If there’s something to say about the Supporting Actor category for comedy series, it’s that it has far too many candidates, largely due to the nature of television comedy. There are just a lot of male comic performers who steal their respective shows, emerging from the spotlight of the “stars” if you will. When there are three of television’s biggest comedies with two contenders each, you know that the competition is going to be extremely difficult.
And yet, when it comes to narrowing the category down to winners, it’s been a bit too predictable in recent years: since 2002, only three people have won the award (Brad Garrett with 3, David Hyde Pierce with his fourth, and Jeremy Piven with two in the last two years). The result is that it’s not the kind of category that really opens itself up to new talent, even when like last year it had it staring in its face with nominations for Rainn Wilson, Kevin Dillon and Neil Patrick Harris.
But the hope is that history won’t repeat itself: with 30 Rock emerging with a few new candidates, a breakthrough comic role for a drama specialist, and a few fringe contenders, Piven’s reign might just be over as Emmy voters decide to go with something fresh and new. Or, if I know Emmy voters, Piven will walk with his third trophy, not undeservedly but unfortunately.
[Sorry for advance for a lack of YouTube links: Entourage clips are limited and NBC is uppity about clips thanks to Hulu, which I’d use if I could access it from Canada. My apologies!]
Of the new shows which premiered in fall network lineups in 2007, there’s only really one that expects to make a big splash at the Emmy Awards. While plenty of new shows will be highly competitive, they debuted in the summer on cable networks where much of the season’s quality came from. Between the strike and a fairly mediocre development season, the freshman lineup of the networks just didn’t measure up…except for Pushing Daisies.
It was the most-buzzed about pilot for a lot of reasons, from its witty writting to its fanciful direction to its lead and supporting stars. While the show only aired nine episodes before going off the air due to the strike, and won’t be returning until the Fall, the show still made a fairly big splash with critics and viewers, and was nominated for a handful for Golden Globes earlier this year.
But translating that to Emmy success will be difficult, not the least of which because comedy is an intense set of categories this year and because the show has been off the air for six months. Considering that so many networks basically gave up on a lot of their freshman lineups, I think that the general perception did the same: while the pilot’s strength in technical categories and for Bryan Fuller and Barry Sonnenfeld is likely to shine through, whether the show’s extremely talented actors can do the same remains a big question. But if the submissions are strong, perhaps there is hope yet for the little pie shop that could.
Outstanding Comedy Series
The reasons you need to submit the pilot episode for a show like Pushing Daisies are numerous: not only is it the show with the biggest budget and therefore the strongest effects work, but it also feels the most like a small, contained story. While ABC ensured that every episode opened with a detailed sequence explaining the complicated life/death sequences of the show, “Pie-Lette” is without question where it has the most resonance as he makes the decision to bring his childhood sweetheart back to life. Part of me wishes that the episode had more for the supporting players to do, but this is about selling this sweet and charming show first and foremost, and the pilot certainly does the best job of this.
YouTube: The Opening of the Pie-Lette
Chances: The show is a strong competitor in this category due to its hour-long running time and a very showy episode submission, plus it’s definitely the biggest new comedy if they’re looking for something new.