Tag Archives: Christopher Lloyd

Fringe – “The Firefly”

“The Firefly”

January 21st, 2011

There is a lot to like about “The Firefly.” Any episode which centers on John Noble is bound to be of high quality in the performance area, and pairing him with guest star Christopher Lloyd proves to be as effective as one might imagine. The episode also embodies many of Fringe’s most distinctive qualities, twisting time and playing with alternate timelines in ways which have defined its creative improvements over the course of the past two seasons.

And yet, I can’t help but feel that “The Firefly” is not quite as good as it might seem on the surface. This is not to say that the opinions of people like my A.V. Club colleague Zack Handlen (who gave the episode an A) are invalid – like I say, I completely see where they’re coming from. In the end, though, I felt that the episode never found a sense of harmony within the dissonance, providing moments which seemed transcendent but ultimately delivering an episode which very much wore the scars of a necessary stepping stone on which the rest of the season will be built.

Thus, while I admire that it delivers some truly heartfelt moments which nicely set the stage for what will follow, the topsy-turvy nature of the episode feels purposefully elusive rather than genuinely mysterious – perhaps a fitting pivot into the remainder of the season, but ultimately disruptive to the episode at hand.

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Chuck – “Chuck vs. the Tooth”

“Chuck vs. the Tooth”

May 10th, 2010

So far in this six-episode miniseason, Chuck has been barreling along not unlike the train in the “premiere” of sorts: the destination isn’t particularly important, we’re just along for the ride as Chuck and Sarah adjust to being a couple and fighting evil at the same time. It’s been a nice change of pace in a season which felt like it was so clearly driving towards the triangle between Chuck, Sarah and Shaw that none of the show’s other elements really got to shine, and I’ve been enjoying these episodes quite a bit.

However, with “Chuck vs. the Tooth” that train has put on the brakes, and you can very clearly see the switch turning to send the train in a certain direction. I understand why this is (we only have two episodes left this season), and I also understand the long-term plans at play within this solid if not spectacular episode. The problem is that the show manipulates short term reactions in order to establish potential consequences regarding the intersect, leading to an episode which plays out as Chuck’s worst nightmare when, in reality, I think the episode would have played out in a more logical and less dramatic fashion.

It gets the point across, no question about that, but it does so in a less than elegant fashion which hearkens back to the original 13 episodes more than this more recent run.

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