“Chuck vs. the Best Friend”
February 23rd, 2009
Utilizing every one of its regular cast members other than Big Mike, “Chuck vs. the Best Friend” is the kind of episode that demonstrates the show’s confidence within its second season. It connects all of Chuck’s various world in numerous different ways, allowing for the Buy More storyline to intersect with Awesome and Ellie while Chuck’s spy storyline intersects with Morgan and Anna’s on and off relationship that is currently in the decidedly off position.
And although the episode doesn’t deal with the show’s ongoing mythology, or introduce a new dynamic into Chuck and Sarah’s relationship, this is an example of a show that knows its identity and knows it well. To be fair the episode, it actually did some of the show’s best Chuck and Morgan material to date, and at a certain point you start to realize that even their mostly perfunctory bromance can be milked for some considerable drama in scenarios like this one.
If a show is going to have a “Flash of the Week,” it needs to do one of two things: make it stand out from an action/suspense point of view or connect it to the show’s characters. What Chuck has decided to do this season is show up every other show by doing both at the same time. It’s made for some darn great television.
“Chuck vs. The Sensei”
December 1st, 2008
Any show coming out of a major story arc is going to have a bit of a tough time of their next episode. This isn’t to say that the episode is going to be bad, but rather that it’s inevitable: whether Lost after their premieres or Battlestar Galactica after its inevitable midseason pit stops, there’s going to be a point when the rising action has reached its climax and it’s too soon for the next story to really pick up.
This was, for Chuck, as good a time as any to return to the past of one John Casey, stern-faced Buy More employee in one life and…stern-faced NSA agent in the other. While I like seeing more of Casey, the episode spends a lot of time plainly stating that John Casey only has one speed: mad. There is no inner calm in John Casey, and while we get one moment of unquestioned humanity in the episode there is, for the most part, not going to be something approaching the emotional side that we get so often from Sarah.
But Adam Baldwin knows how to play mad, and the show knows how to balance an episode like this; while it doesn’t help it rise above the show’s standard this season, the choice to parallel Casey’s past with Ellie’s upcoming wedding and the pressures of in-laws offered a good chance for the storyline to slowly move forward even as Casey faces off against a familiar face from his past (and ours, as far as the TV spy game goes).