January 20th, 2009
When it takes four people to write an episode of television, it is easy to become suspicious: there is nothing about “Bound” that screams as if it needs to have so many cooks in the kitchen, and the show has enough trouble keeping a consistent tone as it is without having so many independent voices in the writer’s room.
But this is a huge episode for Fringe: it is the first to air behind American Idol, the biggest lead-in in television and, as a result, a real test of the show’s ability to draw in new viewers. As a result, I can see why four writers had enough of a hand in this episode: it has to introduce potentially new viewers to the universe while at the same time dealing with the fall finale of sorts which left Olivia Dunham in the hands of some dangerous people.
What “Bound” becomes is a prime example of why these types of mid-season reboots for the purpose of drawing in new viewers are inherently dangerous, if not why they are an entirely bad idea: the episode is not a complete disaster by any means, and its back to basics approach will probably help it draw in some of the post-Idol audience for a few weeks at the very least.
But the problem lies in the fact that they bring to head a long gestating question of double agency in an episode where they are treading carefully with serialized elements: it’s hard to feel the sense of finality or build-up we should have felt when everything felt too clean due to the episode’s lack of time to really get dirty. There was something about the episode that just felt a bit too clean, mouth slugs be damned, and while I get the reasoning I can’t help but feel it’s nonetheless a step back in terms of momentum.