July 12th, 2010
You can follow along with the Cultural Catchup Project by following me on Twitter (@Memles), by subscribing to the category’s feed, or by bookmarking the Cultural Catchup Project page where I’ll be posting a link to each installment.
There have been a few points in this project where my thoughts on Buffy and Angel have diverged from the general sentiments of the commenters, and I am very glad for this fact: I like that there’s some disagreement, as it allows for new perspectives and for intriguing discussion.
However, I do wish that two of those points hadn’t come in such close proximity with one another, as they have with “To Shanshu in L.A.” and “Restless.” Leading into these episodes, a lot of comments were building up the hype for these hours of television, suggesting that the former was a major turning point for the series and that the latter was on a level with “Hush,” and inevitably I feel that both episodes fail to live up to those lofty expectations.
While I thought “To Shanshu in L.A.” was inherently flawed in terms of how it exaggerated certain developments for the sake of thematic convenience, my issue with “Restless” is that it doesn’t live up to the hype, ending up more generic than I had expected. While the central idea of the episode is well-executed, and I can see the seeds of where the show intends to go with the show’s fifth season, I expected the episode to mean something, for its oddities to coalesce into something tangible which would speak coherently to either the season we just witnessed or the one which is yet to come – instead, the episode coalesces into a pretty typical monster of the week storyline which happens to use dreams as its central construct.
This is not to say that some of the dreams aren’t successful, or that the episode isn’t well-executed, but rather that the same quality which made “Hush” so effective, its connection with ongoing storylines, feels lost when the abstraction gives way to a storyline which fails to capture the full potential of this premise.