Tag Archives: Countdown

How I Met Your Mother – “Bad News”

“Bad News”

January 3rd, 2011

How I Met Your Mother is willing to make sacrifices.

In its balance of a long-running serial narrative and episodic storylines, the show is always looking for ways to balance one with the other: sometimes heavy mythology means slightly weaker standalone work, and sometimes a lack of mythology creates a lack of meaning to a particular story. Often, the mythology is emphasized to evoke pathos, and yet in the process the series has sort of fallen into certain patterns: the show can still hit Ted’s romantic notes well, for example, but it’s hit them enough times that the novelty may well have worn off.

In “Bad News,” we have an example of sacrificing coherent storytelling for the sake of slowly revealing an ongoing gimmick which, once fully comprehended by the audience, becomes the driving force behind a moment which was legitimately affecting. In doing so, the writers all but admitted that “Bad News” wasn’t going to be an all-time classic, but that seemed a conscious decision which allowed for that final moment to hit as hard as they wanted it to hit.

It was manipulative, to the point of damaging the structural integrity of the episode, but that final moment was perhaps worth that sacrifice.

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Spring Premiere: V – “Welcome to the War”

“Welcome to the War”

March 30th, 2010

I was tweeting earlier this week, in response to some questions from Chris Becker about why we start or stop watching shows, as it relates to what I’d call “Replacement Theory.” For ABC, they are desperately searching for a show to replace their hit Lost, which is still pulling top notch demo numbers that any network would kill for. And so next year, when Lost will be over and ABC won’t have that viewership, they’re looking for a replacement show, something that will pick up those viewers and keep the momentum going.

However, with FlashForward having bottomed out on Thursday nights, V is the last great hope and ABC knows it: they’re airing it after Lost, they heavily promoted its return (including during nearly every second of tonight’s episode of Lost), and they’re doing everything in their power to sell this show as the future of science fiction at ABC. But, for every advantage there is a disadvantage: no show has ever done well after Lost, that heavy promotion pissed off many Lost viewers angry that it was obscuring the screen, and the network has failed to launch a single science fiction series other than Lost successfully, proving that perhaps science fiction doesn’t actually have a place at the network.

Or perhaps the problem is just that “Replacement Theory” requires a certain degree of separation: V might pale in comparison to Lost now, but perhaps judged on its own merits the show could prove a refuge to fans in the post-Lost era. “Welcome to the War” is unable to live down the problems which plagued the series in its opening four episodes, but Scott Rosenbaum does an admirable job of reminding us that this premise is actually compelling and that there is the potential for its characters to become more interesting as time goes on.

We’re just not quite there yet.

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Lost – “The Package”

“The Package”

March 30th, 2010

There are plenty of reasons to be apprehensive about “The Package.” It’s coming off of an epic mythology episode of romance and intrigue, it features a vague title that seems to refer to some sort of MacGuffin, and it has the unfortunate task of “filling in the gaps” in its flash sideways as opposed to telling its own story. Because we saw a small glimpse into Jin’s fate in “Sundown,” we can be fairly certain that the show will be colouring in the lines this week, and after a week when the show was willing to go off the page entirely it means that the show is facing an uphill battle.

Like the season’s weaker episodes, “The Package” struggles with a flash-sideways that proves completely inconclusive and an island scenario which feels like pieces moving on a chess board, but it ultimately works because it doesn’t feel like those pieces are being moved. When things stall in the episode, it feels like they’re stalling for a reason, and everyone involved knows why they’re making the choices they are. While things may not be moving as quickly as some fans want them to be, they seem to be moving faster than the characters were prepared for, and there’s a nice tension there which bodes well for the remainder of the season.

And, let’s face it: the reveal of just what “The Package” is was way too good for me to be too cranky.

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