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Season Premiere: 30 Rock – “Season 4”

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“Season 4”

October 15th, 2009

There has been a lot of talk about a backlash against 30 Rock as of late, with numerous critics taking time out of their schedules to less review the new season and more place it on an axis of television comedy. The question is not so much about whether 30 Rock is funny, but whether it is consistently funny, and whether it is funny in ways that imply long-term development or ways which rely too heavily on quick cutaways and an almost sketch-comedy aesthetic. Whether VanDerWerff or Holmes, Sepinwall or Weinman, everyone seems to agree that 30 Rock is a flawed show capable of occasional genius, and there are certain things that it could do to improve.

In my relatively short time as a TV critic, I’ve spent more of my comedy analyzing time with The Office, a show which features far more nuance than 30 Rock in terms of its characters. On that show, the actions of Michael Scott need to be finely tuned to (in my view) connect with the right level of comedy, or else risk throwing the entire show out of whack. However, with 30 Rock, the show is inherently out of whack which is kind of the point of the whole thing. I don’t shy away from criticizing 30 Rock, nor do I feel that it deserved to steamroll The Office at the Emmys as it did (as the latter show had the better season, in my eyes), but at the same time I don’t feel that criticizing the show is the same as condemning it. 30 Rock, like all shows, isn’t critic-proof (that’s not a thing), but it is a show that manages to make me happy even when it isn’t quite living up to its full potential.

As such, I thought the cheekily titled “Season 4” was largely satisfied with cheeky as opposed to substantive, and that its commitment to that value resulted in an engaging half-hour of television that didn’t reach high enough but nonetheless had me eating out of the palm of its rough-skinned hand. Helped by airing after a less than fully-realized episode of The Office, the start of the fourth season gives almost no indication of what’s to come, but embodied enough of what makes the show work for me to be pretty excited about it anyways. I missed this show, and I’m glad to have it back, flaws and all.

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