Tag Archives: Daleks

Series Finale, Part One: Doctor Who – “The Pandorica Opens”

“The Pandorica Opens”

June 19th, 2010

As a newcomer to Doctor Who, one of the challenges I’ve had to face in terms of writing about the series is what to do with its two-part episodes. In particular, there’s a distinct challenge with writing about the first part of those episodes, as Doctor Who tends to quite literally split narratives in half as opposed to telling two connected stories. As a result, the first half tends to be fairly heavy on exposition and setup before the second half brings it all to a resolution: while this means that there is plenty to speculate on about the first episode, it’s tough to offer a critical opinion when so much of the two-parter’s effectiveness depends on how it concludes.

[Note: this seems as good a time as any to link to Scott Tobias and Noel Murray’s fantastic conversation about the challenges of writing about television at The A.V. Club – I’d add “two-parters” to their list of confounding situations for television critics who write about television on a weekly schedule, although they are not particularly common in this day and age.]

I’ve gotten away with it so far this season by either writing about episodes from previous series (catching up with the Weeping Angels and River Song in my review of “The Time of Angels”) or catching up on previous episodes in this series (lumping reviews of “Vampires of Venice” and “Amy’s Choice” in with “The Hungry Earth”), but with “The Pandorica Opens” (the first part of the series finale) I knew that there was no such cheat available, which meant that the episode was either going to lend itself to instant analysis or it wasn’t.

There are times when I write about episodes of television because I feel I have something to say, or because I want to start or continue a conversation, but there are other times when I simply feel as if I need to write about something so as to be able to even come close to being able to wrap my head around it. “The Pandorica Opens” is one such episode, a first-part which wastes no time drawing a clear (and quite ingenious) connection between this story and the ongoing series narrative and in the process leaves me enormously confused in the best possible way.

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Doctor Who – “Victory of the Daleks”

“Victory of the Daleks”

April 17th, 2010

On the one hand, writing this review seems a little silly: I know very little about the Daleks beyond their general appearance and their robotic cadence, so I can’t really tell you how “Victory of the Daleks” works in terms of returning the alien race to the world of Doctor Who. However, on the other hand, the whole point of this episode is a sort of rebirth, a Dalek renaissance designed to reassert the function of this particular arch-nemesis, so while I cannot judge the story for continuity I can judge how well the episode sets up the Daleks for their likely return in subsequent episodes.

“Victory for the Daleks” replaces last week’s futuristic setting with an historical glimpse into the London Blitz, and does not really switch up much else: the formulaic structure of the series is readily clear but also fairly effective, managing to continue to throw in some small characters beats and some fun standalone elements within an episode which primarily continues the series mythology.

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