October 17th, 2010
“Are you kidding me?!”
I’m extremely glad that Faye Miller actually said this during the episode, so I could pull quote it instead of saying itself myself. But, seriously: is Mad Men kidding me?
“Tomorrowland,” like its namesake, was supposed to be about potential: it was supposed to show us a way for Sterling Cooper Draper Pryce to survive, and a way for Don Draper to reconcile his identity crisis and move forward. It was about charting a new path after tobacco, working with the Cancer society and making plans for whatever the future might hold.
Instead, “Tomorrowland” drops us off with ten weeks of no business, a vacation conundrum, and a series of circumstances which is precisely the opposite of last season’s closer: instead of building excitement, “Tomorrowland” builds nothing but dread, creating scenarios that test our patience with these characters, and even the show itself.
Unless you’re a huge fan of total uncertainty and absolute chaos, chances are “Tomorrowland” was more disturbing than enlightening – the question, of course, is whether it is still good television.
And I think that answer, despite my frustration, is yes.