“Letting You Go”
April 28th, 2010
I am officially nearing the point with Cougar Town where I may make it my personal crusade to travel across the country in order to force every person who gave up on the show in its (admittedly pretty bad) early episodes to sit down and watch an episode like “Letting You Go.” As a show which seemed to begin with tired archetypes, I can see why people were perhaps impatient with the series, but these characters are real people now: while Modern Family has a set of dynamic character types that offer plenty of storytelling opportunities, characters on Cougar Town evolve and change in life the same way that J.D., Elliot and Turk changed through medicine.
“Letting You Go” is a careful negotiation of the show’s central relationships told through a combination of some bare bones emotional realities and some ridiculous, over-the-top sequences that would seem like dream sequences on any other show. That the show is capable of achieving this makes it all the more impressive, and makes me all the more sad that people who would truly love this show let it go before it really had a chance to shine.
“Chuck vs. the Honeymooners”
April 26th, 2010
“Chuck vs. the Honeymooners” is not an episode about “Chuck and Sarah.” It is an episode about Chuck, and Sarah, and their independent personalities; the argument the show makes is not that they should be together (although it does sort of implictly make this argument through its quality), but rather that they each independently want to be with the other, and that this is a conclusion which they have come to as human beings rather than as much-shipped television characters on a network series.
I’m not one of those people who particularly cares about “Chuck and Sarah,” but I am one of those people who cares about Chuck, and Sarah, and their own journeys through this crazy life they’re living. In an episode which has a lot of fun moments which play into the lengthy period of romantic tension which led to this inevitable conclusion, there are also a lot of fun moments which are just the result of how much chemistry that Zachary Levi and Yvonne Strahovski have independent of a relationship, and how great the show’s stunt team is at making a low budget show look like an action film when it comes time to throw down.
The show can never be exclusively “about” Chuck and Sarah’s relationship, but so long as the show’s investigation of its potential results in episodes like this one which are damn entertaining entirely independent of the shipper mentality, I’d say that this little six-episode mini-season could be quite the ride.
“Chuck vs. the American Hero”
March 29th, 2010
Sometimes, when critics receive episodes in advance and when previews run rampant online, those of us without those episodes and who choose not to watch those previews nonetheless hear the basic content of an episode. And when it comes to this week’s episode of Chuck, it was absolutely impossible to ignore the subject matter of this week’s episode.
What’s interesting is that these responses were both positive and negative: news that this episode would directly speak to Chuck and Sarah’s relationship tends to divide the Chuck viewership between those who are excited about it because it’s the reason they watch the show and those who are excited about it because it means they might finally get around to resolving this issue. While some live or die based on this story, most viewers tend to view it as a part of the show that’s fine in small doses, and fine in theory, but occasionally overpowers the rest of the show’s narrative.
And so episodes like “Chuck vs. the American Hero” are either the highlight of the season or a necessary evil in order for the show to keep on track heading into the rest of the year; in this case, after a bit of a rough start, the episode manages to prove engaging enough and twisty enough that any of my concerns with their relationship were (mostly) pushed aside for the time being.
“Chuck vs. the Tic Tac”
March 15th, 2010
There have been numerous traces throughout Chuck’s third season that the producers were really working overtime in order to get all of this material into thirteen episodes. This has been a tremendously consistent season from a thematic standpoint, to the point where it’s almost overwhelming: in case you haven’t realized it, the season is about Chuck’s changing identity and notions of trust and belief within our group of individuals.
“Chuck vs. the Tic Tac” is one of the most direct examples of an episode that isn’t about Chuck, perhaps, but is unquestionably part of this ongoing development. This is a Casey episode, and quite a good one, but it is actually probably the most subtle and effective movement in the Chuck/Sarah story that we’ve had in a while. When the show becomes “about” Chuck and Sarah, it sort of slows to a crawl; when it uses other stories to bring to light issues that help offer depth to that whole situation, it seems more natural, comes across as less dominant within the show’s universe.
This is a highly micro-managed episode, one which resists any sort of subtlety in its core story, but it does some nice work where it needs to, and I’ll forgive its bluntness due to its success at setting the show on the right course heading forward.
“Chuck vs. the Beard”
March 8th, 2010
Tonight, apparently, was a night where television appealed to the Myles demographic. After watching an episode of How I Met Your Mother that dealt with my lingering frustration over events earlier in the season, Chuck delivers an episode which confirms everything that I’ve said since the beginning of the season in terms of how the Intersect 2.0 operates, how Chuck is evolving as a character, and how that affects the world around him.
And yet, sort of like with HIMYM, I’m left somewhat underwhelmed by “Chuck vs. the Beard” even though it went down a checklist of many of the things that I like so much about this show. The problem, I think, was that it tried to do so many of them simultaneously without any really grounding the episode in any particular threat. There were too many coincidences, too many contrivances, and too many scenarios where the fun of “Viva Buy-Moria” took over from (rather than added complexity to) the fairly serious consequences of The Ring’s latest plan to take down our intrepid heroes.
The episode takes the show to places it should have gone sooner, and places that give the show a lot of great material heading into the rest of the season, and does so within the guise of what seems like an all-time classic episode of the series. And while there’s a compelling case to be made that Chuck, as a character, requires the support structure that the ensemble cast and its different spheres offers, I’m not sure that the episode itself was strengthened by that diversity.
“Chuck vs. the Mask”
February 8th, 2010
I was pretty down on “Chuck vs. the Nacho Sampler,” and I was in the minority on that one: many called it one of the best episodes of the season, and I’ll admit that I just don’t see it. I had a day to sit on the episode, which meant that my concerns festered overnight, but I do think that it failed to really capture the show at its strongest, losing a lot of its momentum by keeping Chuck and Hannah apart, and by sidelining Shaw in an effort to keep things moving. The Manoosh story was solid, but it seemed like it wasn’t saying anything new, and the story seemed to be actively delaying the inevitable (with Hannah) rather than integrating her into the stand-alone story.
And based on some early responses, I might be alone yet again in much preferring “Chuck vs. the Mask” to last week’s episode. While it wades into dangerous waters with its engagement with romantic entanglements, it uses that drama to its advantage, and crafts a story that sells some pretty important transition points as the show heads into an Olympics hiatus. The episode is a bit insulated, and it resolves one of its potential long term story threads a bit too quickly, but it’s all extremely well executed, and continues a string of good episodes that gives me plenty of creative faith in the show heading into the post-Olympics episodes.
“Chuck vs. the Nacho Sampler”
February 1st, 2010
We like to talk a lot these days about shows in which the creators take control of their own destiny: Lost, for example, decided it was going to end the show at a certain point, and it gave them a clear goal to work towards, leading to some great dramatic television. It’s one thing to laud a show for making the right creative decisions in the moment, writing good plots and the like, but it’s another when they make decisions that affect the show as a whole in a way that helps steer the ship as they sail onwards.
“Chuck vs. the Nacho Sampler,” while a somewhat weak episode in many ways, signals the start of the period where Chris Fedak and Josh Schwartz are making a move to take control of their destiny. While the story of Chuck stepping further into the world of being a spy, in the process reflecting back on his own experience as an asset in his earliest days with the agency, is a bit on-the-nose thematically speaking, the episode lays the groundwork for the show’s biggest secret to be revealed.
Whether they actually go through with it is a completely different question, but the setup is under way, and it raises some questions of how the show plans on ending its third season, and whether the show will have the narrative drive to move onto a fourth.