Tag Archives: Agent Shaw

Chuck – “Chuck vs. the Tooth”

“Chuck vs. the Tooth”

May 10th, 2010

So far in this six-episode miniseason, Chuck has been barreling along not unlike the train in the “premiere” of sorts: the destination isn’t particularly important, we’re just along for the ride as Chuck and Sarah adjust to being a couple and fighting evil at the same time. It’s been a nice change of pace in a season which felt like it was so clearly driving towards the triangle between Chuck, Sarah and Shaw that none of the show’s other elements really got to shine, and I’ve been enjoying these episodes quite a bit.

However, with “Chuck vs. the Tooth” that train has put on the brakes, and you can very clearly see the switch turning to send the train in a certain direction. I understand why this is (we only have two episodes left this season), and I also understand the long-term plans at play within this solid if not spectacular episode. The problem is that the show manipulates short term reactions in order to establish potential consequences regarding the intersect, leading to an episode which plays out as Chuck’s worst nightmare when, in reality, I think the episode would have played out in a more logical and less dramatic fashion.

It gets the point across, no question about that, but it does so in a less than elegant fashion which hearkens back to the original 13 episodes more than this more recent run.

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Chuck – “Chuck vs. the Beard”

“Chuck vs. the Beard”

March 8th, 2010

Tonight, apparently, was a night where television appealed to the Myles demographic. After watching an episode of How I Met Your Mother that dealt with my lingering frustration over events earlier in the season, Chuck delivers an episode which confirms everything that I’ve said since the beginning of the season in terms of how the Intersect 2.0 operates, how Chuck is evolving as a character, and how that affects the world around him.

And yet, sort of like with HIMYM, I’m left somewhat underwhelmed by “Chuck vs. the Beard” even though it went down a checklist of many of the things that I like so much about this show. The problem, I think, was that it tried to do so many of them simultaneously without any really grounding the episode in any particular threat. There were too many coincidences, too many contrivances, and too many scenarios where the fun of “Viva Buy-Moria” took over from (rather than added complexity to) the fairly serious consequences of The Ring’s latest plan to take down our intrepid heroes.

The episode takes the show to places it should have gone sooner, and places that give the show a lot of great material heading into the rest of the season, and does so within the guise of what seems like an all-time classic episode of the series. And while there’s a compelling case to be made that Chuck, as a character, requires the support structure that the ensemble cast and its different spheres offers, I’m not sure that the episode itself was strengthened by that diversity.

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Season Premiere: Chuck – “Chuck vs. the Pink Slip”/”Chuck vs. the Three Words”

“Chuck vs. the Pink Slip”/”Chuck vs. the Three Words”

January 10th, 2010

“Trust me, Chuck – it’s all going to work out fine.”

The title of every episode of Chuck implies a conflict. It tells us that Chuck is in a constant state of opposition, and that this show is defined by the adversarial life Chuck lives, trapped between the job the supercomputer in his head forces him to do and the life he would be leading if it were not for that supercomputer. Much of the show’s best material, both comic and dramatic, comes when world collide, when the Castle invades the Buy More and when Ellie and Awesome become acquainted with Sarah and Casey.

And yet, so much of what makes the show work from a creative standpoint is that these elements aren’t in conflict at all. Although it may be tough for Chuck to reconcile these elements, keeping secrets from the people he loves most, the show has always been at its best when these worlds seamlessly become one and the show reflects the beautiful concert of spy and nerd, of friend and friendly foe (Casey), of real family and work family. And what holds it all together is that these are characters who have relationships, who relate to one another in ways that feel funny when they need to be funny, meaningful when they need to be meaningful, and difficult when they need to be difficult. This is a show that wouldn’t work were it not for these characters feeling part of the same world: a world with conflict, yes, but a world which never feels defined by that conflict, episode titles aside.

I say all of this both to celebrate the return of Chuck, and to recognize that the season’s key theme seems to be the characters themselves coming to term with the role that emotional connection plays in this universe. While some feared the show’s game-changing twist would fundamentally change the series’ DNA, it has instead done quite the opposite: the series’ DNA has stayed quite the same, and what’s changed is how aware the characters are of the ties that bind them together which go beyond job descriptions. In “Chuck vs. the Pink Slip” and “Chuck vs. the Three Words,” we discover that for Chuck to tap into all of the knowledge he has available, and for Sarah to discover what she wants to do with her life, all they need to do is realize that the very thing that they believe to be a source of conflict between them may be the one thing which solves their problems.

Which perhaps, in the process, solves the show’s biggest problem, at least for now, and gets Season 3 off to a rollicking start.

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