Tag Archives: Chibbs

Season Finale: Sons of Anarchy – “NS”

“NS”

November 30th, 2010

Look, let’s get it out of the way: Sons of Anarchy was very far from the best show on television this fall. It was a season with a story to tell which seemed completely unwilling to tell that story, and when it finally got down to business it seemed as if everything was expedited and choppy. For a series that once delivered what I would describe as sick, twisted poetry, the third season lacked both rhyme and reason. While I perhaps understood what Kurt Sutter was going for by the time we reached the season’s penultimate episode, nothing about “June Wedding” made those previous episodes any more satisfying. In fact, the show sort of felt like it was following Stahl’s example: when you think a situation is going south, or you’re tired of playing a certain angle, you just shoot someone and call it a day.

I have some fundamental issues with the idea that Stahl could even come close to getting away with what she did in “June Wedding,” and the degree to which Stahl’s sociopathic behavior is being used to fuel the march towards the season’s conclusion, to the point where I’ve officially written off this season of television. Last week’s episode indicated to me that whatever Sutter was selling this year, it simply was not the show I want Sons of Anarchy to be, or the show that it had the potential to be coming out of its incredibly strong (and cohesive) second season.

In advance of watching “NS,” I had heard the buzz: this was a “return to form.” However, as Cory Barker wrote about earlier, the degree to which a solid finale (which “NS” arguably is) can overwrite previous struggles is fairly limited. And yet, I had no expectations that a legitimately enjoyable 90 minutes of television would actually make the season’s problems more apparent. “NS” is a smart episode of television which only confirms that the show’s third season was a wild miscalculation, an absolute failure of “Serial Narrative 101” that traveled halfway around the world and only got a lousy t-shirt with a bundle of letters hidden in it which only confirmed presumed details from the distant past.

I’m a bit busy now, though, to delve into all of the reasons why the season fell apart. I plan to come back to it at a later date, perhaps early next week, but for now I want to take “NS” as what it truly is: a launching pad to the future, and an opportunity for the series to move on with something resembling momentum.

Because on that level, “NS” is more or less a success.

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Sons of Anarchy – “Balm”

SonsofAnarchyTitle

“Balm”

November 10th, 2009

I don’t need to tell you that “Balm” was an exceptional hour plus of television: for about two weeks, critics have been waxing poetic about how this could be the show’s defining moment, and how this is the episode that raises Sons of Anarchy from the upper echelon of television drama to the upper upper echelon of television drama. The result is that Sepinwall, Fienberg, Ryan, Poniewozik and every other critic under the sun have already made their position extremely clear, to the point where I don’t really have much to add in terms of singing its praises.

However, that’s never particularly stopped me before, so I still want to talk about how great this episode is, or, more accurately, why this episode manages to be great despite some significant challenges. This is an episode which builds its tension around an action that before last week was almost entirely foreign to its audience (at least those with no deeper knowledge of MCs than what the show offers) and that creates an emotional climax you can see coming by the time the episode gets going, and yet manages to pull it off so brilliantly that it’s as if we as viewers have always known what “going Nomad” refers to and that we could never have expected the kind of emotion the episode’s final moments bring.

It’s an episode that turns the viewer into an active participant in the lives of each and every single character, to the point where we are sitting at the dinner table with the characters in that final scene and responding as they are to the news being delivered.

And that’s some damn fine television.

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