Heroes – “Four Months Ago”

“Four Months Ago”

November 12th, 2007

Remember when Heroes began its season by jumping four months into the future, thus robbing us of true resolutions to the few burning questions that last year’s mediocre finale left us? Well, this week’s episode is supposed to make up for the unfortunate start to the show’s sophomore season by filling in the blanks. However, that isn’t its effect, and Tim Kring knew this enough to apologize ahead of the episode airing.

You see, all this episode does is make you realize how much the producers screwed up the first time around. If this had been our first introduction to new characters, or our first visions of returning ones, this season might have started on a completely different note: a good one, even. It’s an attempt at a do-over that was, bizarrely, built into the season structure. And, even though Tim Kring apologized, I still think that there is a lot of blame to be thrown around. Because, while certainly worthwhile, this episode did not resolve every problem that Heroes faces.

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Chuck – “Chuck Versus the Truth”

“Chuck Versus the Truth”

November 12th, 2007 

In deciding which of the early evening shows to watch this fine Monday evening, I chose Chuck for a few important reasons. First off, I have found the show to have been quite enjoyable thus far this season. And, this evening saw two guest appearances from alumnus from two shows that heavily influence the series. As a result, with Rachel Bilson (Late of The O.C.) and Kevin Weisman (Late of Alias) on board, Chuck was the night’s most intriguing option.

The result was an episode that, once again, did a great job of connecting the plot-of-the-week to the recurring storylines and Chuck’s personal life. However, as much as a I found Rachel Bilson as enchanting as ever, an end of episode event left a sour taste in my mouth. The episode did a lot of good for Chuck’s character, but it also took the show’s premise a small step backwards by foregrounding an element that they’ll never live up to.

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The Amazing Race – Season 12, Episode 2

“I’ve Become the Archie Bunker of the Home”

November 11th, 2007

After last week’s episode resulted in the two most frustrating teams battling it out for last place, we should have known that it wouldn’t last. This week, while the show certainly did not devolve any great deal, we did see a team that deserved to stick around longer get beaten down by mostly just plain fatigue. It’s not that they didn’t earn their departure, but rather that I would have liked for the race to accomodate their pace just a little longer.

It wouldn’t have been so bad if the other, less likable teams hadn’t also had a pretty good leg as they traveled from Ireland to Amsterdam. It was actually a leg in which we saw the worst in one team, and no one really stepped up to show us anything we didn’t expect…well, outside of a bit more of Donald than I personally expected to see at this stage of our television relationship.

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In Support of the Writers Guild of America

Over the past four weeks, my life has been dominated by labour action – on October 15th, the faculty at Acadia University (Which I attend) went on strike. This strike did not end until Wednesday, which meant three and a half weeks out of the classroom. In covering that strike, I maintained a neutral perspective: I felt the profs were striking for sound principles, but that the administration could never simply accept their demands thanks to shrinking enrollment. The landscape of the university was changing, and this crossroads was only inevitable. In the end, our second strike in 4 years was settled, this time with a resolution that should maintain the security of the institution for over a decade.

I mention all of this because I am not neutral about the recent Writer’s strike that has threatened the state of this year’s television season. If Acadia’s administration were facing dwindling enrollment and a grave financial position, Studios are facing a boon in the form of the ability to distribute content over the internet. Hollywood stands at a content-distribution crossroads, and the idea that the internet is “too young” to enter into contract negotiations is ludicrous. New Media is here, there’s no doubt about it, and something needs to be done to respect the work of writers within this medium.

In my time working with fans of CBS’ Jericho, the way many fans caught onto the show was through watching episodes online through the network’s Innertube service. In some cases, it was the only way they watched the show as they were unable to watch the series live thanks to other commitments. The idea that the writers of that episode, the individuals responsible for crafting those words, get nothing for every time someone watches it through this medium makes me wonder whether the service is really assisting the state of television in the long run. Because it should be: there lies amazing potential within the internet, but if it is being realized to the detriment of the writers I believe its value is primarily lost.

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Friday Night Lights – “How Did I Get Here”

“How Did I Get Here”

November 9th, 2007

At some point during tonight’s episode of Friday Night Lights, Jason Street started talking about how it seems no one ever changes in Dylan. Somewhere during the speech, I started to think that Jason Katims and Co. had joined Tim Kring in admitting that the start of their seasons had failed to provide any original character development, ignoring much of what occurred last season. The rest of the episode didn’t really play out that way, as some of the show’s problems still persist, but it did signal a return to these characters regaining a purpose of sorts.

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30 Rock – “Greenzo” and The Office – “Survivor Man”

NBC’s Green Week has been largely unsuccessful at actually convincing me they care about the environment, but last night my two favourite NBC shows joined the fray. While neither were entirely overrun by their environmental theming, I would argue that one was largely more successful than the other.

“Greenzo”

November 8th, 2007

This episode of 30 Rock has officially proven that Tina Fey’s series is perhaps the most versatile on television at this moment. Between the character of Jack Donaghy, the television network construct and a smart use of self-referential humour, the show effortlessly takes a theme and turns it into a sharp and succinct episode of television.

What I love is that, despite being forced to commit to a weekly NBC theming, the episode actually had the largest contribution from the supporting cast thus far this season. Kenneth’s party was a great way for us to get to see that this is actually, you know, a cast and crew of a TV show; it’s surrealistic turn at the end of the episode was just the right conclusion, especially because of Jack’s awesome, awesome hair.

The environmental storyline hit the right spot – David Schwimmer was good as Greenzo, Al Gore’s cameo was well-handled, and the aggressive tone Greenzo took was just the kind of mean streak I like to see from the show sometimes. It felt like just another strong 30 Rock episode that just happened to tell us about the environment.

Favourite Lines

  • “It combines my two favourite things: Boxing and Referees!” – Tracy on Foxy Boxing
  • “What do you do with the pop tart?!” – Liz making me dislike Pop Tarts more
  • “I don’t understand what’s happening!” – Kenneth
  • “Shhh…a whale is in trouble!” – Al Gore selling the line like a champ
  • “This earth is ruined, we gotta get a new one” – Liz when the Earth is…set on fire.

“Survivor Man”

November 8th, 2007

I’ve been watching some Survivorman recently, the TV show where a crazy guy goes out into the Amazon or some other dangerous location with only a match, a few things he can MacGyver, and his own crazy self. But, I now imagine a world where said crazy man left behind a dysfunctional group of characters who just weren’t the same without him. Not only was Michael Scott’s foray into the woods largely not that funny (except for Dwight), but Jim’s time alone in the office just wasn’t as sharp as it could be.

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My (And Tim Kring’s) Apologies

My Apology

Over the past four weeks or so, the output on Cultural Learnings has been fairly limited. This has been especially damaging when, over the past week, the WGA strike has essentially provided a whole host of important commentary that any good blogger should be commenting on. However, coincidentally, I was dealing with a strike of my own, assisting my Students’ Union with an information blog during a three and a half week long faculty strike.

As a result, I’m sorry I missed many great episodes of television, many important news stories, and in general just wasn’t around. During that time, I was fortunate enough to finish in 2nd place in Hey! Nielsen’s Best in TV Blog Contest, and I felt incredibly guilty that I wasn’t living up to this fantastic honour bestowed upon me by you, the reader. I plan on trying to live up to that in the near future, so stick with Cultural Learnings in the interim.

Tim Kring’s Apology

However, my apology is not the only one I want to discuss today. Tim Kring, creator of NBC’s slowly fading Heroes, has officially gone on the record that the second season of Heroes has been a wildly miscalculated and redundant exercise (my words, not his). For someone who has defended the show’s various problems (Which aren’t all new, let’s be honest), it is strange to see Kring backing down – the fan response has just been that overwhelmingly negative. And I tend to agree with Alan Sepinwall: just as Kring says this, the show has its best episode of the season. Coincidence? I think not.

Now, I think we shouldn’t give Kring a free ride based on this apology: he’s never been a good writer, and much of last season’s iconic moments came from the mind of Bryan Fuller, not the ex-executive producer of Crossing Jordan. But it’s good to see that he’s at least admitting that his series has fallen off the rails creatively, which shows me that he’s willing to listen to fans. However, adversely, he also considers his vision to be expendable.

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Season Premiere: The Amazing Race – Season 12, Episode 1

“Donkeys Have Souls Too”

November 4th, 2007

The first episode of every season of The Amazing Race features a great deal of bunching, necessary to keep the teams close together. However, for all of that effort, I can’t remember a single opening leg that is particularly memorable, mainly because they’re all the same: they drive, they fly, they task, they bunch, and then they arrange themselves as they wish. Really, there’s nothing that one can be surprised by in a premiere (As purely anecdotal evidence: not a single premiere made TWoP’s Top Nine Episodes List).

However, I consider this premiere to be one of the most memorable…or, if you will, least objectionable. The team who went home were rather annoying, the significant other-related drama was generally well-handled, and they managed to cover a wide territory of tasks in the span of only a single hour. Was it brilliant? No: all premieres lack the emotional connection we will eventually make with this teams. But, in short, this episode had soul, and that’s really what counts.

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The Office – “Branch Wars”

“Branch Wars”

November 1st, 2007

This week signals a return to the type of Office episode that I enjoy, find humorous, and yet can’t help but feel could have been better. I like this kind of episode, because it isn’t bad (Which at least one of the one hour segments were) and it signals a return to formula for a series that deviated from it too often early in the season.

Strongly directed by returning guest director Joss Whedon (Who is returning to television with Fox next year), the episode had some great subtle visual comedy and a great awkward moment between Jim and Karen (Returning guest star Rashida Jones). However, the build to that moment was The Office at a sensationalist level that did not elicit enough laughs to justify its stupidity.

And, I’m sorry, but urine is always stupid.

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Pushing Daisies – “Girth”

“Girth”

October 30th, 2007

You know, when I heard that Pushing Daisies was having a Halloween episode, it felt like a natural fit – however, this isn’t quite what I expected. The episode was good, a solid continuation of some of the show’s key themes and all, but it wasn’t exactly spooky or sensationalist. It used the Halloween setting to introduce a sleepy hollow-esque horseman, but otherwise was actually quite grounded in its characters.

It was a story of Olive’s employment history, Ned’s childhood trauma, Chuck’s precarious present, and Emerson’s love of shovels before it was the story of a ghostly killer. And, of course, the following will contain spoilers.

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