February 9th, 2011
“Clear Eyes. Full Hearts. Can’t Lose.”
Perhaps more than any other show on television, Friday Night Lights is actively concerned with the notion of legacy. The Dillon Panthers were one, the East Dillon Lions are becoming one, and the show itself has formed its own sense of legacy with distinct notions of past, present and future despite a relatively short five season run.
In politics, or even in sports, the final moments are when the legacy is at its most vulnerable. As unfair as it might seem, the legacy of Friday Night Lights could very well come down to how “Always” brings the series to its conclusion. This will be the final time we spend with these characters, their final actions and reactions, and Jason Katims’ challenge is finding that balance between progress and consolidation.
He found it. “Always” is not perfect, getting a bit too cute for its own good towards its conclusion, but it all feels so remarkably “right” that it captures in an hour what the series accomplished over the course of five seasons. It is uproariously funny and incredibly moving, and those moments which resonate emotionally are not simply those which have been developing over the course of 76 episodes. The weight is felt across the board, with characters old and new finding self-realization amidst a larger framework.
They are legacies within legacy, as “Always” captures the emotional current of what will go down as one of the decade’s finest drama series.
August 6th, 2010
The best compliment I can pay Friday Night Lights right now is that I left its fourth season finale wanting so much more than I received.
I know this is normally considered a negative statement, in that the show was somehow lacking in something that I desired, but that’s sort of the point of the ensemble drama: by showing us the lives of so many characters, there will inevitably be plots we don’t get to follow, relationships we don’t get to spend time with, and stories that could have had broader implications. The mark of a good ensemble drama is that we actually wanted to fill in those gaps, and the mark of a great one is that even with those gaps we are enormously content with the story that has been put on screen and want to see more.
Friday Night Lights hasn’t had a perfect fourth season, trapped between interesting new characters and paying service to those who came before, but the world of Dillon, Texas remains as vibrant and empowering as ever before. “Thanksgiving” is neither a definitive goodbye to original cast members nor a defining moment for the new characters who arrived earlier this season, but rather a series of moments that define this ensemble and the world in which they play football and, more importantly, live their lives. And while some part of me wanted a three-hour finale, giving us the scenes that it felt like we needed before the various stories came to an end, the selective gaze which Jason Katims adopts in the episode feels satisfying as a whole, bringing to an end an uneven but affecting season of network television’s finest ensemble drama series which bodes well for the final chapter this fall on DirecTV.