that I was away during the period where a number of solid debuts took place: Southland seems like a potential keeper for NBC, The Unusuals is still technically in the mix for ABC, and the long-anticipated Parks and Recreation debuted. So while I took time out of my schedule to take a gander at the first two episodes detailing the adventures of Leslie Knope, I didn’t quite have the time to sit down and wrap my head around what I really thought about it.

“The Reporter,” in many ways, actually makes this out to be a good thing: it isn’t that this week’s episode (the show’s third) was substantially different than the two which preceded it, but it demonstrates that the qualities I saw as potential for the future remain firmly intact, and the ability for the rest of the show to fall in around them remains present. The show’s main problem, that it and its protagonist lean too closely to The Office, isn’t even necessarily a problem as long as the elements it is cribbing from its stepbrother are the ones that you like about the show; for me, thus far at least, this seems to be the case.

In many ways, the show is kind of like the park being proposed within the current main storyline of the series: it has plenty of early media attention, and lots of things going for it, but it needs to keep itself afloat during this key development period in order to survive. And while the verdict may still be “We’ll see,” I think that’s exactly where the show needs to be right now.

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PaleyFest 09: The Big Bang Theory – Report and Pictures

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PaleyFest 09: The Big Bang Theory

April 16th, 2009

[I got the chance to report on last Thursday’s The Big Bang Theory Panel for the good folks at HitFix while I was in California, so below is a bit of a teaser, a link to the story, and after the jump some photos from the event. Enjoy!]

In the interest of full disclosure, I had seen two complete episodes of “The Big Bang Theory” before attending Thursday’s panel discussion as part of PaleyFest 09; however, in the same interest, the panel was more than enough to convince me to rectify this particular injustice as soon as possible.

Most of the reason for this lies in Jim Parsons, whose Sheldon is pretty unanimously considered the show’s breakout character and who made a big splash as comic relief throughout both the early screening of the next new episode of the series, “The Vegas Renormalization,” and the panel discussion. Discussing the show’s key dynamic, co-creator Chuck Lorre was pretty clear on one of the writers’ key missions.

To read the rest of the article, head on over to HitFix – to see some pictures from the event, keep reading!

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Lost – “Some Like it Hoth”

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“Some Like it Hoth”

April 15th, 2009

There are many things that make “Some Like it Hoth” seem almost nostalgic. First off, it’s perhaps the most simple flashback episode we’ve seen since the second season. And second, said flashbacks felt like they should have come as part of the fourth season, considering that Miles was first introduced there without explanation and that the producers have said they would have liked to have told this story if not for the season being shortened. As a result, “Some Like it Hoth” can’t help but feel like a smaller story against the larger episodes of the year thus far.

At the same time, though, I watched this on the plane on the way back from California, and it was a pleasant surprise: while it was certainly small, it showed that Lost has perfected these particular episodes. The way in which it handles the episode’s smaller moments show both that the series is operating in a good place right now, and that they know how to keep an episode light on mythology from becoming boring with just the right comic touches.

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PaleyFest 09: Dr. Horrible’s Sing-Along Blog – Report and Pictures

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PaleyFest 09: Dr. Horrible’s Sing-Along Blog

April 14th, 2009

[I got the chance to report on last night’s Dr. Horrible’s Sing-Along Blog panel for the good folks at HitFix while I’m here in California, so below is a bit of a teaser, a link to the story, and after the jump some photos from the event. Enjoy!]

There are a lot of firsts surrounding Tuesday’s (April 14) panel discussion of “Dr. Horrible’s Sing-Along Blog,” the fourth event at PaleyFest 09: it’s the first time the festival has ever featured an internet series, the first time that Nathan Fillion has ever been part of the festival and the first time that Joss Whedon has been asked about his relationship with FOX (Okay, so the last one is a lie, that happens every single time he speaks).

Regardless, there’s a lot riding on “Dr. Horrible” as a model for future internet success, but what was most interesting about the discussion moderated by Matt Roush was that it wasn’t Whedon who really spoke passionately about this model.

Read the rest of my report at HitFix, or continue reading for some more photos from the event!

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Lost – “Dead is Dead”

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“Dead is Dead”

April 8th, 2009

Forgiveness is a really interesting emotion, primarily because of how subjective it is. There is a great moment in “Dead is Dead” where Locke suggests that he and Ben discuss the elephant in the room, being the fact that Ben, you know, murdered him, and Ben immediately heads into a long and rambling explanation of how he had to do it, how it was the only way, how he knew he couldn’t leave it to him, etc. Locke, meanwhile, just shrugs: “I was just looking for an apology.”

Locke, of course, has a very different value of forgiveness, having been through so much, and in his new resurrected form Locke is more sure of himself than ever; he forgives Ben because he’s now alive, and he now has purpose, so who is he to really complain?
The problem with the episode is really not a problem at all: Benjamin Linus’ flashbacks are designed specifically to show us those moments where his empathetic nature emerges, some sign of the young boy who went into that Temple returning as part of this new individual. However, in the present day, we see that Ben is still just as much a monster as before, and I think there’s something inherently problematic in the way he treats these situations with such moral dichotomy.

But it’s supposed to be problematic, and Michael Emerson delivers another knockout performance, and “Dead is Dead” succeeds based on the show’s emphasis on his duality.

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House – “Simple Explanation”

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“Simple Explanation”

April 6th, 2009

There’s really no point in discussing this without spoilers, so read on below for some quick analysis of what is perhaps the most blatantly “shocking” episode of House in a long time – there’s also spoilers in the tags, so don’t read those either.

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Chuck – “Chuck vs. the Dream Job”

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“Chuck vs. the Dream Job”

April 6th, 2009

Chuck Bartowski really only wants one thing in life: to get the intersect out of his head. However, at the same time, there are things that he needs in his life that always take precedence, his relationship with his sister being one of them. The show has always played it fast and loose as it relates to the way in which Chuck’s life as a CIA asset interacts with his domestic sphere, but in this episode there is little to no Buy More, and we find instead the convergence between Chuck’s most pressing desire and his most constant duty.

The way “Chuck vs. the Dream Job” handles this is, for the most part, predictably solid: this is not a revolutionary hour for the series, both in how the episode was plotted and the level to which anyone with half a brain called its “big reveal” as soon as Orion came on the scene. However, the show deserves a lot of credit for turning the predictable into the effective, and for doing a bangup job with casting as expected: both Scott Bakula, late of NBC’s Quantum Leap, and Chevy Chase provide that ideal combination of levity and potential menace to their respective characters.

It’s also another sign that Zachary Levi perhaps deserves more credit than he gets for his role on the show – that he is able to switch from comic pratfalls to realistic romantic drama to this week’s quite nuanced self-discovery demonstrates that the show’s star is far from a one-trick pony. And while I love the show’s comedy, and appreciate its romance, I often like it best when it finds itself in the family dynamics, the drama built less on drawn out tension and more on the idea that this character was someone before he was the intersect, before his life was a TV show; and it’s that sense that convinces me above all else that a TV show should be his future as well.

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Dollhouse – “Needs”

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“Needs”

April 3rd, 2009

There was a moment early on during “Needs” that really struck me, because it really captured why I appreciated the episode more than I, well, needed it.

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Lost – “Whatever Happened, Happened”

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“Whatever Happened, Happened”

April 1st, 2009

[I’m still technically on a blogging hiatus (hence, if you were wondering, my lack of coverage of Chuck, or HIMYM, or the season premieres of Greek and My Boys), but I learned my lesson last year when it comes to Lost – when I went back to revisit past reviews, I found that I hadn’t reviewed “The Constant,” and that fact still haunts me to this day. As a result, Lost is one show I want to consistently recap, even if doing so will become more challenging over the next couple of weeks as I prepare/participate in/recover from my trip to Los Angeles.]

“Whatever Happened, Happened” is an odd episode in the sense that it is most definitely eventful in terms of its on-island material, certainly one that I couldn’t resist blogging about, as the fallout from last week’s episode becomes a struggle between life and death, between right and wrong, between past and present, but its off island material (and much of its subtext within the main storyline) surrounds one of the show’s more consistently weak elements, a love triangle that has turned into a square without an uptick in real interest. It’s an unorthodox episode for Lindelof and Cuse to tackle themselves, at least on the surface.

Very quickly, though, we realize that this episode isn’t about Kate’s relationship with Jack, or Kate’s relationship with Sawyer, but actually about Kate. It’s the first time in a long time that she has emerged as a character in her own right, less interested in discovering who she was or even who she is, and discovering instead what role she is supposed to be playing. Too often, Kate has been a foil and not a real character, and when you really consider it she hasn’t had a substantial or effective episode in a long time.

This one isn’t perfect, but with Lindelof and Cuse at the helm we get a couple of tantalizing hints, a predictable but well executed “flash” for Ms. Austen, and a compelling if not groundbreaking metaconversation about time travel – I’ll take that.

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The Amazing Race Season 14 – “Episode Seven (Thailand)”

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“Gorilla? Gorilla?? Gorilla???”

March 29th, 2009

I wasn’t going to blog about tonight’s episode of The Amazing Race. I’m taking a week off from blogging, so I was going to put up a post about how I’d LOVE to talk about what happened on tonight’s journey from India To Phuket, Thailand but I just am too busy getting academic things under control before I leave for Los Angeles next week. Then, however, I watched this week’s episode of The Amazing Race.

My thoughts are below the fold, because I don’t want to spoil it for anyone. There’s also swearing, FYI.

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