“The Pirate Solution”
October 12th, 2009
Usually, my reviews of The Big Bang Theory end up devolving into my frustration with the show’s treatment of Sheldon (a subject that many disagree with) and the ill-advised nature of Leonard and Penny’s relationship (which pretty much everyone agrees with, outside of a vocal minority), but “The Pirate Solution” is a rare occasion where I get to focus my analysis elsewhere.
I often feel that the show is held back by is adherence to the sitcom tradition of a fundamental lack of character development, focusing instead on character interaction. There are episodes where I totally buy into the value of this, accepting that although it holds the show back it nonetheless can result in some really fun comedy. However, there are episodes like “The Pirate Solution” which focus their attention on a character and in the process remind us that while some have turned into full-featured individuals others have, well, not.
Raj Koothrappali is a character who, like Penny, is a good foil for nearly every other character, but when you isolate him on his own things become starkly simple. Kunal Nayyar is an engaging actor, but the problem with Raj is that his lack of development is proving detrimental. When the show designates a Raj episode, it means the show recycles cliched India jokes and once again has Raj’s inability to speak to women prove detrimental. I won’t argue that this isn’t entertaining, as I think the Raj parts of this episode were charming; however, I think that there’s a point here where I wonder why Raj needs to be reduced to these stereotypes, and at what point his evolution would only improve the show’s dynamics.
March 22nd, 2009
While the title above is fairly ambiguous, and HBO hasn’t come out and said what kind of finale this was in the end, the actual content of the episode spoke quite clearly: while this was not the season’s musical or comic highlight, it had that air of finality not just of some sort of season-long storyline but rather the very setup of the show. Offering up a meta-commentary wherein the show’s Bret and Jemaine move closer, albeit more wackily, to the commercialization of the real Bret and Jemaine feels like the way you end this series, not just a season, and coming back from the episode feels like it might not just be impossible, but also inadvisable.
And yet, at the same time, it also captures the reasons why the show is so charming, and why this second season has remained a weekly highlight even when I’ve been disappointed by much of the season’s musical interludes. The show found itself quite the comic voice as it headed into this season, and that’s something it has maintained with startling efficiency. While parts of this episode returned to more simple forms of humour that the show used in its original premise, the supporting characters around it have evolved so much further that it’s an entirely different show, and a better one.
So HBO and the Conchords have a very tough decision to make – is it good to go out while you’re still making people laugh and when you’ve crafted a satisfying conclusion, or do you want to continue to tell the story of the band that starts at the bottom, continues along the bottom, and ends up at the bottom for another season?
I’m still not sure which camp I find myself in.
February 2nd, 2009
I feel at this point that Bays and Thomas have conditioned us long term viewers on how to watch an episode of HIMYM: the second Barney announces that he has an online video resume, I’m in Firefox typing in the address and making a note that the site is, of course, real. If the show had a resume, it would include many of these types of moments, the little throwaway lines built into entertaining side projects or the quirky facts we learn show up on each person’s resumes emerging as quick flashbacks.
“The Possimpible” doesn’t try to be overly sentimental, or even overly ambitious: it just looks back on its past, makes a reel of the various ways the show has been charming in the past (most related to Barney) and then crafting an episode around them. It’s something that doesn’t always work for the show, sometimes feeling more like a pastiche of its better episodes, but this one really worked for me. Between the invented words, the humorous websites (Barney’s Video Resume and Ted’s Mysterious Dr. X Website), the continued tension between Barney and Robin and the clever and humorous way of working Alyson Hannigan’s pregnancy into the episode, this one earned a spot on the show’s resume.