March 18th, 2011
The conclusion of “Os” was laughable, a fact that I truly hope the writers at Fringe were aware of.
It’s not that this represents some sort of continuity issue: this is a weird enough show that something like this can be easily explained by William Bell’s genius and a newly introduced detail from nearly two seasons ago. Rather, this is an issue of simple silliness: the idea of Anna Torv putting on a deep voice and channeling Leonard Nimoy is just not something that is meant to be taken seriously.
The show has always been willing to mix comedy and drama, with Walter in particular adding a certain degree of silliness to the dynamic, but that feels intrinsically part of the character. By comparison, “Stowaway” does a few concerning things which make this bit of comedy feel less than organic, and which clashes with a compelling and emotionally complex standalone tale.
It isn’t enough to entirely unhinge the episode, each story ultimately fairly effective, but at the end of the day it still feels like something happening outside of the story, something being played with rather than something being dealt with.