Tag Archives: ABC

Assessing the Contenders: Lost – “The Constant”

Lost (ABC)

Episode: “The Constant”

During its resurgence in creative vision during the latter portion of its third season, Lost had a number of highpoints. “Flashes Before Your Eyes” was a complex journey into the series’ murky but fascinating science, “Greatest Hits” was a character piece capable of completely changing the audience’s view of Charlie, and “Through the Looking Glass” used the show’s own conventions against itself for one of the most effective season cliffhangers in a long time.

And yet I think “The Constant,” the fifth episode of Lost’s fourth season, is better than all of them.

Now, I don’t make this statement in spite of those other episodes, but rather out of appreciation: “The Constant” borrows all of their various elements but manages to weave them into a single, cohesive hour of television. It is an episode that, although capable of standing on its own outside the context of the series, also represents the various parts which define the series’ high quality. It is what everything was building towards, the kind of episode that a show can only earn with hard work and practice.

And the final product of all of that work is Lost’s Emmy Submission this year, and it might well be the deciding factor in getting the show it’s second nomination or win in the category.
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The Mole (2008) – “Episode Five”

“Episode Five”

June 30th, 2008

First off, happy Canada Day to my Canadian bretheren! I’ve been out for the day, but wanted to get a chance to catch up on the summer’s most high quality reality series that in recent weeks has been working extremely well. I won’t say it’s on the level of the other seasons of the series, but there is something that feels right about the overall purpose of the series. Or, felt right.

In this episode, it’s all about the psychological on first glance: the first task is entirely mental, demonstrating the emotional breakdown of a contestant who was once most confident in his game. The second task, though, seemed like it was about ingenuity or will but ended up being a giant mind game that demonstrates that these players are really just spoiled children.  It was an episode that showed these players at their worst, and while I saw semblances of the real story for the most part it was just reality show drivel that needs to stop.

And hopefully, as the game wittles down, it might – but losing one of the sane people isn’t going to help much.

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Assessing the Contenders: Boston Legal – “The Court Supreme”

[As the Top 10 Comedy and Drama series contenders have been released, and since Gold Derby has been kind enough to grab us the episode titles, I’m going through each submission judging its quality and its potential on the panel. Here’s the first Drama Series in contention, a nominee last year that looks to return.]

Boston Legal (ABC)

Episode: “The Court Supreme”

Synopsis: Having gained a reputation as a staunch opponent of the death penalthy, Alan Shore (James Spader) is approached by a young attourney whose client, a mentally disabled man from Louisiana convicted of raping a child, is appealing the death penalty at the highest level: the Supreme Court of the United States.

My Thoughts: There’s quite a few who are labeling this episode as Emmy bait, and they would not be wrong. For a show that is never afraid to quite literally throw its politics in the audience’s face, this goes even further than we’re used to. James Spader is likely to pick up his fourth Emmy for his performance here, and the show is more than likely guaranteed a nomination.

That doesn’t, however, mean I liked it.

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Series Premieres: “Wipeout” and “I Survived a Japanese Game Show”

“Wipeout”

and

“I Survived a Japanese Game Show”

June 24th, 2008

Tonight’s primetime lineup was almost to the point of parody: NBC trotted out Celebrity Family Feud (I’m questioning their definition of celebrities) and the second week of lifeless America’s Got Talent (Really? Are you sure?), and ABC countered with what on paper seems like two signs of the telepocalypse. “Wipeout” is an Americanized equivalent to Most Xtreme Elimination Challenge (MXC, for short) that has aired on Spike TV in recent years, and “I Survived a Japanese Game Show” is a more traditional reality series in the vein of Survivor but with challenges being on a Japanese game show soundstage and featuring various costumes and other such gimmicks.

And after a group of friends and I figured that there was nothing else to really do with our time this evening, we sat down and started watching. And, what can I say? We laughed a lot. And while I have no intentions of nominating them for Emmys or even suggesting that you as readers rush out and watch them, if you want something that’s silly and light-hearted in your summer lineup that you can watch with friends or family (With a disclaimer for impressionable youth about the realities of Japanes Culture) look no further than these two shows.

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The Mole (2008) – “Episode Four”

“Episode Four”

June 23rd, 2008

As I become more and more convinced that I know who the Mole is, I’m also becoming convinced of something much more important: ratings be damned, this is turning into a great season of The Mole. And the main reason? Because my main suspect got booted from the game.

Now, it is not an unequivocally great season, don’t get me wrong: there are still some quirks here and there in terms of the quiz and interpersonal dynamics, but the one task in this episode focused solely on that conflict was either edited less dramatically or finally featured these players realizing that this game is actually probably a lot of fun.

And this episode was just that: the first task had numerous twists and turns, the journals were finally put into play, and while there’s plenty of drama with injuries and missing persons, it felt more like a show that plays mind games with its players as opposed to attempting to put them at each other’s throats. The result is perhaps the best episode yet, with a good story and a reason to keep watching – if only millions more were doing the same.

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The Mole (2008) – “Episode Three”

“Episode Three”

June 16th, 2008

If there is a single thing that sets The Mole apart from other reality shows, it’s the tasks that the players are forced to do. They’re different than the other shows, relying not on skill but rather skills like communication, trust and in some cases pure ingenuity. The two tasks at the centerpiece of the fifth season’s third episode represent those which open up the game’s best elements, leaving room for the players to hang themselves and for them to have to think fast on their feet in tough situations.

There’s a lot of elements here that remind us of the show’s previous seasons, including more strong hosting from Jon Kelley and a pre-execution shocker that changes the dynamics of the game in a major way. And yet, there are still subtle differences: perhaps it’s that it isn’t new, but there’s a certain shift in the way the game is being portrayed (and in some ways played) that reminds us that this isn’t the same show.

That being said, it still remains the most watchable reality series for the summer months, and a worthy successor to its predecessors.

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Emmy Awards Preview – Nominee Analysis: Pushing Daisies

Of the new shows which premiered in fall network lineups in 2007, there’s only really one that expects to make a big splash at the Emmy Awards. While plenty of new shows will be highly competitive, they debuted in the summer on cable networks where much of the season’s quality came from. Between the strike and a fairly mediocre development season, the freshman lineup of the networks just didn’t measure up…except for Pushing Daisies.

It was the most-buzzed about pilot for a lot of reasons, from its witty writting to its fanciful direction to its lead and supporting stars. While the show only aired nine episodes before going off the air due to the strike, and won’t be returning until the Fall, the show still made a fairly big splash with critics and viewers, and was nominated for a handful for Golden Globes earlier this year.

But translating that to Emmy success will be difficult, not the least of which because comedy is an intense set of categories this year and because the show has been off the air for six months. Considering that so many networks basically gave up on a lot of their freshman lineups, I think that the general perception did the same: while the pilot’s strength in technical categories and for Bryan Fuller and Barry Sonnenfeld is likely to shine through, whether the show’s extremely talented actors can do the same remains a big question. But if the submissions are strong, perhaps there is hope yet for the little pie shop that could.

Outstanding Comedy Series

Submission: “Pie-Lette”

The reasons you need to submit the pilot episode for a show like Pushing Daisies are numerous: not only is it the show with the biggest budget and therefore the strongest effects work, but it also feels the most like a small, contained story. While ABC ensured that every episode opened with a detailed sequence explaining the complicated life/death sequences of the show, “Pie-Lette” is without question where it has the most resonance as he makes the decision to bring his childhood sweetheart back to life. Part of me wishes that the episode had more for the supporting players to do, but this is about selling this sweet and charming show first and foremost, and the pilot certainly does the best job of this.

YouTube: The Opening of the Pie-Lette

Chances: The show is a strong competitor in this category due to its hour-long running time and a very showy episode submission, plus it’s definitely the biggest new comedy if they’re looking for something new.

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The Mole (2008) – “Episode Two”

“Episode Two”

June 9th, 2008

Last week’s premiere of The Mole’s fifth season (if we’re counting the celebrity editions) was one of those episodes where you could see some growing pains, but beneath them was the core of the show we enjoyed before. There was the unique tasks that brought out the worst in the competitors, the wonderfully cheesy music, and a game that was more about the mind than anything else.

However, it’s not an easy sell for new viewers: I made a quick guest appearance on the /Filmcast last night, and guest GreatWhiteSnark (From his eponymous site) really didn’t understand all of the hype after last week’s episode. I tried my best to explain it, but it isn’t the easiest thing to do in thirty seconds and ABC.com’s synopsis is fairly useless. However, I stand by my assertion that as a mind game it rises above most reality shows, and that we’ll eventually get to that point.

What’s funny about this, the season’s second episode, is that it’s one step forward and one step back. While I am pleased to report that host Jon Kelley was much improved the second time around, especially with his voiceover work, the end-of-episode quiz was dumbed down to the point that it felt like the game was a mockery of its former self. While it might be the same on the surface, if this is seriously all they expect of these people they must not be a very smart group.

But we could have known that from the wheelbarrow.

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Season Premiere: The Mole – “Episode One”

“Episode One”

June 2nd, 2008

For the sake of not repeating my excitement from yesterday’s blog post, let’s get right to it: ABC’s new season of The Mole has a lot to live up to, and there’s a lot of unknowns. With a new host and with a new format, watching this first episode is all about keeping an open mind to a show that is similar but certainly not quite the same.

This really hasn’t happened with a reality show like this before, so it’s interesting to see how much the producers have tried to follow the original show’s structure. Starting with the opening music, it is clear that this is at least similar to the series we once loved.

When the first task hits and they’re jumping over a waterfall after one contestant is singled out to make the decisions for the group, the flashbacks hit: it was the second season all over again, and all of a sudden we’re literally plummeting over the waterfall of suspicion. We want to figure out who the Mole is, what tasks will follow, and what these people have in store.

And this is enough to float this return: I have some issues with the hosting, issues with a few changes, but at the end of the day the game is almost identical to before. And with real people as opposed to celebrities playing the game yet again, the balance between silly and serious is back on the right path, and I am once again excited to learn who, precisely, is The Mole.

And that’s really what I want, in the end. And since that’s what I got, who can complain?

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Cautious Optimism: Awaiting the Return of “The Mole” to ABC

I loved The Mole.

It was a reality show that did a lot of things right, many of which I could list for hours on end (And that my Elder brother waxes nostalgic about in this old blog post, although the YouTube videos are dead), but there is one that needs to be highlighted: more than any other reality show, it made the viewer a part of the game.

When we watch Survivor, we are watching a social experiment from the outside looking in, judging these people based on a situation we can’t understand. When we watch The Amazing Race, we have the visual sensation of enjoying the sights and excursions but without the same sense of killer fatigue that has done in many racers. And, when we watch American Idol, we can vote as much as we wish but we will never have a deciding voice as part of the tens of millions of votes cast.

But watching The Mole, the viewer is a player in the show’s central game: discovering who, out of a group of 12 strangers, is the one hired by the network to sabotage their efforts to earn money for a group pot is something that the audience gets to enjoy just as its players do. Sure, we aren’t part of the games, and that ol’ “Parts not affecting the outcome were edited out” disclaimer means that we obviously don’t have the whole story, but at the end of the day the viewer is the 13th player in the game.

Perhaps its because my eating habits would keep my from surviving on Survivor and The Amazing Race, and that my voice is not quite good enough for a music competition series, but of all of my various non-options (Go Canada!) The Mole is the one reality show that I would actually want to participate in. And, after being seemingly canceled and seeing its host move on to a far shinier gig, Americans with my mindset have their chance: tomorrow night, June 2nd, The Mole returns to ABC.

And consider me cautiously optimistic.

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