“All Mixed Up”
September 22nd, 2010
I am officially to the point where I am done “defending” Cougar Town: I refuse to accept that anyone who has recently watched the series could think it is anything but honest, earnest and hilarious, and so I’m just going to pretend that there are no naysayers out there. While many turn to Modern Family for their television comfort food on Wednesdays, for me Cougar Town manages to hit the same emotional notes while abandoning neither the honesty nor the snark.
There is nothing complex about “All Mixed Up,” largely relying on the strong interpersonal dynamics that developed over the course of last season, but the episode says something about those dynamics in light of recent changes. It successfully makes the argument that while their relationships will sustain them through any number of challenges in life, it will not be able to make it so that those challenges don’t exist. This is a starkly honest show (as I note above), and this allows them to say something tangible and real about their characters without introducing false conflict.
In other words, things aren’t “All Mixed Up” at all.
It’s not often I write about movies in this neck of the woods, but it’s hard not to use Cultural Learnings as an outlet for my thoughts about Toy Story 3. Not only is this a Pixar film, but it’s a Pixar film which deliberately taps into my childhood nostalgia: I was 9 when Toy Story was released, and 13 when Toy Story 2 hit theatres, so this is arriving at a time when that sort of nostalgia is both most welcome and most intellectually stimulating (as I’m considering culture and the media I consume in a much more critical fashion than I was back then).
Toy Story 3 is a solid sequel to the second film, and a wonderful conclusion to the cinematic trilogy, but I personally feel as if it is the least successful (relatively speaking, of course) of the three films when separated from our nostalgia and the emotional resonance the series has accrued over time. Whereas there are moments in this film which are more powerful than those which came before, and Pixar continues to separate itself from the pack by tapping into the audience’s emotional connection with this franchise in a fashion which has eluded Dreamworks with Shrek, Toy Story 3 is the first in the trilogy to feel repetitive, albeit in a purposeful fashion designed to emphasize key themes from the second film which become more complex in the context of the third.
Considering this is Pixar, they pick the right themes and execute them to perfection when the time comes to bring the series to its cinematic close, but there is a lack of discovery within the film’s adventure, establishing it as an extremely engaging rumination more than a revelation – what will follow is my attempt to explain why I’m not head over heels in love with the film as a whole even after being head over heels in love with its conclusion.
[I went a few paragraphs without any major spoilers, but then I sort of throw all caution to the wind, so if you haven’t seen the movie yet I’d suggest bookmarking this until then, and you’ll have something to read after getting back from the theatre.]