Tag Archives: Dogen

Lost – “Ab Aeterno”

“Ab Aeterno”

March 23rd, 2010

Considering how important “Ab Aeterno” is to the Lost mythos, and considering how much I enjoyed the epiosde, I don’t think I’m going to have a whole lot to say about it – or, more accurately, I didn’t think I’d have a whole lot to say until I actually started writing about it. This does not mean that the episode didn’t live up to my expectations, or that there isn’t plenty of questions to mull over in the week to come. Instead, I simply mean that things were confirmed more than they were revealed, and the questions that were answered actually provided clarity as opposed to more questions.

In many ways, “Ab Aeterno” (which translates as “since the beginning of time”) is about the interrelationship between “how” and “why,” with its answers addressing issues related to both key questions. Structurally speaking, Season Six is no more clear than it was before, but the brief glimpse of Jacob and the Man in Black from “The Incident” is intricately fleshed out into the story of how Richard Alpert made the decision between a man who offered him everything he once had and the man who could assure him that there would be something to live for.

The result is a simple story of love and loss, and an important turning point in our understanding of why these characters are stranded on this island, and how they may play a role in its eventual destiny.

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Lost – “Sundown”

“Sundown”

March 2nd, 2010

“You think you know me but you don’t.”

The Flash Sideways structure this season has been taking a lot of criticism from those who think that its opaque intentions are obscuring any meaning that it might have, but I think that in terms of its immediate function it has actually been quite clear. As the show confuses the question of identity through the Man in Black and his various influences, the Flashes offer a glimpse at characters in a far less confused universe who are still just as confused as they were before. Yes, there seems like there is a deeper meaning behind the scenes that is being withheld, and there are times when the connections are too simple to feel eventful enough for the show’s final season, but “Sundown” is a pretty clear example of the basic dramatic purpose of these scenes.

“Sundown” is not the best episode of this short season, nor is it a particularly pleasant one: it is an episode filled with darkness, showing characters taking actions and getting into situations from which there is no real escape. However, it’s a nice bit of analysis of the determinism that dominates this universe, and with a strong performance from Naveen Andrews the episode is able to entertain even if we are none too happy with its outcomes.

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Lost – “Lighthouse”

“Lighthouse”

February 23rd, 2010

“I guess we weren’t looking for it…”

When Lost adds new elements to its world, acts of expansion that have been quite common early in the show’s sixth season, there’s always a question of why we’ve never seen it before. Why did they wait so long, for example, for us to meet Benjamin Linus, and why did we never learn about the Man in Black until the fifth season finale? They’re questions that have some merit, certainly, but which perhaps miss the point: the reality is that sometimes things sneak up on you, and things that have existed for centuries are only able to be found when you know where to look (and sometimes Michael Emerson blows away the producers and becomes part of the show’s expansion).

“Lighthouse” is a cross-reality investigation of this idea, of what people are able to “see” with the right information and how those viewpoints change those characters. For some, their perspective is clouded by an infection taking over their mind and body, while for others their perspective is clouded by a life filled with self-doubt and personal struggle. And while we’ve yet to be given the proper coordinates to full interested what the show’s flash-sideways structure represents, it continues to offer a unique perspective on who these characters could have been, which remains a compelling counterpoint to the characters they are and – perhaps more importantly – the characters they are destined, or not destined, to be.

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